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Statements

Subject Item
dbr:Harriet_Hosmer
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Harriet Hosmer Harriet Hosmer هارييت هوسمر Harriet Hosmer Harriet Hosmer Harriet Hosmer Harriet Hosmer Harriet Hosmer Harriet Hosmer Harriet Hosmer Хосмер, Харриет ハリエット・ホズマー Harriet Hosmer
rdfs:comment
هارييت هوسمر (بالإنجليزية: Harriet Hosmer)‏ هي نحّاتة أمريكية، ولدت في 9 أكتوبر 1830 في وترتاون في الولايات المتحدة، وتوفي بنفس المكان في 21 فبراير 1908. Harriet Goodhue Hosmer (October 9, 1830 – February 21, 1908) was a neoclassical sculptor, considered the most distinguished female sculptor in America during the 19th century. She is known as the first female professional sculptor. Among other technical innovations, she pioneered a process for turning limestone into marble. Hosmer once lived in an expatriate colony in Rome, befriending many prominent writers and artists. She was a cousin of poet William H. C. Hosmer and tragic actress Jean Hosmer. Harriet Goodhue Hosmer, née le 9 octobre 1830 et morte le 21 février 1908 à Watertown, est une sculptrice américaine de style néo-classique. Elle est considérée comme la sculptrice américaine la plus importante du XIXe siècle. Harriet Goodhue Hosmer (ur. 9 października 1830 w Watertown, zm. 21 lutego 1908 tamże) – amerykańska rzeźbiarka neoklasycystyczna, jedna z czołowych rzeźbiarek działających w Rzymie w XIX wieku. Harriet Goodhue Hosmer (* 9. Oktober 1830 in Watertown, USA; † 21. Februar 1908 ebenda) war eine US-amerikanische Bildhauerin. Harriet Goodhue Hosmer (9 Oktober 1830 – 21 Februari 1908) adalah seorang pemahat neoklasik, yang dianggap sebagai pemahat perempuan paling menonjol di Amerika pada abad ke-19. Ia dikenal sebagai pemahat profesional perempuan pertama. Di antara inovasi teknikal lainnya, ia mempelopori proses pengubahan batu gamping menjadi marmer. Hosmer sempat tinggal di sebuah koloni ekspatriat di Roma, berteman dengan banyak penulis dan seniman terkenal. Ia adalah sepupu dari penyair dan pemeran panggung . Harriet Goodhue Hosmer (Watertown, Massachusetts, 9 de octubre de 1830 - 21 de febrero de 1908) fue una escultora estadounidense. Mostró una temprana aptitud para modelar, y estudió anatomía con su padre que era médico, y después en el St Louis Medical College. Amplió estudios en Boston hasta 1852, cuando, con su amiga Charlotte Cushman, se fue a Roma, donde desde 1853 hasta 1860 fue alumna del escultor inglés John Gibson. Harriet Hosmer (Watertown, 9 ottobre 1830 – Watertown, 21 febbraio 1908) è stata una scultrice statunitense nota per essere stata la prima scultrice professionista. In giovanissima età perde madre e tre fratelli a causa della tubercolosi, il padre, medico, ritira l'unica figlia rimasta da scuola e la incoraggia alla pratica sportiva per irrobustire il fisico e Harriet si appassiona al canottaggio, all'equitazione e all'alpinismo (Mount Hosmer, in Iowa, è intitolato a lei). Harriet viene mandata a frequentare la "Sedgwick’s School for Young Ladies" a Lenox (Massachusetts) una scuola privata per ragazze di buona famiglia che incoraggiava l'indipendenza delle allieve. Харриет Хосмер (англ. Harriet Goodhue Hosmer; 1830—1908) — американская женщина-скульптор, одна из наиболее известных в Америке в XIX веке. ハリエット・ホズマー（Harriet Hosmer、1830年10月9日 - 1908年2月21日）はアメリカ合衆国生まれの彫刻家である。彫刻家を職業として成功した最初期の女性である。 Harriet Goodhue Hosmer (Watertown, Massachusetts, 1830ko urriaren 9a - 1908ko otsailaren 21a) eskultore estatubatuar bat izan zen. Gaitasun goiztiar bat erakutsi zuen modelatzeko, eta anatomia ikasi zuen medikua zuen aitarekin, eta gero St Louis Medical Collegen. Ikasketak handitu zituen Bostonen 1852raino. Geroago haren lagun Charlotte Cushmanekin, Erromara joan zen eta 1853tik 1860raino John Gibson eskultore ingelesaren ikaslea izan zen. Erroman egon zen denboran, Nathaniel Hawthorne, Bertel Thorvaldsen, William Makepeace Thackeray, George Eliot eta George Sandekin erlazionatu zen. Harriet Goodhue Hosmer, més coneguda com a Harriet Hosmer (Watertown, 9 d'octubre de 1830-Watertown, 21 de febrer de 1908), fou una escultora nord-americana, una de les escultores més destacades que treballà a Roma al segle xix i potser l'única que guanyà independència financera completa amb el seu treball artístic. Harriet Goodhue Hosmer (Watertown, Massachusetts, 9 de outubro de 1830 — Watertown, 21 de fevereiro de 1908) foi uma escultora americana.
