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Statements

Subject Item
dbr:Eduardo_Kac
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Eduardo Kac Eduardo Kac Кац, Эдуардо 에두아르도 칵 Eduardo Kac Eduardo Kac Eduardo Kac
rdfs:comment
Eduardo Kac (Rio de Janeiro, 3 de julho de 1962) é um artista contemporâneo e pioneiro da arte digital, arte holográfica, arte da telepresença e bioarte. Eduardo Kac [ɛdwardoʊ kæts; ĕd·wâr′·dō kăts] (1962) is a Brazilian contemporary artist whose artworks span a wide range of practices, including performance art, poetry, holography, interactive art, telematic art and transgenic art. He is particularly well known for his works that integrate biotechnology, politics and aesthetics. Kac began his art career in the early 1980s as performance artist in Rio de Janeiro, Brazil. Within a few years he was involved in exploring holography as an interactive art form. At the same time, he began creating animated poetic works on the French Minitel platform. 에두아르도 칵(Eduardo Kac, 1962년 ~ )은 바이오 아티스트이다. 미술작품에 유전학과 세포생물학에서 사용하는 생물공학기술을 차용하고 이를 바이오아트라고 명명했다. 그는 이에 대해 '세상 어디에도 없는 살아 있는 존재를 창조해내기 위해, 합성 유전자를 생체에 이식하거나 한 종에서 다른 종으로 자연 유전 물질을 이식하는 유전공학 기술에 근거한 새로운 형태의 미술'이라고 말했다. Eduardo Kac, né le 3 juillet 1962 à Rio de Janeiro, est un artiste contemporain américano-brésilien. Эдуардо Кац (порт. Eduardo Kac; род. 3 июля 1962, Рио-де-Жанейро) — бразильско-американский современный художник и профессор, чьи произведения охватывают широкий спектр различных художественных практик, включая перформанс, поэзию, голографию, интерактивное, телематическое и трансгенное искусство. Хорошо известен своими работами, которые объединяют политику, эстетику и биотехнологию. Eduardo Kac (* 3. Juli 1962 in Rio de Janeiro) ist ein brasilianisch-amerikanischer Künstler. Eduardo Kac (Río de Janeiro, 3 de julio de 1962) es un artista contemporáneo multidisciplinar de origen brasilero conocido principalmente por crear obras que usan la biotecnología para intervenir en la estructura genética de animales. Kac se formó en Comunicación Social en la Pontificia Universidad Católica de Río de Janeiro. Inició su trayectoria artística en los años 80, realizando performances. Entre 1985 y 1986, comenzó a incursionar en el entonces emergente "arte digital", usando un sistema de videotexto.
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Eduardo Kac
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Eduardo Kac
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dbp:awards
Ars Electronica Golden Nica
dbp:birthDate
1962
dbp:caption
Eduardo Kac's installation Genesis, displayed at the 1999 Ars Electronica Festival.
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Brazilian-American
dbo:abstract
Eduardo Kac (* 3. Juli 1962 in Rio de Janeiro) ist ein brasilianisch-amerikanischer Künstler. Эдуардо Кац (порт. Eduardo Kac; род. 3 июля 1962, Рио-де-Жанейро) — бразильско-американский современный художник и профессор, чьи произведения охватывают широкий спектр различных художественных практик, включая перформанс, поэзию, голографию, интерактивное, телематическое и трансгенное искусство. Хорошо известен своими работами, которые объединяют политику, эстетику и биотехнологию. Eduardo Kac [ɛdwardoʊ kæts; ĕd·wâr′·dō kăts] (1962) is a Brazilian contemporary artist whose artworks span a wide range of practices, including performance art, poetry, holography, interactive art, telematic art and transgenic art. He is particularly well known for his works that integrate biotechnology, politics and aesthetics. Kac began his art career in the early 1980s as performance artist in Rio de Janeiro, Brazil. Within a few years he was involved in exploring holography as an interactive art form. At the same time, he began creating animated poetic works on the French Minitel platform. Before moving from Brazil to the United States in the late 1980s, Kac began creating his first telematic artworks that used electronic technologies to bridge two or more physical locations. During the 1990s he continued to produce these works, at the same time as he coined the phrase bioart. In addition to bioart Kac coined numerous neologisms to describe his transdisciplinary art practice, including holoart, transgenic art (the integration of human genes in an artwork) and plantimal, referring to a plant infused with human genes. Kac is perhaps best known for his transgenic artworks that use biotechnology to intervene on the natural genetic structure of plants and animals. His works Time Capsule, GFP Bunny and Natural History of the Enigma in particular are recognized as notable works for having joined biotechnology, art and bioethics together into politically charged artworks. In 2017 Kac collaborated with the French Space Observatory office to have a sculpture made aboard the International Space Station. A multidisciplinary artist, Kac has also employed poetry, fax, photocopying, photography, video, fractals, RFID implants, virtual reality, networks, robotics, satellites, telerobotics, Morse code and DNA extraction in his practice. Eduardo Kac (Río de Janeiro, 3 de julio de 1962) es un artista contemporáneo multidisciplinar de origen brasilero conocido principalmente por crear obras que usan la biotecnología para intervenir en la estructura genética de animales. Kac se formó en Comunicación Social en la Pontificia Universidad Católica de Río de Janeiro. Inició su trayectoria artística en los años 80, realizando performances. Entre 1985 y 1986, comenzó a incursionar en el entonces emergente "arte digital", usando un sistema de videotexto. En 1989, Kac viaja a Estados Unidos para continuar su formación en la School of the Art Institute of Chicago. 에두아르도 칵(Eduardo Kac, 1962년 ~ )은 바이오 아티스트이다. 미술작품에 유전학과 세포생물학에서 사용하는 생물공학기술을 차용하고 이를 바이오아트라고 명명했다. 그는 이에 대해 '세상 어디에도 없는 살아 있는 존재를 창조해내기 위해, 합성 유전자를 생체에 이식하거나 한 종에서 다른 종으로 자연 유전 물질을 이식하는 유전공학 기술에 근거한 새로운 형태의 미술'이라고 말했다. Eduardo Kac (Rio de Janeiro, 3 de julho de 1962) é um artista contemporâneo e pioneiro da arte digital, arte holográfica, arte da telepresença e bioarte. Eduardo Kac, né le 3 juillet 1962 à Rio de Janeiro, est un artiste contemporain américano-brésilien.
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