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Statements

Subject Item
dbr:George_Tomasini
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George Tomasini George Tomasini George Tomasini George Tomasini George Tomasini George Tomasini Τζορτζ Τομασίνι
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George Tomasini est un monteur américain né le 20 avril 1909 à Springfield, Massachusetts et décédé le 22 novembre 1964 à Hanford. George Tomasini (Springfield, 20 aprile 1909 – Hanford, 22 novembre 1964) è stato un montatore statunitense. Collaborò come montatore a nove film di Alfred Hitchcock. Ottenne la candidatura all'Oscar al miglior montaggio nel 1960 per Intrigo internazionale ma fu battuto da Ralph E. Winters e per Ben-Hur. George Tomasini (Springfield, Massachusetts, 20 d'abril de 1909 − Hanford, Califòrnia, 22 de novembre de 1964) va ser un muntador de cinema estatunidenc, que va col·laborar de forma notable amb el director Alfred Hitchcock, muntant nou de les seves pel·lícules en la dècada 1954-1964. Tomasini va muntar molts dels treballs més coneguts de Hitchcock, com Marnie (1964), els clàssics de terror Els ocells (1963) i Psicosi (1960), Perseguit per la mort (1959), les obres mestres de Hitchcock Vertigen (D'entre els morts) (1958) i La finestra indiscreta (1954), així com altres pel·lícules memorables com Cape Fear (1962). George Tomasini fue un editor de cine estadounidense que tuvo una década de colaboración con el director Alfred Hitchcock, editando nueve de sus películas entre 1954-1964.​ Tomasini editó muchas de sus películas, incluyendo La ventana indiscreta (1954), Vértigo (1958), North by Northwest (1959), Psicosis (1960) y Los pájaros (1963), así como otras películas bien recibidas como Cape Fear (1962). En una lista de 2012 de las 75 películas mejor editadas de todos los tiempos, compilada por el , basada en una encuesta a sus miembros, aparecen cuatro películas editadas por Tomasini para Hitchcock. Ningún otro editor apareció más de tres veces en esta lista. Las películas que figuran eran Psicosis, Vértigo, La ventana indiscreta, y North by Northwest.​ George Tomasini (April 20, 1909 – November 22, 1964) was an American film editor, born in Springfield, Massachusetts, who had a decade long collaboration with director Alfred Hitchcock, editing nine of his movies between 1954 and 1964. Tomasini edited many of Hitchcock's best-known works, such as Rear Window (1954), Vertigo (1958), North by Northwest (1959), Psycho (1960), and The Birds (1963), as well as other well-received films such as Cape Fear (1962). On a 2012 listing of the 75 best edited films of all time, compiled by the Motion Picture Editors Guild based on a survey of its members, four films edited by Tomasini for Hitchcock appear. No other editor appeared more than three times on this listing. The listed films were Psycho, Vertigo, Rear Window, and North by Northwest. George Tomasini (* 20. April 1909 in Springfield, Massachusetts, USA; † 22. November 1964 in Hanford, Kalifornien) war ein US-amerikanischer Filmeditor. Er war für den Filmschnitt von mehr als 20 Filmen verantwortlich, darunter neunmal in elf Jahren für Alfred Hitchcock. Für seine Arbeit an Der unsichtbare Dritte war er 1960 für den Oscar nominiert. Tomasini starb 1964 an Herzinsuffizienz. Seit 1947 war er bis zu seinem Tod mit der Schauspielerin Mary Brian verheiratet. O Τζορτζ Τομασίνι (αγγλικά: George Tomasini, 20 Απριλίου 1909 - 22 Νοεμβρίου 1964) ήταν Αμερικανός μοντέρ, ο οποίος είναι ιδιαίτερα γνωστός για τη συνεργασία του με τον Άλφρεντ Χίτσκοκ, η οποί κράτησε μία δεκαετία (1954-1964). Ο Τομασίνι ανέλαβε το μοντάζ, μερικών από των πιο γνωστών έργων του Χίτσκοκ, μεταξύ αυτών το Σιωπηλός Μάρτυς (1954), το Δεσμώτης του Ιλίγγου (1958), το North by Northwest (1959), το Ψυχώ (1960) και το Τα Πουλιά (1963), ενώ για το τρίτο έχει λάβει και μία υποψηφιότητα για Όσκαρ Καλύτερου Μοντάζ.