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Nathaniel Hawthorne, Maria Mitchell, 1857
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She was very peculiar, but she seemed to be her actual self, and nothing affected or made up; so that, for my part, I gave her full leave to wear what may suit her best, and to behave as her inner woman prompts. When Hosmer knew herself to be a sculptor, she knew also that in America was no school for her. She must leave home, she must live where art could live. She might model her busts in clay of her own soil, but who should follow out in marble the delicate thought which the clay expressed? The workmen of Massachusetts tended the looms, built the railroads, and read the newspapers. The hard-handed men of Italy worked in marble from the designs put before them; one copied the leaves which the sculptor threw into the wreaths around the brows of his heroes; another turned with the tool the folds of the drapery; another wrought up the delicate tissues of the flesh; none of them dreamed of ideas - they were copyists - the very hand-work that her head needed. And to Italy she went...
dbo:abstract
Harriet Goodhue Hosmer (* 9. Oktober 1830 in Watertown, USA; † 21. Februar 1908 ebenda) war eine US-amerikanische Bildhauerin. Harriet Goodhue Hosmer (Watertown, Massachusetts, 1830ko urriaren 9a - 1908ko otsailaren 21a) eskultore estatubatuar bat izan zen. Gaitasun goiztiar bat erakutsi zuen modelatzeko, eta anatomia ikasi zuen medikua zuen aitarekin, eta gero St Louis Medical Collegen. Ikasketak handitu zituen Bostonen 1852raino. Geroago haren lagun Charlotte Cushmanekin, Erromara joan zen eta 1853tik 1860raino John Gibson eskultore ingelesaren ikaslea izan zen. Erroman egon zen denboran, Nathaniel Hawthorne, Bertel Thorvaldsen, William Makepeace Thackeray, George Eliot eta George Sandekin erlazionatu zen. Harriet Goodhue Hosmer (Watertown, Massachusetts, 9 de outubro de 1830 — Watertown, 21 de fevereiro de 1908) foi uma escultora americana. Харриет Хосмер (англ. Harriet Goodhue Hosmer; 1830—1908) — американская женщина-скульптор, одна из наиболее известных в Америке в XIX веке. Harriet Goodhue Hosmer (Watertown, Massachusetts, 9 de octubre de 1830 - 21 de febrero de 1908) fue una escultora estadounidense. Mostró una temprana aptitud para modelar, y estudió anatomía con su padre que era médico, y después en el St Louis Medical College. Amplió estudios en Boston hasta 1852, cuando, con su amiga Charlotte Cushman, se fue a Roma, donde desde 1853 hasta 1860 fue alumna del escultor inglés John Gibson. Durante su estancia en Roma, que se asoció con Nathaniel Hawthorne, Bertel Thorvaldsen, William Makepeace Thackeray, George Eliot y George Sand, era frecuentemente invitada de los Browning en la Casa Guidi, en Florencia. Más tarde también residió en Chicago y Terre Haute, Indiana. El novelista Henry James se refirió, de forma nada halagüeña, al grupo de mujeres artistas en Roma de la que formaba parte Harriet, como «El Rebaño blanco marmóreo», tomando prestado el término de Nathaniel Hawthorne en El fauno de mármol. Estas artistas incluían lesbianas como Anne Whitney, Emma Stebbins, Edmonia Lewis y no lesbianas como , , , y Vinnie Ream.​ ハリエット・ホズマー（Harriet Hosmer、1830年10月9日 - 1908年2月21日）はアメリカ合衆国生まれの彫刻家である。彫刻家を職業として成功した最初期の女性である。 