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Statements

Subject Item
dbr:Better_Days_(Natalia_Gutierrez_y_Angelo_song)
rdf:type
dbo:Song wikidata:Q2188189 dbo:Work wikidata:Q386724 schema:CreativeWork schema:MusicRecording dbo:MusicalWork owl:Thing
rdfs:label
Better Days (Natalia Gutierrez y Angeloの曲) Better Days (Natalia Gutierrez y Angelo song)
rdfs:comment
"Better Days" (Spanish: "Mejores Dias") is a 2010 Colombian pop song by Natalia Gutierrez y Angelo. The song was created by the Colombian army and Radio Bemba, a small recording studio for commercial jingles, with the purpose of communicating a hidden message to Colombian soldiers held captive by FARC guerrillas.
foaf:name
Better Days
dbp:name
Better Days
dcterms:subject
dbc:Morse_code dbc:Dance-pop_songs dbc:Synth-pop_songs dbc:Colombian_songs dbc:2010_singles
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dbo:wikiPageRevisionID
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dbo:wikiPageWikiLink
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dbr:Natalia_Gutierrez_y_Angelo
dbp:genre
dbr:Dance_pop
dbp:length
238.0
dbp:recorded
2010
dbp:released
September 2010
dbp:type
single
dbp:written
2010
dbo:abstract
"Better Days" (Spanish: "Mejores Dias") is a 2010 Colombian pop song by Natalia Gutierrez y Angelo. The song was created by the Colombian army and Radio Bemba, a small recording studio for commercial jingles, with the purpose of communicating a hidden message to Colombian soldiers held captive by FARC guerrillas. The song is a hopeful Dance pop track about how difficult situations will improve, and hidden in the chorus is Morse code disguised as a European dance beat. The message says "19 people rescued. You’re next. Don't lose hope." This was to let the soldiers held hostage know that the Colombian army was infiltrating FARC-controlled areas and coming to rescue them. The song was played on over 130 small radio stations and heard by three million people. The Colombian military controlled all of the local radio stations that the FARC would have access to. Crucially, Major General Luis Mendieta Ovalle Herlindo helped the operation by appearing on live television and appealing to the guerrillas directly. He requested that the radio be played for their captives, supposedly so they could hear the voices of their families, who called into radio shows frequently. In reality, it was so they could hear this song and know they were about to be rescued.
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dbr:Dance_pop
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