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Subject Item
dbr:Armenian_illuminated_manuscripts
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yago:Manuscript106406979 yago:WikicatIlluminatedManuscripts yago:Abstraction100002137 yago:Communication100033020 yago:WrittenCommunication106349220 yago:Writing106362953
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Армянская миниатюра Вірменська мініатюра Miniature arménienne Miniatury manuskryptów ormiańskich Armenian illuminated manuscripts Armenische Buchmalerei
rdfs:comment
Miniatury manuskryptów ormiańskich stanowią ważną część dziedzictwa kulturalnego narodu ormiańskiego. Gdy Armenia w roku 301 przyjmowała chrześcijaństwo – pierwsza w świecie – jako religię państwową, jej historia liczyła już ponad tysiąc lat. Święty Mesrop Masztoc stworzył w roku 406 alfabet ormiański. W klasztorach mnisi mogli przepisywać ewangeliarze i inne święte księgi w ojczystym języku ormiańskim. Pisano na pergaminie, częściej dwustronnie, rzadko jednostronnie. Mnisi-miniaturzyści zdobili księgi iluminacjami. Farby zagęszczano spoiwem z białka jaj kurzych, stosowano zdobienie złotem listkowym. Stylistycznie miniatury zgodne były z wymaganiami ikonografii chrześcijańskiej, wykazywały jednak wpływy miniatur perskich. Oprócz postaci biblijnych ukazywały fantastyczne stworzenia, bogate La miniature arménienne est l'expression particulière de la miniature en Grande-Arménie, en Petite-Arménie et dans la diaspora arménienne. Son apparition remonte à la création de l'alphabet arménien en Arménie, soit en l'an 405. Très peu de fragments de manuscrits enluminés des VIe et VIIe siècles ont survécu, le plus ancien conservé en entier datant du IXe siècle. L'âge d'or se situe aux XIIIe et XIVe siècles, période de la formation définitive des principales écoles et tendances (quinze cents centres d'écriture et d'enluminure). Les plus éclatantes sont celles de Siounie, du Vaspourakan et de Cilicie. De nombreux manuscrits arméniens enluminés hors du pays d'Arménie ont aussi traversé les siècles. Malgré l'apparition de l'imprimerie arménienne au XVIe siècle, la production de miniatures Die Armenische Buchmalerei stand, wie die Armenische Kunst im Allgemeinen, in byzantinischer aber auch syrischer Tradition. Der bekannteste armenische Buchmaler, Toros Roslin, lebte im 13. Jahrhundert. Die Bibliothek Matenadaran in Jerewan beherbergt die größte Sammlung armenischer Prachthandschriften, die seit 1997 zum Weltdokumentenerbe der UNESCO gehört. Zu den bedeutendsten Objekten zählen das Etschmiadzin-Evangeliar von 989 mit Elfenbein-Buchdeckeln aus dem 6. Jahrhundert und das Mughni-Evangeliar um 1060. Armenian illuminated manuscripts (Armenian: Հայկական մանրանկարչություն, romanized: Haykakan manrankarch'owt'yown), form an Armenian tradition of formally prepared documents where the text is often supplemented with flourishes such as borders and miniature illustrations. They are related to other forms of Medieval Armenian art, and to Byzantine illuminated manuscripts. The earliest surviving examples date back to the Golden Age of Armenian art and literature in the 5th century. Armenian illuminated manuscripts embody Armenian culture; they illustrate its spiritual and cultural values. Вірменська мініатюра — національний мініатюрний живопис середньовічної Вірменії, Кілікійського вірменського царства і деяких вірменських колоній. вірменська мініатюра має декілька основних груп і етапів розвитку: до XI століття; школи Великої і Малої Вірменії XI–XII століть; Кілікійської Вірменії XII–XIV століть; школи , Ані, Арцаха, Гладзора, Татева, Васпуракана з XIII століття; після XIII століття також в колоніях вірменської діаспори. Армянская миниатюра — национальная миниатюрная живопись средневековой Армении, Киликийского армянского царства и некоторых армянских колоний. Армянская миниатюра имеет несколько основных групп и этапов развития: до XI в.; школы Великой и Малой Армении XI—XII вв.; Киликийской Армении XII—XIV вв.; школы Бардзр-Айка, Ани, Арцаха, Гладзора, Татева, Васпуракана с XIII в.; после XIII в. также в колониях армянской диаспоры.
