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Statements

Subject Item
dbr:Muslim_social
rdf:type
dbo:MusicGenre yago:Abstraction100002137 yago:Genre105845332 yago:Concept105835747 yago:WikicatFilmGenres yago:Content105809192 yago:Idea105833840 yago:Cognition100023271 yago:Kind105839024 yago:Category105838765 yago:PsychologicalFeature100023100
rdfs:label
Muslim social
rdfs:comment
The Muslim social is a film genre in Indian cinema (particularly Bollywood) that portrays Islamic culture in India. It flourished in the 1950s and 1960s and lasted till the early 1980s. Muslim socials are divided into two categories: "classic Muslim socials" that explore nawabi culture and focus on upper class or elite Muslim families, and "new wave Muslim socials" that portray middle class Muslim families who experience economic problems, discrimination and communal violence. Muslim socials often include ghazals, qawwalis, Urdu poetry and expressions, and musical forms commonly associated with Islamic culture. However, lately the label has also been criticized for cultural ghettoization of minority cinema. Director M.S. Sathyu who made Garam Hava (1973), called it "a skewed way to look at
dcterms:subject
dbc:Culture_of_Uttar_Pradesh dbc:Islam_in_India dbc:Film_genres dbc:Hindi_cinema dbc:Islamic_culture
dbo:wikiPageID
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dbr:Nawab dbr:Urdu_poetry dbr:Coolie dbr:Mere_Huzoor dbr:Benazir_(1964_film) dbr:Mughal_Emperor dbr:Qaidi_(1940_film) dbr:Najma_(1943_film) dbr:Chaudhvin_Ka_Chand dbr:Mirza_Ghalib_(film) dbr:Palki dbr:Film_genre dbr:Dil_Hi_To_Hai_(1963_film) dbr:Naseem_(film) dbr:H._S._Rawail dbr:Anarkali dbr:Umrao_Jaan_(1981_film) dbr:Anarkali_(1953_film) dbr:Jahangir dbr:Mughal-e-Azam dbr:Bahu_Begum dbr:Sohrab_Modi dbr:Kamal_Amrohi dbr:Sardari_Begum dbc:Culture_of_Uttar_Pradesh dbr:Prince_Salim dbr:Dastak_(1970_film) dbr:Fiza dbr:Shyam_Benegal dbr:Elaan_(1947_film) dbr:Abdul_Rashid_Kardar dbr:Laila_Majnu_(1976_film) dbr:Sound_film dbr:Qawwali dbr:Sahir_Ludhianvi dbr:Ghulam_Haider_(composer) dbr:Zubeidaa dbr:Mehboob_Khan dbr:K._A._Abbas dbr:Garam_Hava dbc:Islam_in_India dbr:Indian_cinema dbr:North_India dbr:Khalid_Mohammed dbr:Islamic_culture dbr:Communal_violence dbr:Mere_Mehboob dbr:Mumbai dbr:Khayyam dbr:Sanam_Bewafa dbr:Saeed_Akhtar_Mirza dbr:Shamshad_Begum dbr:Mehboob_Ki_Mehndi dbr:Pakeezah dbr:Jahan_Ara_(film) dbr:K._Asif dbr:Abrar_Alvi dbr:Mirza_Hadi_Ruswa dbr:Nikaah dbr:Talat_Mahmood dbr:Pukar_(1939_film) dbr:Taj_Mahal_(1963_film) dbr:Ismat_Chugtai dbr:Lucknow dbr:Umrao_Jaan_Ada dbr:Meena_Kumari dbr:M.S._Sathyu dbr:Salim_Langde_Pe_Mat_Ro dbr:Indian_Rebellion_of_1857 dbr:Muzaffar_Ali dbr:Awadh dbr:Bollywood dbr:Junoon_(1978_film) dbr:Shahjehan dbc:Hindi_cinema dbr:Gangs_of_Wasseypur dbc:Islamic_culture dbr:Anjuman_(1986_film) dbr:Bewaffa_Se_Waffa dbr:Mammo dbr:Garm_Hava dbr:Minority_group dbr:Islam_in_India dbr:Shakeel_Badayuni dbr:Saadat_Hassan_Manto dbr:Majrooh_Sultanpuri dbr:Discrimination dbr:Mohammed_Rafi dbr:Humayun_(film) dbr:Filmi-ghazal dbr:Akbar dbc:Film_genres dbr:Laila_Majnu dbr:Gazal_(1964_film) dbr:Bazaar_(1982_film) dbr:Qawwali_Ki_Raat dbr:Parallel_cinema
dbo:wikiPageExternalLink
n7:books%3Fid=8qjKJ0yk-gQC&q=Muslim+social+film&pg=PA97 n7:books%3Fid=8y8vN9A14nkC&pg=PT265 n11:vyas-muslim-socials.pdf n18:historicalatlaso00mali n19:189
owl:sameAs
yago-res:Muslim_social freebase:m.0bh89fv n21:4rYx5 wikidata:Q6943011
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dbo:abstract
The Muslim social is a film genre in Indian cinema (particularly Bollywood) that portrays Islamic culture in India. It flourished in the 1950s and 1960s and lasted till the early 1980s. Muslim socials are divided into two categories: "classic Muslim socials" that explore nawabi culture and focus on upper class or elite Muslim families, and "new wave Muslim socials" that portray middle class Muslim families who experience economic problems, discrimination and communal violence. Muslim socials often include ghazals, qawwalis, Urdu poetry and expressions, and musical forms commonly associated with Islamic culture. However, lately the label has also been criticized for cultural ghettoization of minority cinema. Director M.S. Sathyu who made Garam Hava (1973), called it "a skewed way to look at cinema. When there is no Hindu social or Christian social, how can there be a Muslim social".
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