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Statements

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Chicago Imagists Чикагские имажисты
rdfs:comment
Чикагские имажисты (имажинисты) (англ. Chicago Imagists) — группа американских художников, связанных со школой Художественного института Чикаго, которые проводили выставки своих работ в Художественном центре Гайд-парка; расцвет их творчества пришелся на 1960-е годы. Формально под эти термином понимается три группы чикагских художников: Monster Roster, The Hairy Who и The Chicago Imagists. Их работы были известны гротескностью и сюрреализмом. Критик назвал чикагский имажизм «послевоенной традицией создания фантазийного искусства». The Chicago Imagists are a group of representational artists associated with the School of the Art Institute of Chicago who exhibited at the Hyde Park Art Center in the late 1960s. Their work was known for grotesquerie, Surrealism and complete indifference to New York art world trends. Critic Ken Johnson referred to Chicago Imagism as "the postwar tradition of fantasy-based art making." Senior Chicago magazine editor Christine Newman said, "Even with the Beatles and the Vietnam War in the forefront, the artists made their own way, staking out their time, their place, and their work as an unforgettable happening in art history."
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Чикагские имажисты (имажинисты) (англ. Chicago Imagists) — группа американских художников, связанных со школой Художественного института Чикаго, которые проводили выставки своих работ в Художественном центре Гайд-парка; расцвет их творчества пришелся на 1960-е годы. Формально под эти термином понимается три группы чикагских художников: Monster Roster, The Hairy Who и The Chicago Imagists. Их работы были известны гротескностью и сюрреализмом. Критик назвал чикагский имажизм «послевоенной традицией создания фантазийного искусства». The Chicago Imagists are a group of representational artists associated with the School of the Art Institute of Chicago who exhibited at the Hyde Park Art Center in the late 1960s. Their work was known for grotesquerie, Surrealism and complete indifference to New York art world trends. Critic Ken Johnson referred to Chicago Imagism as "the postwar tradition of fantasy-based art making." Senior Chicago magazine editor Christine Newman said, "Even with the Beatles and the Vietnam War in the forefront, the artists made their own way, staking out their time, their place, and their work as an unforgettable happening in art history." The Imagists had an unusually high proportion of female artists. There are three distinct groups which, outside of Chicago, are indiscriminately bundled together as Imagists: The Monster Roster, The Hairy Who, and The Chicago Imagists.
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