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Armenian Gospel of Skewra, 1193 AD, Italy, St. Ghazar, Mekhitarians old manuscripts library, Ms. 1635-125. Armenian Prayers roll from the year 1661 AD. Gospel of eight painters; title page of Matthew gospel. David playing a musical instrument by Ghazar, late 14th century. Title page by Toros Roslin, Gospel of the eight painters 13th century. Triumphal entry into Jerusalem Christ on throne scene Apocalypse of John, Armenian bible of Bologna, Italy, completed in Crimea, 1368 AD. Matthew the Evangelist by Sargis Pitzak. Presentation of Jesus at the temple Female Troubadour with Saz Portrait of Leon II and queen Guerane and their five children; 1272 AD. Part of a larger Armenian prayer roll representing Sargis the general, 1655 AD. "the creation of the world", by Malnazar, 1637-1638. Biblical Magi by Yovannes De Barkri, 1362 AD. Portrait of John and Prochoros Portrait of St. Matthew Portrait of St. Mark The Rabbula gospels, 586 AD Dedicatory inscription Gospels of Georg Alexief, Last Judgement, Walters Manuscript W.546, 17th century. The holy women at the empty tomb Presentation at the temple Crucifixion Decorated page with image of Carpianus, Walters Manuscript W.539. The Mlke gospel, 862 AD Tempietto , probably meant to represent the church of the Holy Sepulchre Annunciation Canon table The sign of the Son of Man appearing in Heaven Sacrifice of Abraham
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-600.0 Pages from MS206, Toros Taronatsi, 1318 AD. Pages from the Alexander romance, 14th century . Canon tables painted by Toros Roslin. The annunciation, presentation of Jesus at the temple and Wedding at Cana. Resurrection of Lazarus, genealogy of Jesus and the cursing of the fig tree. Entry of Jesus into Jerusalem, the crucifixion and the visitation. Pages from the MS. 212 Gospels, written and illuminated by Avag during his stay in Tabriz, Iran, 1337 AD. Pages from the Mlke gospels, 862 AD. Pages illuminated by Malnazar, 17th century. Comparison between an ascension scene from the Rabbula gospels and the Mlke gospel. The Gospel of St. John, Chapter 1, first page, the annunciation, the entry of Jesus into Jerusalem and Canon tables from the Ms. 6289 Gospels, 1323, Gladzor Monastery, Syunik. Written and illuminated by Toros Taronatsi. Frescoes and reliefs from the 10th-Century Akdamar Church, Lake Van, Turkey. The three pages belong to the Walters Manuscript W.539. Presentation at the temple, Eusebian Canon, scene of the life of Matthew the apostle and the baptism of Jesus. The four pages belong to the Mughni Gospel, 11th century AD. Birth of Jesus, washing of the feet, the transfiguration and the entombment of christ. Pages from the Yerven, Matenadaran, MS 6792 New Testament, 1302 AD, Siunik', scribe and artist; Momik. Scenes of the annunciation, nativity of Jesus, the last supper, dormition of Mary, Prochorus and John the apostle and the last judgment scene by Grigor, 1232, Targmanchats Gospels, MS2743 Matenadaran collection. Pages from the 13th century gospel of Smbat. Pages illuminated by Mesrop of khizan, 16-17th century. Pages from the M6288, Horomos, 1211 AD. Pages from the Vehapar Gospel, 1088 AD. Pages illuminated by Sargis Pitsak. Illuminated Armenian Gospel of Tatev monastery. Miniature by Grigor Tatevatsi, 1376. Yerevan, Matenadaran, Ms. no. 7482. 10 Armenian illuminated manuscripts. Examples of Armenian illuminated manuscripts from the Gladzor University, 13-14th century. Pages from the Homiliary of Mush, Matenadaran, 1200-1202 Lectionary of Hethum II, Matenadaran, Ms. 979. Various pages from Armenian manuscripts illuminated by Toros Roslin. Gospels of Georg Alexief, probably produced in Constantinople, 17th century. Skevra Evangeliary , National Library of Poland, Rps akc.17680. Pages from Armenian illuminated manuscripts produced in Isfahan, 17th century AD. General Mushegh Mamikonian, the King Pap and Armenian cavalry soldiers, 16th century and a page by Karapet de Berkri, 15th century. Book of Lamentations by Grigor Narekatsi, Ms. 1568 , Matenadaran, Yerevan, Armenia, painted by Grigor Mlichetsi. Various examples of pages from manuscripts illuminated by Daniel of Uranc.