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George Tomasini
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Tomasini's most important work with Hitchcock was the memorable shower scene in Psycho . Its aesthetic and dramatic accomplishment was achieved largely through the editor's skill. The completed forty-five second sequence that Hitchcock originally storyboarded was compiled by Tomasini from footage shot over several days that utilized a total of over seventy camera setups. From that mass of footage, Tomasini selected sixty different shots, some of them very short, through which he elected to rely heavily on the techniques of 'associative editing'.
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–Paul Monaco
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dbo:abstract
George Tomasini est un monteur américain né le 20 avril 1909 à Springfield, Massachusetts et décédé le 22 novembre 1964 à Hanford. George Tomasini (Springfield, Massachusetts, 20 d'abril de 1909 − Hanford, Califòrnia, 22 de novembre de 1964) va ser un muntador de cinema estatunidenc, que va col·laborar de forma notable amb el director Alfred Hitchcock, muntant nou de les seves pel·lícules en la dècada 1954-1964. Tomasini va muntar molts dels treballs més coneguts de Hitchcock, com Marnie (1964), els clàssics de terror Els ocells (1963) i Psicosi (1960), Perseguit per la mort (1959), les obres mestres de Hitchcock Vertigen (D'entre els morts) (1958) i La finestra indiscreta (1954), així com altres pel·lícules memorables com Cape Fear (1962). George Tomasini va ser conegut pel seu muntatge cinematogràfic innovador que, juntament amb les tècniques de Hitchcock, van redefinir el llenguatge cinematogràfic. El tall de Tomasini era sempre elegant i experimental, sempre segueix el focus de la història i els personatges. Hitchcock i el muntatge de Tomasini a La finestra indiscreta s'ha tractat extensament en la monografia de Valerie Orpen, Film Editing: The Art of the Expressive. El seu encavalcament de diàleg i l'ús de va ser dinàmic i innovador (com en l'escena d'Els ocells on el cotxe explota a la gasolinera i el personatge de Tippi Hedren mira des d'una finestra, així com a l'"escena de la dutxa" a Psicosi). Les tècniques de George Tomasini serien revolucionàries i influirien molts muntadors de cinema i cineastes durant molts anys. George Tomasini va ser nominat per l'Oscar al millor muntatge per Perseguit per la mort, però els muntadors de Ben Hur van guanyar aquell any el premi. O Τζορτζ Τομασίνι (αγγλικά: George Tomasini, 20 Απριλίου 1909 - 22 Νοεμβρίου 1964) ήταν Αμερικανός μοντέρ, ο οποίος είναι ιδιαίτερα γνωστός για τη συνεργασία του με τον Άλφρεντ Χίτσκοκ, η οποί κράτησε μία δεκαετία (1954-1964). Ο Τομασίνι ανέλαβε το μοντάζ, μερικών από των πιο γνωστών έργων του Χίτσκοκ, μεταξύ αυτών το Σιωπηλός Μάρτυς (1954), το Δεσμώτης του Ιλίγγου (1958), το North by Northwest (1959), το Ψυχώ (1960) και το Τα Πουλιά (1963), ενώ για το τρίτο έχει λάβει και μία υποψηφιότητα για Όσκαρ Καλύτερου Μοντάζ. Το 2012, σε λίστα με τα 75 Καλύτερα Μοντάζ σε ταινίες όλων των εποχών, της Motion Picture Editors Guild, ο Τομασίνι, ήταν ο μόνος μοντέρ που βρέθηκε σε αυτή τη λίστα τέσσερις φορές (Psycho, Vertigo, Rear Window και North by Northwest). Οι εφευρετικές τεχνικές του Τομασίνι, φαίνεται ότι έχουν πολλούς μοντέρ και δημιουργούς ταινιών. George Tomasini (Springfield, 20 aprile 1909 – Hanford, 22 novembre 1964) è stato un montatore statunitense. Collaborò come montatore a nove film di Alfred Hitchcock. Ottenne la candidatura all'Oscar al miglior