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Statements

Subject Item
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Lee Ufan Ли У Хван Lee Ufan Lee Ufan Lee Ufan 이우환 Lee Ufan 李禹煥
rdfs:comment
Ли У Хван (кор. 이우환, яп. 李禹煥 （リ・ウーファン） Ри У:фан, в американских и европейских источниках встречаются написания Lee Ufan и Lee U-Fan, род. 1936 г. Корея) — современный японский художник-минималист корейского происхождения. Стоял у истоков зарождения корейского направления живописи Dansaekhwa (монохромная живопись). Lee Ufan (nacido en Gyeongsang del Sur, Corea en 1936) es un artista coreano. En 1956 se trasladó a Yokohama, Japón y estudió filosofía. En 1973 se convirtió en profesor de la Universidad de Arte Tama de Tokio. Obtuvo el Praemium Imperiale de pintura en 1996. Al año siguiente fue nombrado profesor invitado en la École Nationale Supérieure des Beaux-Arts de París. Su obra se ha presentado en muchos museos, incluidos el y en de Seúl. Lee Ufan es representado por la galería kamel mennour en París. 李 禹煥（リ・ウファン、朝: 이우환、1936年 -）は、大韓民国慶尚南道に生まれ、日本を拠点に世界的に活動している美術家。多摩美術大学名誉教授。本貫は仁川李氏。 Lee Ufan (en coréen : 이우환, RR : I U-hwan /iː.u.hwan/), ou Lee U-fan, est un artiste et critique d'art sud-coréen né le 24 juin 1936 dans le district de Haman dans le sud de la péninsule coréenne, alors possession de l'empire du Japon. Il s’est installé au Japon alors qu’il avait 20 ans. Lee partage son temps entre Kamakura, au Japon et Paris. Lee Ufan (* 24. Juni 1936 in , Keishō-nandō, Provinz Chōsen, damaliges Japanisches Kaiserreich, heutiges Südkorea), auch Yi U-hwan, ist ein Maler und Bildhauer, der sich in seiner minimalistischen Kunst auf asiatische und auf europäische Wurzeln bezieht. 이우환(李禹煥, 1936년 6월 24일 ~ )은 대한민국의 조각가, 화가이다. 일본의 획기적 미술 운동인 의 창시자이며, 동양사상으로 미니멀리즘의 한계를 극복하여 국제적으로 명성이 높다. 주요 작품으로는 〈선으로부터〉(1974), 〈동풍〉(1974), 〈조응〉(1988), 〈점에서〉(1975), 〈상응〉(1998) <관계항(Relatum> (2010)등이 있다. Lee Ufan (Korean: 이우환, Hanja: 李禹煥, Korean pronunciation: [iːuhwan] born 1936 in Haman County, in South Kyongsang province in Korea) is a Korean minimalist painter and sculptor artist and academic, honored by the government of Japan for having "contributed to the development ofcontemporary art in Japan." The art of this artist, who has long been based in Japan, is rooted in an Eastern appreciation of the nature of materials and also in modern European phenomenology. The origin of Mono-ha may be found in Lee's article "Sonzai to mu wo koete Sekine Nobuo ron (Beyond Being and Nothingness – A Thesis on Sekine Nobuo." Once this initial impetus given, Mono-ha congealed with the participation of the students of the sculptor Yoshishige Saitō, who was teaching at Tama University of Art at the time. Lee Ufan (Koreaans: 이우환) ( (Gyeongsangnam-do), 24 juni 1936) is een Koreaans minimalistisch schilder, beeldhouwer, dichter en filosoof. Hij werkt in Japan en Frankrijk. In Japan is een museum gewijd aan zijn werk in de Benesse Art Site Naoshima terwijl zijn werk ook is opgenomen in beroemde museumcollecties zoals het MoMA en Guggenheim Museum in New York, het Centre Georges Pompidou in Parijs, de Tate Gallery in Londen en het Nederlandse Kröller-Müller Museum.
