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Subject Item
dbr:Tri-Ergon
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Tri-Ergon Tri-Ergon Триэргон
rdfs:comment
The Tri-Ergon sound-on-film system was developed from around 1919 by three German inventors, Josef Engl (1893–1942), Joseph Massolle (1889–1957), and Hans Vogt (1890–1979). The system used a photoelectric recording method and a non-standard film size (42mm) which incorporated the sound track with stock 35mm film. With a Swiss backer, the inventors formed Tri-Ergon AG in Zurich, and tried to interest the market with their invention. There were a number of companies which used the Tri-Ergon name: Триэргон (нем. Tri-Ergon) — первая система звукового кинематографа с записью звука оптическим методом на киноплёнку, запатентованная в 1919 году тремя немецкими изобретателями — Йозефом Энгелем, Гансом Фохтом и Йозефом Массолем. Название составлено из двух греческих слов и буквально означает «Работа трёх». Технология обеспечивает точную синхронизацию звука с изображением, не зависящую от настроек кинопроектора, за счёт использования общего носителя. Первая демонстрация состоялась во время премьеры фильма «Поджигатель» (нем. Der Brandstifter) 17 сентября 1922 года в Германии. Из-за технических особенностей стандарт не получил коммерческого распространения, но стал основой для разработки большинства аналогичных систем во всём мире. Le système Tri-Ergon est un système de cinéma sonore breveté en 1919 par les Allemands , (de) et (de). Le nom Tri-Ergon est dérivé du grec « le travail de trois ». Il utilise une pellicule non standardisée de 42mm dont 35mm sont dédiés à l'image. Le son est inscrit avec un dispositif photographique à densité variable semblable au Movietone. En 1926, William Fox de la Twentieth Century Fox achète les brevets de l'invention au Triergon Aktiengesellschaft (Tri-Ergon AG), de Zurich en Suisse.
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Tri-Ergon
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Tri-Ergon
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dbp:defunct
2008
dbp:founded
1919
dbp:locationCountry
Germany
dbp:products
dbr:Motion_pictures
dbp:type
subsidies of VIDgital
dbo:abstract
The Tri-Ergon sound-on-film system was developed from around 1919 by three German inventors, Josef Engl (1893–1942), Joseph Massolle (1889–1957), and Hans Vogt (1890–1979). The system used a photoelectric recording method and a non-standard film size (42mm) which incorporated the sound track with stock 35mm film. With a Swiss backer, the inventors formed Tri-Ergon AG in Zurich, and tried to interest the market with their invention. Ufa acquired the German sound film rights for the Tri-Ergon process in 1925, but dropped the system when the public showing of their first sound film suffered technical failures. The Tri-Ergon system appeared at a time when a number of other sound film processes were arriving on the market, and the company soon merged with a number of competitors to form the Tobis syndicate in 1928, joined by the Klangfilm AG syndicate in 1929 and renamed as Tobis-Klangfilm by 1930. While Tri-Ergon became the dominant sound film process in Germany and much of Europe through its use by Tobis-Klangfilm, American film companies were still squabbling over their respective patents. For a time Tri-Ergon successfully blocked all American attempts to show their sound films in Germany and other European countries, until a loose cartel was formed under an agreement in Paris in 1930. However, William Fox of the Fox Film Corporation acquired the US rights for the Tri-Ergon system and, backed by Tri-Ergon AG, began a patent infringement battle in the courts in 1929 against much of the American film industry. The dispute wasn't settled until 1935, when Fox lost his final appeal in the US Supreme Court. A new Paris accord was signed in March 1936, which held until the start of the Second World War. The Tri-Ergon system continued in use in Germany and the continent during the war. There were a number of companies which used the Tri-Ergon name: * Tri-Ergon AG (Zurich, Switzerland), acquired the rights to the original 1919 patents from the inventors in 1923 * Tri-Ergon-Musik AG (St. Gallen, Switzerland), founded c1926, held the patents for the rest of the world outside Germany * Tri-Ergon-Musik AG (Berlin), which made phonograph records and owned the patents for Germany, formed in 1927: a subsidiary or branch of the St. Gallen company * Tri-Ergon-Photo-Electro-Records (Berlin), a record label subsidiary of Tri-Ergon-Musik AG (Berlin) Le système Tri-Ergon est un système de cinéma sonore breveté en 1919 par les Allemands , (de) et (de). Le nom Tri-Ergon est dérivé du grec « le travail de trois ». Il utilise une pellicule non standardisée de 42mm dont 35mm sont dédiés à l'image. Le son est inscrit avec un dispositif photographique à densité variable semblable au Movietone. En 1926, William Fox de la Twentieth Century Fox achète les brevets de l'invention au Triergon Aktiengesellschaft (Tri-Ergon AG), de Zurich en Suisse. Fox a également acheté les brevets de Freeman Harrison Owens et Theodore Case, pour créer le nouveau dispositif qu'il nomme Movietone. Le premier long métrage sorti avec le Movietone est L'Aurore réalisé en 1927 par F.W. Murnau. Ce système sera clairement en compétition avec le système de la Warner : le Vitaphone. Après que William Fox perdit le contrôle des studios Fox en 1930, il utilisa les brevets du Tri-Ergon pour augmenter l'industrie du film et obtenir des propriétés dans tous les films parlants. Триэргон (нем. Tri-Ergon) — первая система звукового кинематографа с записью звука оптическим методом на киноплёнку, запатентованная в 1919 году тремя немецкими изобретателями — Йозефом Энгелем, Гансом Фохтом и Йозефом Массолем. Название составлено из двух греческих слов и буквально означает «Работа трёх». Технология обеспечивает точную синхронизацию звука с изображением, не зависящую от настроек кинопроектора, за счёт использования общего носителя. Первая демонстрация состоялась во время премьеры фильма «Поджигатель» (нем. Der Brandstifter) 17 сентября 1922 года в Германии. Из-за технических особенностей стандарт не получил коммерческого распространения, но стал основой для разработки большинства аналогичных систем во всём мире.
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wikipedia-en:Tri-Ergon