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Statements

Subject Item
dbr:Art_in_the_Streets
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yago:ArtExhibition108407839 yago:Abstraction100002137 yago:Exhibition108407619 yago:WikicatArtExhibitionsInTheUnitedStates yago:Collection107951464 dbo:Convention yago:Group100031264
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Art in the Streets
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Art in the Streets was an exhibition held at the Museum of Contemporary Art Los Angeles from April 17 to August 8, 2011. Curated by its then-director Jeffrey Deitch and associate curators Aaron Rose and Roger Gastman, it surveyed the development of graffiti and global street art from the 1970s to the present, covering the cities of New York City, the West Coast, London, and Sao Paulo with a focus on Los Angeles. It was supposed to travel to the Brooklyn Museum from March 30 to July 8, 2012. The exhibit at the Brooklyn Museum was cancelled because of financial difficulties.
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dbc:Art_in_Greater_Los_Angeles dbc:2011_in_art dbc:Graffiti_and_unauthorised_signage dbc:Street_culture dbc:Art_exhibitions_in_the_United_States dbc:Contemporary_art_exhibitions
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Art in the Streets was an exhibition held at the Museum of Contemporary Art Los Angeles from April 17 to August 8, 2011. Curated by its then-director Jeffrey Deitch and associate curators Aaron Rose and Roger Gastman, it surveyed the development of graffiti and global street art from the 1970s to the present, covering the cities of New York City, the West Coast, London, and Sao Paulo with a focus on Los Angeles. It was supposed to travel to the Brooklyn Museum from March 30 to July 8, 2012. The exhibit at the Brooklyn Museum was cancelled because of financial difficulties. By some estimates, it was the most attended exhibition in the MOCA LA's history. Artists in the exhibition included: Barry McGee, Lee Quinones, Os Gêmeos, Banksy, Shepard Fairey, TAKI 183, Jean-Michel Basquiat, , ROA, JR, , Rammellzee, Keith Haring, Kenny Scharf, , Gusmano Cesaretti and others. In early December 2010 Italian street artist Blu was painted a mural on the side of the museum's Geffen Contemporary Wing to coincide with the exhibition. Because the work's antiwar theme might be deemed offensive, the museum had it painted over within a day, and anonymous fellow artists avenged themselves by putting up posters of Deitch as an ayatollah holding a paint roller.
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