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Statements

Subject Item
dbr:Manscape
rdf:type
wikidata:Q2188189 yago:Whole100003553 wikidata:Q386724 yago:PhysicalEntity100001930 schema:CreativeWork yago:Medium106254669 yago:Album106591815 wikidata:Q482994 yago:Instrumentality103575240 schema:MusicAlbum owl:Thing yago:Artifact100021939 dbo:Album dbo:MusicalWork dbo:Work yago:Object100002684 yago:Wikicat1990Albums yago:WikicatMuteRecordsAlbums yago:WikicatWire(band)Albums
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Manscape Manscape MANSCAPE
rdfs:comment
Manscape è un album della post-punk band inglese Wire, pubblicato nel 1990, prodotto da e registrato e mixato ai RAK Studios. Manscape vide i Wire esplorare l'elettronica più a fondo rispetto agli album precedenti. Vi è un grande utilizzo di sequencer e in un tour del 1990 della band non venne incluso il batterista , dato che le tracce erano quasi interamente elettroniche. The Morning Bell parla del sistema scolastico pubblico inglese, mentre Small Black Reptile si occupa del sistema politico. Il centro dell'album, You Hung Your Lights In the Trees/A Craftsman's Touch, dura quattordici minuti. Manscape is the seventh studio album by the British post-punk group Wire. It was produced by David M. Allen, mostly recorded and mixed at RAK Studios, engineered by Roy Spong, and published by Dying Art Ltd. "The Morning Bell" is about the British public school system, while "Small Black Reptile" is about the political system. The record's centrepiece, "You Hung Your Lights in the Trees/A Craftsman's Touch", spans over ten minutes. The original vinyl release has a significantly different running order and omits "Life in the Manscape", "Stampede" and "Children of Groceries".
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Manscape
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n17:Wire_Manscape.jpg
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2265274
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1095039474
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dbo:thumbnail
n17:Wire_Manscape.jpg?width=300
dbp:artist
dbr:Wire_(band)
dbp:chronology
Wire studio album
dbp:cover
Wire Manscape.JPG
dbp:genre
dbr:Post-punk dbr:Alternative_dance
dbp:label
dbr:Mute_Records dbr:Restless_Records
dbp:length
3806.0
dbp:nextTitle
dbr:The_Drill_(album)
dbp:nextYear
1991
dbp:prevTitle
dbr:It's_Beginning_To_And_Back_Again
dbp:prevYear
1989
dbp:producer
dbr:David_M._Allen
dbp:recorded
Mixed at RAK Studios, London and Konk Studios, London Worldwide Studios, London RAK Studios, London
dbp:released
1990-05-15
dbp:rev
dbr:Allmusic
dbp:type
dbr:Album
dbo:abstract
Manscape is the seventh studio album by the British post-punk group Wire. It was produced by David M. Allen, mostly recorded and mixed at RAK Studios, engineered by Roy Spong, and published by Dying Art Ltd. Manscape saw Wire exploring electronica more deeply than on previous works. Bass and drums were mostly sequenced, and a 1990 UK and European tour saw the band performing live without Robert Gotobed. They played mostly new material from the LP, as well as a few older songs reworked to fit the electronic instrumentation. The rise and evolution of dance music informed the record while lyrically it remained part cut-up and part obliquely referential. "The Morning Bell" is about the British public school system, while "Small Black Reptile" is about the political system. The record's centrepiece, "You Hung Your Lights in the Trees/A Craftsman's Touch", spans over ten minutes. The original vinyl release has a significantly different running order and omits "Life in the Manscape", "Stampede" and "Children of Groceries". Manscape è un album della post-punk band inglese Wire, pubblicato nel 1990, prodotto da e registrato e mixato ai RAK Studios. Manscape vide i Wire esplorare l'elettronica più a fondo rispetto agli album precedenti. Vi è un grande utilizzo di sequencer e in un tour del 1990 della band non venne incluso il batterista , dato che le tracce erano quasi interamente elettroniche. The Morning Bell parla del sistema scolastico pubblico inglese, mentre Small Black Reptile si occupa del sistema politico. Il centro dell'album, You Hung Your Lights In the Trees/A Craftsman's Touch, dura quattordici minuti.
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