This HTML5 document contains 140 embedded RDF statements represented using HTML+Microdata notation.

The embedded RDF content will be recognized by any processor of HTML5 Microdata.

Namespace Prefixes

PrefixIRI
dctermshttp://purl.org/dc/terms/
n14http://hogarth.chez-alice.fr/memoire/
dbohttp://dbpedia.org/ontology/
foafhttp://xmlns.com/foaf/0.1/
n6http://dbpedia.org/resource/File:
dbpedia-eshttp://es.dbpedia.org/resource/
n22https://global.dbpedia.org/id/
dbthttp://dbpedia.org/resource/Template:
rdfshttp://www.w3.org/2000/01/rdf-schema#
freebasehttp://rdf.freebase.com/ns/
n18http://www.litencyc.com/php/
n10http://commons.wikimedia.org/wiki/Special:FilePath/
rdfhttp://www.w3.org/1999/02/22-rdf-syntax-ns#
owlhttp://www.w3.org/2002/07/owl#
wikipedia-enhttp://en.wikipedia.org/wiki/
dbpedia-frhttp://fr.dbpedia.org/resource/
dbphttp://dbpedia.org/property/
provhttp://www.w3.org/ns/prov#
dbchttp://dbpedia.org/resource/Category:
xsdhhttp://www.w3.org/2001/XMLSchema#
wikidatahttp://www.wikidata.org/entity/
goldhttp://purl.org/linguistics/gold/
dbrhttp://dbpedia.org/resource/