هارييت هوسمر (بالإنجليزية: Harriet Hosmer)‏ هي نحّاتة أمريكية، ولدت في 9 أكتوبر 1830 في وترتاون في الولايات المتحدة، وتوفي بنفس المكان في 21 فبراير 1908. Harriet Goodhue Hosmer (9 Oktober 1830 – 21 Februari 1908) adalah seorang pemahat neoklasik, yang dianggap sebagai pemahat perempuan paling menonjol di Amerika pada abad ke-19. Ia dikenal sebagai pemahat profesional perempuan pertama. Di antara inovasi teknikal lainnya, ia mempelopori proses pengubahan batu gamping menjadi marmer. Hosmer sempat tinggal di sebuah koloni ekspatriat di Roma, berteman dengan banyak penulis dan seniman terkenal. Ia adalah sepupu dari penyair dan pemeran panggung . Harriet Goodhue Hosmer, née le 9 octobre 1830 et morte le 21 février 1908 à Watertown, est une sculptrice américaine de style néo-classique. Elle est considérée comme la sculptrice américaine la plus importante du XIXe siècle. Harriet Goodhue Hosmer (October 9, 1830 – February 21, 1908) was a neoclassical sculptor, considered the most distinguished female sculptor in America during the 19th century. She is known as the first female professional sculptor. Among other technical innovations, she pioneered a process for turning limestone into marble. Hosmer once lived in an expatriate colony in Rome, befriending many prominent writers and artists. She was a cousin of poet William H. C. Hosmer and tragic actress Jean Hosmer. Harriet Goodhue Hosmer (ur. 9 października 1830 w Watertown, zm. 21 lutego 1908 tamże) – amerykańska rzeźbiarka neoklasycystyczna, jedna z czołowych rzeźbiarek działających w Rzymie w XIX wieku. Harriet Hosmer (Watertown, 9 ottobre 1830 – Watertown, 21 febbraio 1908) è stata una scultrice statunitense nota per essere stata la prima scultrice professionista. In giovanissima età perde madre e tre fratelli a causa della tubercolosi, il padre, medico, ritira l'unica figlia rimasta da scuola e la incoraggia alla pratica sportiva per irrobustire il fisico e Harriet si appassiona al canottaggio, all'equitazione e all'alpinismo (Mount Hosmer, in Iowa, è intitolato a lei). Harriet viene mandata a frequentare la "Sedgwick’s School for Young Ladies" a Lenox (Massachusetts) una scuola privata per ragazze di buona famiglia che incoraggiava l'indipendenza delle allieve. Ancora giovanissima decide di diventare scultrice, dopo il diploma allestisce un proprio studio ma è frustrata dall'impossibilità dello studio dell'anatomia materia all'epoca riservata a studenti maschi. Incoraggiata dal padre e con l'aiuto di amici di famiglia si trasferisce a Saint Louis e inizia a frequentare delle lezioni private di anatomia presso il St. Louis medical college e a 22 anni, un anno dopo rientra a Watertown con un certificato di studio dell'anatomia, di fatto è la prima donna ad aver studiato in quella che poi, nel 1891, diventa la . Nel 1852, Accompagnata dal padre a da Charlotte Cushman si reca a Roma dove inizia a lavorare nello studio dello scultore gallese John Gibson. Zenobia regina di Palmira La sua prima opera su commissione è del 1856, Enone, un anno dopo l'incarico della St. Louis Mercantile Library per una statua di Beatrice Cenci. Nel 1860 lo stato del Missouri le commissionò una statua di bronzo del senatore Thomas Hart Benton collocata nel 1868 presso il Lafayette Park, a St. Louis. Nel 1862 espose a Londra quella che sarebbe diventata la sua opera più nota, una statua di Zenobia regina di Palmira in catene che riscosse grande successo, le vennero commissionati numerosi busti dello stesso soggetto. La raffigurazione di Zenobia era in netto contrasto con le tipiche sculture neoclassiche del XIX secolo di donne imprigionate o in schiavitù, solitamente nude e con capo abbassato. Zenobia è completamente vestita, a testa alta e tiene in mano le sue catene. Harriett, al contrario dei colleghi che preferivano figure mitologiche era molto attratta da figure femminili forti Sir Benjamin Guinness nel 1865 acquistò il suo Sleeping Faun per la città di Dublino. Harriet Goodhue Hosmer, més coneguda com a Harriet Hosmer (Watertown, 9 d'octubre de 1830-Watertown, 21 de febrer de 1908), fou una escultora nord-americana, una de les escultores més destacades que treballà a Roma al segle xix i potser l'única que guanyà independència financera completa amb el seu treball artístic.
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