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Red sea passage.jpg Toros taronatsi 1323 AD.jpg 17 Female Troubadour with Saz, M6288, Horomos, 1211.jpg RabulaGospelsFol13vAscension.jpg The Three Marys at the Tomb. Daniel of Uranc، 1463.jpg T'oros Roslin Gospels, Dedicatory inscription, Walters Manuscript W.539, fol. 12r.jpg Armenian Gospel Book made in Isfahan in 1655 .jpg T'oros Roslin Gospels, The Crucifixion, Walters Manuscript W.539, fol. 124r.jpg Canonic table from the 13th century gospel by Sembat.jpg T'oros Roslin Gospels, The sign of the Son of Man appearing in Heaven, Walters Manuscript W.539, fol. 104r.jpg Queen Mlke Gospel.jpg Manuscript of Gladzor University, 13-14th century, village Vernashen, Vayots Dzor, Armenia, 11.jpg Descent from the Cross, Daniel of Uranc، 1463.jpg Gladzor University, 13-14th century, village Vernashen, Vayots Dzor, Armenia, 10.jpg Avag-ms212-04-l 02.jpg Bible_from_Khizan.jpg 1323 Manuscript Kilikia 13AD.jpg Avag-ms212-04-l 04.jpg Biblical Magi.jpg Akhtamar paintings 9.jpg LeonIIQueenGueraneAndTheirFiveChildren1272.jpg T'oros Roslin - Canon Table Page - Google Art Project .jpg Vartanantz.jpg Avag-ms212-04-l 06.jpg Gospels of Georg Alexief, Crucifixion, Walters Manuscript W.546, fol. 16v.jpg Avag-ms212-04-l 08.jpg Mesrop of khizan harrow of hell.jpg Grigor Narekatsi 1.jpg Annunciation from 13th century Armenian Gospel.jpg Armenian Gospel of Moghni, Miniature St. Mateos, 11th century, Yerevan, Matenadaran, Ms. 7736, no. 22v.jpg Matenadaran - biggest and smallest.jpg Grigor Narekatsi Prostrate before Christ.jpg 1568.55 Targmanchats Gospels1.jpg Targmanchats Gospels3.jpg Sargis Pitsak, self portrait, 1338.jpg Targmanchats Gospels5.jpg Echmiadzin gospels 1.jpg Jesus walking on water. Daniel of Uranc, 1433.jpg Gospels of Georg Alexief, Last Judgement, Walters Manuscript W.546, fol. 21r.jpg Echmiadzin gospels 4.jpg Echmiazdin gospels.jpg Ms6782.2.jpg Ахпатское евангелие.jpg Malnazar - Saint Matthew - Google Art Project.jpg M10780G 22 EusebianLetter.jpg Gospel, Isfahan, 1610.jpg M10780G 6 EusebianLetter.jpg Mugni.jpg Insel Akdamar Աղթամար, armenische Kirche zum Heiligen Kreuz Սուրբ խաչ .jpg Armenian Gospel of Skewra, 1193. Italy, St. Ghazar, Mekhitarians old manuscripts library, Ms. 1635-125, no. 98v.jpg Homiliarium, Matenadaran, Ms. 7729.jpg Page from Armenian bible illuminated by T'oros Roslin, 1256.jpg Toros Taronatsi.jpg T'oros Roslin Gospels, Decorated page with image of Carpianus, Walters Manuscript W.539, fol. 2r.jpg T'oros Roslin Gospels, Portrait of John and Prochoros, Walters Manuscript W.539, fol. 317v.jpg Decorated Text Page with half figure of Eusebius - Google Art Project.jpg Mlke gospel.jpg Armenianartil.jpg Malnazar - David in Prayer - Google Art Project.jpg Zeytun gospel.jpg Skevra Evangeliary .jpg Akdamar Church.JPG Turecko kostel svatého Kříže .jpg Malnazar - The Creation of the World - Google Art Project.jpg Mesrop of Khizan - Saint John the Evangelist - Google Art Project.jpg Alexander romance. Armenian illuminated manuscript of XIV century .jpg Avag-ms212-04-l 01.jpg Alexander romance, armenian illuminated manuscript of XIV century .jpg General Mushegh Mamikonian , the King Pap and Armenian cavalry soldiers. Miniature from the 16th century..jpg Avag-ms212-04-l 03.jpg Malnazar - Canon Table Page - Google Art Project .jpg Notrgir 1661.jpg Akhtamar paintings 6.jpg Avag-ms212-04-l 05.jpg Alexander romance. Armenian illuminated manuscript of XIV century .jpg Apocalypse of John, 1368.jpg Gospels of Georg Alexief, Annunciation; Joseph's dream, Walters Manuscript W.546, fol. 4v.jpg Певческий сборник. 