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Statements

Subject Item
dbr:Hans_Clemer
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Hans Clemer Hans Clemer Hans Clemer Hans Clemer
rdfs:comment
Hans Clemer, genannt der Meister von Elva (* vor 1480 in Aix-en-Provence; † nach 1512 im Piemont), war ein Maler französischer Herkunft, der vor allem im Piemont und dort in und um Saluzzo tätig war. Sein Werk wird der flämisch-burgundischen Schule zugeordnet. Als sein Hauptwerk gilt jedoch der Freskenzyklus in der Kirche S. Maria Assunta von Elva im Mairatal. Bis in die 1980er Jahre wurde er unter dem Notnamen Meister von Elva geführt. Mario Perotti identifizierte Clemer als den Meister von Elva. Hans Clemer dit Maestro di Elva est un peintre français d’origine flamande qui effectua la plus grande partie de sa carrière au Piémont. Hans Clemer, detto Maestro d'Elva (Fiandre, ante 1480 – Piemonte, post 1512), è stato un pittore fiammingo naturalizzato francese attivo in Piemonte nella zona di Saluzzo. Fu esponente della pittura gotico-fiamminga. Hans Clemer was a French painter of Flemish origin who worked most of his career at Piedmont. There is little documentation of the birth of Hans Clemer. The first records date from the late fifteenth century. The artistic career of Hans Clemer shows an articulate culture, attentive to innovative technical solutions, in which there are references to his contemporary Giovanni Martino Spanzotti.A document found in Aix-en-Provence, speaks about two painters, Josse Lieferinxe and Mestre Ans and contains an agreement between the two artists, linked by kinship and the leader of the Brotherhood of St. Anthony of Padua, the monastery of Aix, for the realization of a work representing the saint.To the end of the fifteenth century Clemer seems to be already in service in the valleys of the marquisate
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Hans Clemer was a French painter of Flemish origin who worked most of his career at Piedmont. There is little documentation of the birth of Hans Clemer. The first records date from the late fifteenth century. The artistic career of Hans Clemer shows an articulate culture, attentive to innovative technical solutions, in which there are references to his contemporary Giovanni Martino Spanzotti.A document found in Aix-en-Provence, speaks about two painters, Josse Lieferinxe and Mestre Ans and contains an agreement between the two artists, linked by kinship and the leader of the Brotherhood of St. Anthony of Padua, the monastery of Aix, for the realization of a work representing the saint.To the end of the fifteenth century Clemer seems to be already in service in the valleys of the marquisate of Saluzzo and in particular, in Maira Valley, in the parish church of Elva, in which it is possible to see the cycle of frescoes depicting scenes from the life of Mary and a Crucifixion, dating from 1493. Those two works are still well preserved in the choir and apse of the church, a beautiful building in the style of the late Romanesque period. This masterpiece has earned him the title of Master of Elva, but the artist's presence in much of the territory of the marquisate is proved by a series of works ranging from the religious subject to historical and mythological representations. Soon, he was called to work even in the capital of the marquisate: Saluzzo. Here Hans Clemer made his last works commonly dated to the period 1511-1512. Beyond the paintings on the facade of the cathedral of Saluzzo, Clemer also created the decoration of the house and the magnificent Altarpiece of Our Lady of Mercy in the Cavassa house. Hans Clemer dit Maestro di Elva est un peintre français d’origine flamande qui effectua la plus grande partie de sa carrière au Piémont. Hans Clemer, detto Maestro d'Elva (Fiandre, ante 1480 – Piemonte, post 1512), è stato un pittore fiammingo naturalizzato francese attivo in Piemonte nella zona di Saluzzo. Fu esponente della pittura gotico-fiamminga. Hans Clemer, genannt der Meister von Elva (* vor 1480 in Aix-en-Provence; † nach 1512 im Piemont), war ein Maler französischer Herkunft, der vor allem im Piemont und dort in und um Saluzzo tätig war. Sein Werk wird der flämisch-burgundischen Schule zugeordnet. Als sein Hauptwerk gilt jedoch der Freskenzyklus in der Kirche S. Maria Assunta von Elva im Mairatal. Bis in die 1980er Jahre wurde er unter dem Notnamen Meister von Elva geführt. Mario Perotti identifizierte Clemer als den Meister von Elva.
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