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Statements

Subject Item
dbr:Bridge_chord
rdf:type
dbo:Bridge
rdfs:label
Bridge chord
rdfs:comment
The Bridge chord is a bitonal chord named after its use in the music of composer Frank Bridge (1879–1941). It consists of a minor chord with the major chord a whole tone above (CE♭G & DF♯A), as well as a major chord with the minor chord a semitone above (CEG & D♭F♭A♭), which share the same mediant (E/F♭). ) When inverted, both form eleventh chords (DF♯ACE♭G = D11♭9 and D♭F♭A♭CEG = D♭mM7A9A11).
foaf:depiction
n16:Bridge_chord_on_C.png
dcterms:subject
dbc:Polytonality dbc:Chords
dbo:wikiPageID
43262651
dbo:wikiPageRevisionID
1039676690
dbo:wikiPageWikiLink
dbr:Semitone dbr:Root_(chord) dbr:World_War_I dbr:Perfect_fifth dbr:Just_intonation dbr:Pacifism dbr:Augmented_second dbr:Minor_third dbr:Consonance_and_dissonance dbr:Mediant n15:Bridge_chord_on_C.png dbr:Chord_(music) dbr:Anthony_Payne dbr:Frank_Bridge dbr:Inversion_(music) dbr:Major_chord dbc:Chords dbr:Minor_chord dbr:Major_second dbr:Major_sixth dbr:Z-relation dbr:Tritone dbr:Eleventh_chord dbc:Polytonality dbr:Polytonality dbr:Augmented_fourth
owl:sameAs
n11:mFP8 freebase:m.0114pnq9 wikidata:Q18159783 yago-res:Bridge_chord
dbp:sixthInterval
dbr:Major_sixth
dbp:thirdInterval
dbr:Minor_third
dbp:tuning
32
dbp:wikiPageUsesTemplate
dbt:Clarify dbt:Music dbt:Infobox_chord dbt:Audio dbt:For dbt:Music-theory-stub dbt:Reflist dbt:Failed_verification dbt:Chords
dbo:thumbnail
n16:Bridge_chord_on_C.png?width=300
dbp:date
September 2019
dbp:reason
Why is this listed as the Bridge chord? Either add cited correlation between the two bichords or omit the second chord. The first is verifiable as a Bridge chord, but I can find no trustworthy sources labeling the second as such. On this page, Hold only says "this section ending in a climax on a bitonal 'Bridge' chord ". Source names the first as the Bridge chord, but not the second.
dbo:abstract
The Bridge chord is a bitonal chord named after its use in the music of composer Frank Bridge (1879–1941). It consists of a minor chord with the major chord a whole tone above (CE♭G & DF♯A), as well as a major chord with the minor chord a semitone above (CEG & D♭F♭A♭), which share the same mediant (E/F♭). ) When inverted, both form eleventh chords (DF♯ACE♭G = D11♭9 and D♭F♭A♭CEG = D♭mM7A9A11). According to Anthony Payne, Paul Hindmarsh and Lewis Foreman, Bridge had strong pacifist convictions, and he was deeply disturbed by the First World War. The Bridge chord appears to have been introduced in the years following the War, as Bridge experimented with more prominent use of dissonance in his musical language and a more structured method of composition. Its first use in his published work is in the Piano Sonata (1921–24). The Bridge chord is fairly dissonant, with two minor seconds, two major seconds, one augmented second, and two tritones contained in the chord.
dbp:chordName
Bridge chord
dbp:complement
6
dbp:fifthInterval
dbr:Perfect_fifth
dbp:firstInterval
dbr:Root_(chord)
dbp:forteNumber
6
dbp:fourthInterval
dbr:Augmented_fourth
dbp:secondInterval
dbr:Major_second
gold:hypernym
dbr:Chord
prov:wasDerivedFrom
wikipedia-en:Bridge_chord?oldid=1039676690&ns=0
dbo:wikiPageLength
3384
foaf:isPrimaryTopicOf
wikipedia-en:Bridge_chord