This HTML5 document contains 44 embedded RDF statements represented using HTML+Microdata notation.

The embedded RDF content will be recognized by any processor of HTML5 Microdata.

Namespace Prefixes

PrefixIRI
dctermshttp://purl.org/dc/terms/
dbohttp://dbpedia.org/ontology/
foafhttp://xmlns.com/foaf/0.1/
n14http://dbpedia.org/resource/File:
dbpedia-eshttp://es.dbpedia.org/resource/
n17https://global.dbpedia.org/id/
dbthttp://dbpedia.org/resource/Template:
rdfshttp://www.w3.org/2000/01/rdf-schema#
n4http://commons.wikimedia.org/wiki/Special:FilePath/
rdfhttp://www.w3.org/1999/02/22-rdf-syntax-ns#
owlhttp://www.w3.org/2002/07/owl#
wikipedia-enhttp://en.wikipedia.org/wiki/
dbphttp://dbpedia.org/property/
provhttp://www.w3.org/ns/prov#
dbchttp://dbpedia.org/resource/Category:
xsdhhttp://www.w3.org/2001/XMLSchema#
wikidatahttp://www.wikidata.org/entity/
dbrhttp://dbpedia.org/resource/

Statements

Subject Item
dbr:In_Ictu_Oculi
rdfs:label
In Ictu Oculi In Ictu Oculi
rdfs:comment
In Ictu Oculi (In the blink of an eye) is a very large oil on canvas painting by the Spanish Baroque artist Juan de Valdés Leal. It is dated to 1670-72, and was commissioned by the Brotherhood of Charity (the Caridad) lay confraternity for the Hospital de la Caridad, Seville, a resting place for the old and a burial ground for paupers. A close copy by Reynoso dated to the 1860s–70s is in the Metropolitan Museum of Art, New York. In Ictu Oculi es una pintura del artista Juan de Valdés Leal. Fue un encargo de la Hermandad de la Caridad de Sevilla para la iglesia del hospital. El encargo consistió en dos obras: In Ictu Oculi y Finis Gloriae Mundi​En su obra, representa el tema de la vanitas. Plasma los placeres terrenales como una vanidad. Con los elementos que utiliza hace un recordatorio de la inevitabilidad de la muerte, sin importar el poder, la belleza o las posesiones terrenales.​
foaf:depiction
n4:Valdes_Leal_-_In_Ictu_Oculi.jpg n4:Valdes_Leal_-_Finis_Gloriae_Mundi.jpg
dcterms:subject
dbc:1670s_paintings dbc:Memento_mori dbc:Paintings_by_Juan_de_Valdés_Leal dbc:Skulls_in_art
dbo:wikiPageID
51638800
dbo:wikiPageRevisionID
1091485693
dbo:wikiPageWikiLink
dbr:Cardinal-Infante_Ferdinand_of_Austria dbr:Scythe dbc:1670s_paintings n14:Valdes_Leal_-_Finis_Gloriae_Mundi.jpg n14:Valdes_Leal_-_In_Ictu_Oculi.jpg dbr:Sic_transit_gloria_mundi dbr:Juan_de_Valdés_Leal dbr:Tiara dbc:Memento_mori dbc:Paintings_by_Juan_de_Valdés_Leal dbc:Skulls_in_art dbr:Memento_mori dbr:Hospital_de_la_Caridad_(Seville) dbr:In_ictu_oculi dbr:Baroque dbr:Confraternity dbr:Death_(personification)
owl:sameAs
wikidata:Q28220571 dbpedia-es:In_Ictu_Oculi n17:2cr9J
dbp:wikiPageUsesTemplate
dbt:Reflist dbt:ISBN dbt:Clear dbt:Italic_title dbt:Refbegin dbt:Refend
dbo:thumbnail
n4:Valdes_Leal_-_In_Ictu_Oculi.jpg?width=300
dbo:abstract
In Ictu Oculi es una pintura del artista Juan de Valdés Leal. Fue un encargo de la Hermandad de la Caridad de Sevilla para la iglesia del hospital. El encargo consistió en dos obras: In Ictu Oculi y Finis Gloriae Mundi​En su obra, representa el tema de la vanitas. Plasma los placeres terrenales como una vanidad. Con los elementos que utiliza hace un recordatorio de la inevitabilidad de la muerte, sin importar el poder, la belleza o las posesiones terrenales.​ In Ictu Oculi (In the blink of an eye) is a very large oil on canvas painting by the Spanish Baroque artist Juan de Valdés Leal. It is dated to 1670-72, and was commissioned by the Brotherhood of Charity (the Caridad) lay confraternity for the Hospital de la Caridad, Seville, a resting place for the old and a burial ground for paupers. The work is one of a pair of similar memento mori paintings - the other painting Finis Gloriae Mundi shows the remains of a bishop and knight. In Ictu Oculi shows the grim reaper carrying a coffin and scythe, triumphant among the remains of a now dead, but a formerly powerful and influential unidentified person. Both paintings are still in place just inside the hospital entrance. They are considered the pinnacle of his artistic achievement, to the extent that he has been, perhaps unfairly, referred to as the "painter of the dead". A close copy by Reynoso dated to the 1860s–70s is in the Metropolitan Museum of Art, New York.
prov:wasDerivedFrom
wikipedia-en:In_Ictu_Oculi?oldid=1091485693&ns=0
dbo:wikiPageLength
4618
foaf:isPrimaryTopicOf
wikipedia-en:In_Ictu_Oculi