1322 г. .jpg Artist - Grigor Tatevatsi, 1378.jpg Narek Matenadaran manuscript.jpg Fresco of Christ's Crucifixion - Inside 10th-Century Akdamar Church - Lake Van - Turkey .jpg The Gospels .jpg Avag-ms212-04-l 07.jpg The Bible .jpg Sacrifice of Abraham.jpg Manuscript of Gladzor University, 13-14th century, village Vernashen, Vayots Dzor, Armenia, 09.jpg Mesrop of khizan christ jerusalem.jpg Avag-ms212-10-l.jpg Miniature1286.jpg V1144G 5 StMark.jpg V1144G 4v StMatthew.jpg Gospel of eight painters, Matthew the Evangelist by Sargis Pitzak.jpg Matenadaran, MS 6792.jpg Targmanchats Gospels2.jpg Targmanchats Gospels4.jpg Manuscript of Gladzor University, 13-14th century, village Vernashen, Vayots Dzor, Armenia, 12.jpg Sargis Pitsak.jpg Malnazar - Saint Paul and Sergius, Roman Proconsul in Cyprus - Google Art Project.jpg Echmiadzin gospels 2.jpg Echmiadzin tempietto.jpg Ms6782.1.jpg Святой_Саркис_-_покровитель_влюблённых.jpg Hovhannes Sandghkavanetsi.jpg T'oros Roslin Gospels, The Last Judgment, Walters Manuscript W.539, fol. 109v.jpg Ms6782.3.jpg Malnazar - Saint Luke - Google Art Project.jpg Gospel 1260.jpg Malnazar - Decorated Incipit Page - Google Art Project.jpg Christ on throne from Etchmiadzin gospel 989.jpg M10780G 28 EusebianLetter.jpg Gospels of Georg Alexief, Presentation in the Temple, Walters Manuscript W.546, fol. 8v.jpg Illuminated Armenian Gospel of Tatev monastery, 1297. Miniature by Grigor Tatevatsi, 1376. Yerevan, Matenadaran, Ms. no. 7482.jpg Portrait of Levon V in manuscript of Armenian translation of Assises d'Antioche.jpg Feeding the multitude, Daniel of Uranc, 1433.jpg Christ, the donor and the scribe .jpg Mugni page.jpg Gospel of eight painters Title page of Matthew gospel by Toros Roslin.jpg Crucifixion of Jesus, Sargis Pitsak .jpg Mesrop of Khizan - The Baptism of Christ - Google Art Project.jpg Fresco inside 10th-Century Akdamar Church - Lake Van - Turkey - 02 .jpg David .jpg Toros Roslin Manrankar.jpg
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Армянская миниатюра — национальная миниатюрная живопись средневековой Армении, Киликийского армянского царства и некоторых армянских колоний. Армянская миниатюра имеет несколько основных групп и этапов развития: до XI в.; школы Великой и Малой Армении XI—XII вв.; Киликийской Армении XII—XIV вв.; школы Бардзр-Айка, Ани, Арцаха, Гладзора, Татева, Васпуракана с XIII в.; после XIII в. также в колониях армянской диаспоры. Armenian illuminated manuscripts (Armenian: Հայկական մանրանկարչություն, romanized: Haykakan manrankarch'owt'yown), form an Armenian tradition of formally prepared documents where the text is often supplemented with flourishes such as borders and miniature illustrations. They are related to other forms of Medieval Armenian art, and to Byzantine illuminated manuscripts. The earliest surviving examples date back to the Golden Age of Armenian art and literature in the 5th century. Armenian illuminated manuscripts embody Armenian culture; they illustrate its spiritual and cultural values. The most famous Armenian miniaturist, Toros Roslin, lived in the 13th century. The art form flourished in Greater Armenia, Lesser Armenia and the Armenian Diaspora. Its appearance dates back to the creation of the Armenian alphabet in Armenia, in the year 405 AD. Very few fragments of illuminated manuscript from the 6th and 7th centuries have survived. The oldest fully preserved manuscript dates from the 9th century. The art experienced a golden age in the 13th and 14th centuries, when the main schools and centers started to pop-up (fifteen hundred centers of writing and illumination). The most striking are those of Syunik, Vaspurakan and Cilicia. Many Armenian illuminated manuscripts outside the country of Armenia have also survived the centuries. Despite the creation of the Armenian printing press in the 16th century, the production of miniatures continued until the 19th century and survives through modern Armenian painting and cinema. Armenian miniaturists have always been in contact with other artists of the East and the West whose art has deeply and richly influenced Armenian illumination. According to the Russian poet Valery Bryusov, "crossing