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Statements

Subject Item
dbr:History_of_Russian_animation
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Historia de la animación rusa Storia dell'animazione russa Histoire de l'animation russe История русской мультипликации History of Russian animation Historia rosyjskiej animacji Russische Animation
rdfs:comment
La historia de la animación rusa es la tradición de las películas, cortos y series animadas producidas por los responsables de la animación en Rusia. La mayor parte de la creación de producciones rusas de animación de películas para cine y televisión se creó durante la época soviética (1922-1991), lo que hace posible denominarla, también, como la historia de la animación soviética. Fuera de Rusia, sigue siendo un campo casi inexplorado en la teoría e historia del cine.​​ Russische Animation ist die Filmkunst russischer Schöpfer von Animationsfilmen. Ein Großteil der russischen Animationsfilme für Kino und Fernsehen wurde zu Zeiten der Sowjetunion geschaffen und ist erst seit relativ kurzer Zeit Forschungsgegenstand der westlichen Filmtheorie und -geschichte. The history of Russian animation is the visual art form produced by Russian animation makers. As most of Russia's production of animation for cinema and television were created during Soviet times, it may also be referred to some extent as the history of Soviet animation. It remains a nearly unexplored field in film theory and history outside Russia. Nella storia della produzione animata della Russia, vi sono stati dei contributi maggiori sia per il cinema sia per la televisione durante il periodo sovietico, pertanto può essere riferita per alcuni tratti come la storia dell'animazione sovietica. Tuttavia, rimane un settore quasi inesplorato nello studio del cinema e nella storia al di fuori della Russia. История русской мультипликации охватывает несколько периодов с 1906 года до наших дней, крупнейшим из которых был советский, в основном представленный студиями «Союзмультфильм» и «Экран». Historia rosyjskiej animacji obejmuje kilka okresów, z których największym był radziecki. Czasy kreskówek prezentowanych głównie przez studio filmowe „Sojuzmultfilm” i „Ekran”. L'animation russe est relativement ignorée du grand public occidental, c'est pourtant un échelon marquant de l'histoire du cinéma d'animation. Quelques films sont diffusés sporadiquement dans les années 1980 sur les chaînes de la télévision publique française. Depuis peu[Quand ?], l'explosion de la demande en cinéma d'animation d'auteur permet de découvrir ou redécouvrir quelques-uns de ces chefs-d'œuvre du cinéma d'animation, comme Tchebourachka (1971) ou Le Hérisson dans le brouillard (1975). Parmi les quelques auteurs particulièrement reconnus et leurs œuvres emblématiques, on peut citer :
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L'animation russe est relativement ignorée du grand public occidental, c'est pourtant un échelon marquant de l'histoire du cinéma d'animation. Quelques films sont diffusés sporadiquement dans les années 1980 sur les chaînes de la télévision publique française. Depuis peu[Quand ?], l'explosion de la demande en cinéma d'animation d'auteur permet de découvrir ou redécouvrir quelques-uns de ces chefs-d'œuvre du cinéma d'animation, comme Tchebourachka (1971) ou Le Hérisson dans le brouillard (1975). Sous le régime soviétique, le cinéma russe englobait la production des divers pays qui sont devenus des républiques indépendantes après la dislocation de l'URSS, montrant la richesse et la diversité de ces différentes cultures. Ainsi se distingue le avec entre autres les productions du Turkménistan, de l'Ouzbékistan, du Kazakhstan, du Kirghizistan. La qualité, les styles et les techniques d'animation russes sont très variés. Parmi les techniques utilisées, on trouve entre autres : * des dessins animés classiques proches du style de Disney, ou au style plus personnel selon les réalisateurs, notamment par Olga Khodataeva ; * des peintures animées, extraordinaires chefs-d'œuvre d'animation, des courts-métrages réalisés en peinture à l'huile, technique également pratiquée par l'animateur suisse Georges Schwizgebel ; * des marionnettes, en volume ou à plat, alliant toutes sortes de matériaux (notamment pâte à modeler). Parmi les quelques auteurs particulièrement reconnus et leurs œuvres emblématiques, on peut citer : * Ivan Ivanov-Vano : Le Petit Cheval bossu (1947), adapté de l'œuvre éponyme de Piotr Erchov ; * Mikhaïl Tsekhanovski : (1962), d'après le conte d'Andersen ; * Youri Norstein et son très primé Le Conte des contes (1979) ; * Lev Atamanov avec La Reine des neiges (1957) ; * Garri Bardine et ses films en plastiline : Le Loup gris et le Petit Chaperon rouge (1990), Le Chat botté (1995), (1997), (2002), (2005). Parmi les cinéastes russes ayant émigré en France : * Ladislas Starevitch, réalisateur notamment du Roman de Renard (1930) ; * Alexandre Alexeïeff, inventeur de la technique de l'écran d'épingles (1931). Les plus célèbres studios d'animation russes sont : * Soyouzmultfilm * Kievnauchfilm (auquel on doit par exemple Parasolka v Cirkeou / Parasolka en 1980 ou Dojdik, dojdik, pusche! / L'onde vagabonde en 1982) Nella storia della produzione animata della Russia, vi sono stati dei contributi maggiori sia per il cinema sia per la televisione durante il periodo sovietico, pertanto può essere riferita per alcuni tratti come la storia dell'animazione sovietica. Tuttavia, rimane un settore quasi inesplorato nello studio del cinema e nella storia al di fuori della Russia. La historia de la animación rusa es la tradición de las películas, cortos y series animadas producidas por los responsables de la animación en Rusia. La mayor parte de la creación de producciones rusas de animación de películas para cine y televisión se creó durante la época soviética (1922-1991), lo que hace posible denominarla, también, como la historia de la animación soviética. Fuera de Rusia, sigue siendo un campo casi inexplorado en la teoría e historia del cine.​​ The history of Russian animation is the visual art form produced by Russian animation makers. As most of Russia's production of animation for cinema and television were created during Soviet times, it may also be referred to some extent as the history of Soviet animation. It remains a nearly unexplored field in film theory and history outside Russia. Russische Animation ist die Filmkunst russischer Schöpfer von Animationsfilmen. Ein Großteil der russischen Animationsfilme für Kino und Fernsehen wurde zu Zeiten der Sowjetunion geschaffen und ist erst seit relativ kurzer Zeit Forschungsgegenstand der westlichen Filmtheorie und -geschichte. История русской мультипликации охватывает несколько периодов с 1906 года до наших дней, крупнейшим из которых был советский, в основном представленный студиями «Союзмультфильм» и «Экран». Historia rosyjskiej animacji obejmuje kilka okresów, z których największym był radziecki. Czasy kreskówek prezentowanych głównie przez studio filmowe „Sojuzmultfilm” i „Ekran”.
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