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Statements

Subject Item
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Allan Graham ألان غراهام (فنان) Allan Graham Allan Graham
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Allan Graham (San Francisco, 1943) è un artista statunitense contemporaneo. Vive nel Nuovo Mexico. I suoi lavori spaziano dalla scultura alla pittura e ai video.Graham ha frequentato il San Francisco Art Institute e la San Jose State University. Successivamente è andato ad abitare ad Albuquerque, Nuovo Messico, dove si è diplomato in Fine Arts presso la University of New Mexico, nel 1967.I suoi primi dipinti ricordano le forme delle maglie di rete; nella metà degli anni settanta, i suoi quadri divennero composizioni più aperte con forme di archi e a lisca di pesce. Allan Graham, who sometimes uses the name Toadhouse, (born 1943 in San Francisco, California) is a contemporary American artist based in New Mexico. His work includes sculpture, painting, poetry, and video. Graham studied at the San Francisco Art Institute and San José State University before moving to Albuquerque, New Mexico, where he received a Bachelor of Fine Arts from the University of New Mexico (1967). His early paintings were wall-like grids which, in the mid to late 1970s, developed into more open compositions with sweeping arcs and herring-bone patterns. ألان غراهام (بالإنجليزية: Allan Graham)‏ (و. 1943 م) هو فنان، ورسام، ونحات أمريكي، ولد في سان فرانسيسكو. Allan Graham, né en 1943 à San Francisco en Californie, est un artiste américain contemporain. Il vit au Nouveau-Mexique. Son travail va de la sculpture à la peinture et la vidéo.
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Allan Graham, né en 1943 à San Francisco en Californie, est un artiste américain contemporain. Il vit au Nouveau-Mexique. Son travail va de la sculpture à la peinture et la vidéo. Allan Graham (San Francisco, 1943) è un artista statunitense contemporaneo. Vive nel Nuovo Mexico. I suoi lavori spaziano dalla scultura alla pittura e ai video.Graham ha frequentato il San Francisco Art Institute e la San Jose State University. Successivamente è andato ad abitare ad Albuquerque, Nuovo Messico, dove si è diplomato in Fine Arts presso la University of New Mexico, nel 1967.I suoi primi dipinti ricordano le forme delle maglie di rete; nella metà degli anni settanta, i suoi quadri divennero composizioni più aperte con forme di archi e a lisca di pesce. Nel 1983 abbandonò la tela a forma quadrata convenzionale per nuove forme eccentriche, iniziò inoltre a lasciare il telaio visibile. Verso la metà degli anni ottanta, questa tendenza si sviluppò e diede forma ad una serie di dipinti-sculture ibride che ricordano in parte l'Arte africana e create con materiali quali il legno, la tela, i giornali e pagine dei libri.Seguì un nuovo periodo caratterizzato da dipinti quasi monocromi su telai convessi, sculture create con libri e dipinti dalle forme irregolari e circolari sulle quali l'artista ha utilizzati pagine di libri come la Bibbia dei Navajo e l'Inferno di Dante. Durante gli anni novanta ha dipinto una serie di lavori intitolata "Cave of Generation", caratterizzata da diversi stadi che portarono a pitture monocrome e di due colori, di grandi dimensioni. Ne seguì una nuova serie di lavori intitolata "Pre-hung (for those who suffer form)", ossia una serie di porte singole o doppie dipinte con la paletta. ألان غراهام (بالإنجليزية: Allan Graham)‏ (و. 1943 م) هو فنان، ورسام، ونحات أمريكي، ولد في سان فرانسيسكو. Allan Graham, who sometimes uses the name Toadhouse, (born 1943 in San Francisco, California) is a contemporary American artist based in New Mexico. His work includes sculpture, painting, poetry, and video. Graham studied at the San Francisco Art Institute and San José State University before moving to Albuquerque, New Mexico, where he received a Bachelor of Fine Arts from the University of New Mexico (1967). His early paintings were wall-like grids which, in the mid to late 1970s, developed into more open compositions with sweeping arcs and herring-bone patterns. In 1983, he abandoned conventionally shaped canvases in favor of eccentric forms and began leaving the stretcher bars exposed. By the mid-1980s this had evolved into a series of painting-sculpture hybrids, using wood, canvas, newspaper and book pages, which resembled certain African works. These were followed by near-monochromes on bent canvasses, sculptures made of books and irregularly circular paintings using book pages from sources such as a Navajo Bible and Dante's Inferno. In the 1990s, he painted a series called "Cave of Generation", which consisted of steps leading into large monochrome and two-tone paintings. These were followed by a series titled "Pre-hung (for those who suffer form)" which consisted of single and double doors painted with a palette knife.
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