and intertwining before merging into a single and entirely new whole, two forces, two opposing principles have, over the centuries, governed the destiny of Armenia and shaped the character of its people: the principle of the West and that of the East, the spirit of Europe and the spirit of Asia". The most famous works of Armenian miniaturists are distinguished by precise skill in execution, originality of composition and color treatment, brilliance due to the use of pigments mainly prepared with the bases of metal oxides and by an extremely stylized portrayal of the world. The Matenadaran Institute in Yerevan has the largest collection of Armenian manuscripts, including the Mugni Gospels and Echmiadzin Gospels. The second-largest collection of Armenian illuminated manuscripts is stored in the depository of the St. James Cathedral, of the Holy Apostolic Church's Patriarchate of Jerusalem. Other collections exist in the British Library, Bibliothèque nationale de France, and other large collections at the Mechitarist establishments in Venice and Vienna, as well as in the United States. The University of California, Los Angeles (UCLA) keeps an Armenian illuminated manuscript dating back to the 14th century among its collection of Armenian manuscripts, which is one of the largest in the world. They also have the manuscript of the (cf. University of Gladzor). Die Armenische Buchmalerei stand, wie die Armenische Kunst im Allgemeinen, in byzantinischer aber auch syrischer Tradition. Der bekannteste armenische Buchmaler, Toros Roslin, lebte im 13. Jahrhundert. Die Bibliothek Matenadaran in Jerewan beherbergt die größte Sammlung armenischer Prachthandschriften, die seit 1997 zum Weltdokumentenerbe der UNESCO gehört. Zu den bedeutendsten Objekten zählen das Etschmiadzin-Evangeliar von 989 mit Elfenbein-Buchdeckeln aus dem 6. Jahrhundert und das Mughni-Evangeliar um 1060. Die zweitgrößte Sammlung armenischer Handschriften wird in der Jakobuskirche im armenischen Viertel von Jerusalem aufbewahrt. Weitere armenische illuminierte Handschriften gibt es in der British Library, der Bibliothèque nationale de France, den Bibliotheken der Mechitaristen in Venedig und Wien und in anderen großen Sammlungen in Europa und in den Vereinigten Staaten. Die University of California, Los Angeles (UCLA) bewahrt unter anderem eine armenische Prachthandschrift aus dem 14. Jahrhundert auf. Miniatury manuskryptów ormiańskich stanowią ważną część dziedzictwa kulturalnego narodu ormiańskiego. Gdy Armenia w roku 301 przyjmowała chrześcijaństwo – pierwsza w świecie – jako religię państwową, jej historia liczyła już ponad tysiąc lat. Święty Mesrop Masztoc stworzył w roku 406 alfabet ormiański. W klasztorach mnisi mogli przepisywać ewangeliarze i inne święte księgi w ojczystym języku ormiańskim. Pisano na pergaminie, częściej dwustronnie, rzadko jednostronnie. Mnisi-miniaturzyści zdobili księgi iluminacjami. Farby zagęszczano spoiwem z białka jaj kurzych, stosowano zdobienie złotem listkowym. Stylistycznie miniatury zgodne były z wymaganiami ikonografii chrześcijańskiej, wykazywały jednak wpływy miniatur perskich. Oprócz postaci biblijnych ukazywały fantastyczne stworzenia, bogate ornamenty roślinne. Wiele pomysłowości widać w kompozycjach inicjałów, otaczających litery bogatą dekoracją. Stylistycznie wyróżnia się kilka szkół, związanych z klasztorami. Szczyt rozwoju sztuki miniatury ormiańskiej przypada na XIII wiek. Za najwybitniejszego twórcę miniatury ormiańskiej tego okresu krytycy sztuki uważają Torosa Roslina (ur. 1210-1216, zm. 1270-1288). Zachowało się kilkanaście manuskryptów z sygnaturą Roslina. Jego dzieła charakteryzuje niezwykła precyzja. Na marginesach wokół głównych miniatur rozmieszczał niezwiązane z tematem rysunki fantastycznych roślin i zwierząt. Twarze osób miały wyraziste rysy, wyrażające różne uczucia. Roslin znał twórczość mistrzów miniatury