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Statements

Subject Item
dbr:Come_Sunday
rdf:type
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rdfs:label
Come Sunday
rdfs:comment
"Come Sunday" is a piece by Duke Ellington, which became a jazz standard. It was written in 1942 as a part of the first movement of a suite entitled Black, Brown and Beige. Ellington was engaged for a performance at Carnegie Hall on January 23, 1943, for which he wrote the entire composition (that whole concert was released in 1977 as The Carnegie Hall Concerts: January 1943). In 1958 he revised the piece and recorded it in its entirety for the 1958 album of the same name. "Come Sunday" was originally a centerpiece for alto saxophone player Johnny Hodges; the 1958 album, which contained a vocal version of the piece with new lyrics by Ellington featuring gospel singer Mahalia Jackson, greatly increased its popularity.
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Come Sunday
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Come Sunday
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song
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dbr:Duke_Ellington
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1943
dbo:abstract
"Come Sunday" is a piece by Duke Ellington, which became a jazz standard. It was written in 1942 as a part of the first movement of a suite entitled Black, Brown and Beige. Ellington was engaged for a performance at Carnegie Hall on January 23, 1943, for which he wrote the entire composition (that whole concert was released in 1977 as The Carnegie Hall Concerts: January 1943). In 1958 he revised the piece and recorded it in its entirety for the 1958 album of the same name. "Come Sunday" was originally a centerpiece for alto saxophone player Johnny Hodges; the 1958 album, which contained a vocal version of the piece with new lyrics by Ellington featuring gospel singer Mahalia Jackson, greatly increased its popularity.
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