montaggio nel 1960 per Intrigo internazionale ma fu battuto da Ralph E. Winters e per Ben-Hur. George Tomasini (* 20. April 1909 in Springfield, Massachusetts, USA; † 22. November 1964 in Hanford, Kalifornien) war ein US-amerikanischer Filmeditor. Er war für den Filmschnitt von mehr als 20 Filmen verantwortlich, darunter neunmal in elf Jahren für Alfred Hitchcock. Für seine Arbeit an Der unsichtbare Dritte war er 1960 für den Oscar nominiert. Tomasini starb 1964 an Herzinsuffizienz. Seit 1947 war er bis zu seinem Tod mit der Schauspielerin Mary Brian verheiratet. George Tomasini (April 20, 1909 – November 22, 1964) was an American film editor, born in Springfield, Massachusetts, who had a decade long collaboration with director Alfred Hitchcock, editing nine of his movies between 1954 and 1964. Tomasini edited many of Hitchcock's best-known works, such as Rear Window (1954), Vertigo (1958), North by Northwest (1959), Psycho (1960), and The Birds (1963), as well as other well-received films such as Cape Fear (1962). On a 2012 listing of the 75 best edited films of all time, compiled by the Motion Picture Editors Guild based on a survey of its members, four films edited by Tomasini for Hitchcock appear. No other editor appeared more than three times on this listing. The listed films were Psycho, Vertigo, Rear Window, and North by Northwest. George Tomasini was known for his innovative film editing which, together with Hitchcock's stunning techniques, redefined cinematic language. Tomasini's cutting was always stylish and experimental, all the while pursuing the focus of the story and the characters. Hitchcock and Tomasini's editing of Rear Window has been treated at length in Valerie Orpen's monograph, Film Editing: The Art of the Expressive. His dialogue overlapping and use of jump cuts for exclamation points was dynamic and innovative (such as in the scene in The Birds where the car blows up at the gas station and Tippi Hedren's character watches from a window, as well as the infamous "shower scene" in Psycho). George Tomasini's techniques would influence many subsequent film editors and filmmakers. George Tomasini was nominated for the Academy Award for Best Film Editing for North by Northwest, but Ben-Hur's editors won the award that year. Tomasini died of a massive heart attack at the age of 55 in California. He left behind Mary Brian, his wife of 17 years and no children. George Tomasini fue un editor de cine estadounidense que tuvo una década de colaboración con el director Alfred Hitchcock, editando nueve de sus películas entre 1954-1964.​ Tomasini editó muchas de sus películas, incluyendo La ventana indiscreta (1954), Vértigo (1958), North by Northwest (1959), Psicosis (1960) y Los pájaros (1963), así como otras películas bien recibidas como Cape Fear (1962). En una lista de 2012 de las 75 películas mejor editadas de todos los tiempos, compilada por el , basada en una encuesta a sus miembros, aparecen cuatro películas editadas por Tomasini para Hitchcock. Ningún otro editor apareció más de tres veces en esta lista. Las películas que figuran eran Psicosis, Vértigo, La ventana indiscreta, y North by Northwest.​ George Tomasini era conocido por su innovadora edición de película que, junto a las impresionantes técnicas de Hitchcock, redefinieron el lenguaje cinematográfico. Sus técnicas influirían en muchos editores y cineastas posteriores.​ Fue nominado al premio Óscar por Mejor montaje por North by Northwest, pero los editores de Ben-Hur ganaron el premio ese año.​
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