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George William Swift Trow, Jr. (Greenwich, Connecticut; 28 de septiembre de 1943-Nápoles, 24 de noviembre de 2006)​ fue un ensayista, novelista, dramaturgo y crítico de medios de comunicación estadounidense. Trabajó para The New Yorker durante casi 30 años y escribió numerosos ensayos y varios libros. Es más conocido por su largo ensayo sobre la televisión y su efecto en la cultura estadounidense, Within the Context of No Context, publicado por primera vez en The New Yorker el 17 de noviembre de 1980 (y posteriormente publicado como libro),​ una de las pocas veces que la revista dedicó su sección central a un solo trabajo.​ George William Swift Trow, Jr. (September 28, 1943 – November 24, 2006) was an American essayist, novelist, playwright, and media critic. He worked for The New Yorker for almost 30 years, and wrote numerous essays and several books. He is best known for his long essay on television and its effect on American culture, "Within the Context of No Context," first published in The New Yorker on November 17, 1980 (and later published as a book), one of the few times the magazine devoted its central section to a single piece of writing.
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George William Swift Trow, Jr. (Greenwich, Connecticut; 28 de septiembre de 1943-Nápoles, 24 de noviembre de 2006)​ fue un ensayista, novelista, dramaturgo y crítico de medios de comunicación estadounidense. Trabajó para The New Yorker durante casi 30 años y escribió numerosos ensayos y varios libros. Es más conocido por su largo ensayo sobre la televisión y su efecto en la cultura estadounidense, Within the Context of No Context, publicado por primera vez en The New Yorker el 17 de noviembre de 1980 (y posteriormente publicado como libro),​ una de las pocas veces que la revista dedicó su sección central a un solo trabajo.​ George William Swift Trow, Jr. (September 28, 1943 – November 24, 2006) was an American essayist, novelist, playwright, and media critic. He worked for The New Yorker for almost 30 years, and wrote numerous essays and several books. He is best known for his long essay on television and its effect on American culture, "Within the Context of No Context," first published in The New Yorker on November 17, 1980 (and later published as a book), one of the few times the magazine devoted its central section to a single piece of writing.
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