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Statements

Subject Item
dbr:The_New_British_Poetry
rdf:type
yago:Anthology106591609 yago:Book106410904 dbo:Book yago:Creation103129123 yago:Work104599396 yago:WikicatPoetryAnthologies yago:Product104007894 yago:Collection106591442 yago:PhysicalEntity100001930 yago:Artifact100021939 yago:Wikicat1988Books yago:Object100002684 yago:Publication106589574 yago:Whole100003553
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The New British Poetry
rdfs:comment
The New British Poetry 1968-88 was a poetry anthology from 1988, jointly edited by Gillian Allnutt, Fred D'Aguiar, Ken Edwards and Eric Mottram, respectively concerned with feminist, Black British, younger experimental and British poetry revival poets. The book's general editor was John Muckle, founder of the Paladin Poetry Series. He attempted to challenge what many saw as a narrowly defined 'mainstream' by creating a book around different strands in radical poetry and four editors who might not otherwise have worked together: "Their differences, both in the shape they have given their selections and in their introductory remarks, make this a many-sided, exciting, unpredictable - and no doubt contentious book." The anthology's multicultural and counter-cultural stance gave it a strong ant
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dbc:Poetry_anthologies dbc:British_Poetry_Revival dbc:1988_books
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dbo:abstract
The New British Poetry 1968-88 was a poetry anthology from 1988, jointly edited by Gillian Allnutt, Fred D'Aguiar, Ken Edwards and Eric Mottram, respectively concerned with feminist, Black British, younger experimental and British poetry revival poets. The book's general editor was John Muckle, founder of the Paladin Poetry Series. He attempted to challenge what many saw as a narrowly defined 'mainstream' by creating a book around different strands in radical poetry and four editors who might not otherwise have worked together: "Their differences, both in the shape they have given their selections and in their introductory remarks, make this a many-sided, exciting, unpredictable - and no doubt contentious book." The anthology's multicultural and counter-cultural stance gave it a strong anti-Thatcherite flavour. The book was widely if critically reviewed and went on to influence a number of subsequent anthologies of British poetry.
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