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I Uhwan
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dbo:abstract
Lee Ufan (Korean: 이우환, Hanja: 李禹煥, Korean pronunciation: [iːuhwan] born 1936 in Haman County, in South Kyongsang province in Korea) is a Korean minimalist painter and sculptor artist and academic, honored by the government of Japan for having "contributed to the development ofcontemporary art in Japan." The art of this artist, who has long been based in Japan, is rooted in an Eastern appreciation of the nature of materials and also in modern European phenomenology. The origin of Mono-ha may be found in Lee's article "Sonzai to mu wo koete Sekine Nobuo ron (Beyond Being and Nothingness – A Thesis on Sekine Nobuo." Once this initial impetus given, Mono-ha congealed with the participation of the students of the sculptor Yoshishige Saitō, who was teaching at Tama University of Art at the time. One evidence may be found in the book [ba, so, toki] (場 相 時, place phase time) (Spring, 1970). Lee, the main theorist of the Mono-ha ("School of Things") tendency in Japan in the late 1960s and early 1970s, was trained as a philosopher. As a painter, Lee contributed to 'Korean Monotone Art' (Dansaekjo Yesul, 單色調 藝術), the first artistic movement in 20th century Korea to be promoted in Japan. He advocates a methodology of de-westernization and demodernization in both theory and practice as an antidote to the Eurocentric thought of 1960s postwar Japanese society. Lee divides his time between Kamakura, Japan and Paris, France. Lee Ufan (nacido en Gyeongsang del Sur, Corea en 1936) es un artista coreano. En 1956 se trasladó a Yokohama, Japón y estudió filosofía. En 1973 se convirtió en profesor de la Universidad de Arte Tama de Tokio. Obtuvo el Praemium Imperiale de pintura en 1996. Al año siguiente fue nombrado profesor invitado en la École Nationale Supérieure des Beaux-Arts de París. Su obra se ha presentado en muchos museos, incluidos el y en de Seúl. Lee Ufan es representado por la galería kamel mennour en París. Ли У Хван (кор. 이우환, яп. 李禹煥 （リ・ウーファン） Ри У:фан, в американских и европейских источниках встречаются написания Lee Ufan и Lee U-Fan, род. 1936 г. Корея) — современный японский художник-минималист корейского происхождения. Стоял у истоков зарождения корейского направления живописи Dansaekhwa (монохромная живопись). Lee Ufan (Koreaans: 이우환) ( (Gyeongsangnam-do), 24 juni 1936) is een Koreaans minimalistisch schilder, beeldhouwer, dichter en filosoof. Hij werkt in Japan en Frankrijk. In Japan is een museum gewijd aan zijn werk in de Benesse Art Site Naoshima terwijl zijn werk ook is opgenomen in beroemde museumcollecties zoals het MoMA en Guggenheim Museum in New York, het Centre Georges Pompidou in Parijs, de Tate Gallery in Londen en het Nederlandse Kröller-Müller Museum. Lee Ufan (en coréen : 이우환, RR : I U-hwan /iː.u.hwan/), ou Lee U-fan, est un artiste et critique d'art sud-coréen né le 24 juin 1936 dans le district de Haman dans le sud de la péninsule coréenne, alors possession de l'empire du Japon. Il s’est installé au Japon alors qu’il avait 20 ans. Lee U-fan est un artiste mondialement reconnu et honoré. Son travail est parfois considéré comme proche de l'art minimal, mais il n'a pas revendiqué cette proximité. Il est, aujourd'hui, à la fois artiste et académicien, honoré par le gouvernement du Japon pour avoir « contribué au développement de l'art contemporain au Japon ». L'art de cet artiste, longtemps réalisé au Japon, est ancré dans une appréciation orientale de la nature des matériaux et aussi dans la phénoménologie européenne moderne. Sa participation aux premiers temps du mouvement artistique Mono-ha a été déterminante dès 1969. Lee partage son temps entre Kamakura, au Japon et Paris. Lee Ufan (* 24. Juni 1936 in , Keishō-nandō, Provinz Chōsen, damaliges Japanisches Kaiserreich, heutiges Südkorea), auch Yi U-hwan, ist ein Maler und Bildhauer, der sich in seiner minimalistischen Kunst auf asiatische und auf europäische Wurzeln bezieht. 李 禹煥（リ・ウファン、朝: 이우환、1936年 -）は、大韓民国慶尚南道に生まれ、日本を拠点に世界的に活動している美術家。多摩美術大学名誉教授。本貫は仁川李氏。 이우환(李禹煥, 1936년 6월 24일 ~ )은 대한민국의 조각가, 화가이다. 일본의 획기적 미술 운동인 의 창시자이며, 동양사상으로 미니멀리즘의 한계를 극복하여 국제적으로 명성이 높다. 주요 작품으로는 〈선으로부터〉(1974), 〈동풍〉(1974), 〈조응〉(1988), 〈점에서〉(1975), 〈상응〉(1998) <관계항(Relatum> (2010)등이 있다.
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