Europy i Bizancjum, ale zachował własny styl.Malarstwem miniaturowym zajmowali się również artyści diaspory ormiańskiej w Europie i na Bliskim Wschodzie, także we Lwowie. Podczas częstych najazdów mongolskich, arabskich, potem osmańskich na ziemie Armenii święte księgi ukrywano i chroniono przed zniszczeniem. Największy księgozbiór zgromadzono przez stulecia w Katolikacie Autokefalicznego Kościoła Apostolskiego Armenii w Eczmiadzinie. Wiele rękopisów zgromadzono również w klasztorze mechitarystów na wyspie św. Łazarza w Wenecji i w klasztorze św. Akopa (Jakuba) w Jerozolimie. Księgozbiór Katolikatu został w roku 1920 skonfiskowany i upaństwowiony. Dopiero w roku 1939 przewieziono go do Erywania, tworząc Instytut Matenadaran (orm. "księgozbiór") nazwany w roku 1962 imieniem twórcy pisma ormiańskiego – Mesropa Masztoca. W latach 1945 – 1957 zbudowano według projektu architekta Marka Grigoriana budynek Instytutu.Do naukowego opracowania księgozbioru Matenadaranu przyczyniła się szczególnie historyczka sztuki ze Smoleńska – Lidia Durnowo (1885-1963). Skazana w roku 1934 w Leningradzie jako rzekomy „aktywny członek kontrrewolucyjnej organizacji faszystowskiej” na zesłanie, przedostała się do Armenii i zajęła w latach 1937-1951 m.in. badaniami nad miniaturami rękopisów ormiańskich. Prace naukowe mogła jednak publikować tylko pod pseudonimem. La miniature arménienne est l'expression particulière de la miniature en Grande-Arménie, en Petite-Arménie et dans la diaspora arménienne. Son apparition remonte à la création de l'alphabet arménien en Arménie, soit en l'an 405. Très peu de fragments de manuscrits enluminés des VIe et VIIe siècles ont survécu, le plus ancien conservé en entier datant du IXe siècle. L'âge d'or se situe aux XIIIe et XIVe siècles, période de la formation définitive des principales écoles et tendances (quinze cents centres d'écriture et d'enluminure). Les plus éclatantes sont celles de Siounie, du Vaspourakan et de Cilicie. De nombreux manuscrits arméniens enluminés hors du pays d'Arménie ont aussi traversé les siècles. Malgré l'apparition de l'imprimerie arménienne au XVIe siècle, la production de miniatures s'est prolongée jusqu'au XIXe siècle et survit à travers la peinture et le cinéma arméniens modernes. Le peuple d'Arménie a toujours été en relation avec les autres peuples de l'Orient et de l'Occident dont l'art a influencé en profondeur et en richesses l'enluminure arménienne. Selon le poète russe Valéry Brioussov, « se croisant et s'entrelaçant avant de fusionner en un tout unique et entièrement neuf, deux forces, deux principes opposés ont, au cours des siècles, régi le destin de l'Arménie et façonné le caractère de son peuple : le principe de l'Occident et celui de l'Orient, l'esprit de l'Europe et l'esprit de l'Asie ». Les plus belles œuvres des miniaturistes arméniens se distinguent par une grande habileté d'exécution, l'originalité de la composition et du traitement des couleurs, à la brillance due à l'utilisation de pigments principalement préparés à base d'oxydes métalliques, ainsi que par une perception du monde extrêmement personnalisée. Sur les 30 000 manuscrits arméniens actuellement répertoriés dans le monde, environ 10 000 sont ornementés, et entre 5 000 et 7 000 d'entre eux renferment des miniatures. La majeure partie est conservée au Matenadaran d'Erevan (plus de dix mille manuscrits et fragments de manuscrits). Вірменська мініатюра — національний мініатюрний живопис середньовічної Вірменії, Кілікійського вірменського царства і деяких вірменських колоній. вірменська мініатюра має декілька основних груп і етапів розвитку: до XI століття; школи Великої і Малої Вірменії XI–XII століть; Кілікійської Вірменії XII–XIV століть; школи , Ані, Арцаха, Гладзора, Татева, Васпуракана з XIII століття; після XIII століття також в колоніях вірменської діаспори.
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