Statements

Subject Item
dbr:Industry_and_Idleness
rdfs:label
Industry and Idleness Industry and Idleness Industry and Idleness
rdfs:comment
Industry and Idleness is the title of a series of 12 plot-linked engravings created by William Hogarth in 1747, intending to illustrate to working children the possible rewards of hard work and diligent application and the sure disasters attending a lack of both. Unlike his earlier works, such as A Harlot's Progress (1731) and Marriage à-la-mode (1743), which were painted first and subsequently converted to engravings, Industry and Idleness was created solely as a set of engravings. Each of the prints was sold for 1/– each so 12/– for the entire set, which is equivalent in purchasing power to approximately £80 STG as of 2005. It may be assumed that these prints were aimed for a wider and less wealthy market than his earlier works. The originals currently reside at the British Museum. Industry and Idleness (en español: Industria y ociosidad) es el título de una serie de doce grabados creados por William Hogarth en 1747, el entorno de todos ellos está relacionado y tienen la intención de enseñar a los niños que trabajan las posibles recompensas de la dedicación y el trabajo duro y los seguros desastres que acompañan a la carencia de ambos.​ A diferencia de sus obras anteriores, A Harlot's Progress (1731) y Marriage à-la-mode (1743), que fueron pintados primero y posteriormente convertidos en grabados, Industry and Idleness fue creada exclusivamente como una serie de grabados. Cada una de las impresiones fue vendida por 1 chelín, siendo un total de 12 por el conjunto,​ que equivale, en poder adquisitivo, aproximadamente a 80 libras esterlinas a partir de 2005.​ Se cree qu Industry and Idleness (« Industrie et oisiveté ») est une série de douze estampes créées par William Hogarth en 1747, dans le but d'illustrer aux enfants travailleurs les récompenses possibles du travail ardu et de leur application diligente, ainsi que les désastres évidents qui accompagnent leur absence.
foaf:depiction
n10:William_Hogarth_-_Industry_and_Idleness,_Plate_5;_The_Idle_'Prentice_turn'd_away,_and_sent_to_Sea.png n10:William_Hogarth_-_Industry_and_Idleness,_Plate_11;_The_Idle_'Prentice_Executed_at_Tyburn.png n10:William_Hogarth_-_Industry_and_Idleness,_Plate_8;_The_Industrious_'Prentice_grown_right,_&_Sheriff_of_London.png n10:William_Hogarth_-_Industry_and_Idleness,_Plate_9;_The_Idle_'Prentice_betrayed_and_taken_in_a_Night-Cellar_with_his_Accomplice.png n10:William_Hogarth_-_Industry_and_Idleness,_Plate_3;_The_Idle_'Prentice_at_Play_in_the_Church_Yard,_during_Divine_Service.png n10:William_Hogarth_-_Industry_and_Idleness,_Plate_4;_The_Industrious_'Prentice_a_Favourite,_and_entrusted_by_his_Master.png n10:William_Hogarth_-_Industry_and_Idleness,_Plate_6;_The_Industrious_'Prentice_out_of_his_Time,_&_Married_to_his_Master's_Daughter.png n10:William_Hogarth_-_Industry_and_Idleness,_Plate_7;_The_Idle_'Prentice_return'd_from_Sea,_&_in_a_Garret_with_common_Prostitute.png n10:William_Hogarth_-_Industry_and_Idleness,_Plate_10;_The_Industrious_'Prentice_Alderman_of_London,_the_Idle_on_brought_before_him_&_Impreach'd_by_his_Accomplice.png n10:William_Hogarth_-_Industry_and_Idleness,_Plate_12;_The_Industrious_'Prentice_Lord-Mayor_of_London.png n10:William_Hogarth_-_Industry_and_Idleness,_Plate_2;_The_Industrious_'Prentice_performing_the_Duty_of_a_Christian.png n10:William_Hogarth_-_Industry_and_Idleness,_Plate_1;_The_Fellow_'Prentices_at_their_Looms.png
dcterms:subject
dbc:Prints_by_William_Hogarth dbc:1747_works
dbo:wikiPageID
8388580
dbo:wikiPageRevisionID
1116819451
dbo:wikiPageWikiLink
dbr:Gin dbr:Venereal_disease dbr:Windmill dbr:Gibbet n6:William_Hogarth_-_Industry_and_Idleness,_Plate_5;_The_Idle_'Prentice_turn'd_away,_and_sent_to_Sea.png dbr:Book_of_Proverbs dbr:Marriage_à-la-mode_(Hogarth) dbr:Syphilis dbr:Highwayman dbr:A_Harlot's_Progress dbr:Quill_pen dbr:Tricorn dbr:Bible dbr:Methodism dbr:Tumbrel dbr:Viol dbr:Arraignment dbr:St._Martin-in-the-Fields dbr:Militia dbr:Hue_and_cry dbr:Psalm dbr:Playing_card dbr:Purchasing_power dbr:The_Newgate_Calendar dbr:Indenture dbr:Tyburn,_London dbr:Shuttle_(weaving) dbr:Anglicanism dbr:Arnold_King dbr:Hoop_petticoat dbr:Pound_sterling dbr:Admiralty_jurisdiction dbr:The_London_Merchant dbc:1747_works dbc:Prints_by_William_Hogarth dbr:Moll_Flanders dbr:Leviticus dbr:Hudibras dbr:Spinning_wheel dbr:Footpad dbr:Cat_o'_nine_tails dbr:Rope dbr:Father_Time dbr:Ceremonial_mace dbr:Loom dbr:Journeyman dbr:Newgate_prison dbr:Lion_rampant dbr:Apprentice dbr:Pouch_of_money dbr:Footman dbr:Gluttony dbr:British_Museum dbr:Adultery dbr:William_Hogarth dbr:Sword_of_state dbr:Beadle dbr:King's_evidence dbr:Eastward_Hoe dbr:Going_concern dbr:Trap_door dbr:Tankard dbr:Fire_bucket dbr:Alcoholism dbr:Roman_Catholicism_in_England n6:William_Hogarth_-_Industry_and_Idleness,_Plate_6;_The_Industrious_'Prentice_out_of_his_Time,_&_Married_to_his_Master's_Daughter.png n6:William_Hogarth_-_Industry_and_Idleness,_Plate_7;_The_Idle_'Prentice_return'd_from_Sea,_&_in_a_Garret_with_common_Prostitute.png dbr:Dick_Whittington n6:William_Hogarth_-_Industry_and_Idleness,_Plate_8;_The_Industrious_'Prentice_grown_right,_&_Sheriff_of_London.png dbr:Spitalfields n6:William_Hogarth_-_Industry_and_Idleness,_Plate_9;_The_Idle_'Prentice_betrayed_and_taken_in_a_Night-Cellar_with_his_Accomplice.png dbr:John_Wesley dbr:Cornucopia n6:William_Hogarth_-_Industry_and_Idleness,_Plate_10;_The_Industrious_'Prentice_Alderman_of_London,_the_Idle_on_brought_before_him_&_Impreach'd_by_his_Accomplice.png n6:William_Hogarth_-_Industry_and_Idleness,_Plate_11;_The_Idle_'Prentice_Executed_at_Tyburn.png dbr:Informant n6:William_Hogarth_-_Industry_and_Idleness,_Plate_12;_The_Industrious_'Prentice_Lord-Mayor_of_London.png n6:William_Hogarth_-_Industry_and_Idleness,_Plate_1;_The_Fellow_'Prentices_at_their_Looms.png n6:William_Hogarth_-_Industry_and_Idleness,_Plate_2;_The_Industrious_'Prentice_performing_the_Duty_of_a_Christian.png n6:William_Hogarth_-_Industry_and_Idleness,_Plate_3;_The_Idle_'Prentice_at_Play_in_the_Church_Yard,_during_Divine_Service.png dbr:Engraving n6:William_Hogarth_-_Industry_and_Idleness,_Plate_4;_The_Industrious_'Prentice_a_Favourite,_and_entrusted_by_his_Master.png dbr:Pew dbr:The_Four_Stages_of_Cruelty dbr:Whip dbr:Widow dbr:Wake_(physics) dbr:Gibbeting dbr:Shilling dbr:Pickpocket dbr:City_of_London_Corporation dbr:London_Monument dbr:Carriage dbr:Lord_Mayor_of_London dbr:Fireplace_mantel dbr:Fetters dbr:Teacup
dbo:wikiPageExternalLink
n14:dissertation04.htm n18:sworks.php%3Frec=true&UID=4450
owl:sameAs
dbpedia-fr:Industry_and_Idleness dbpedia-es:Industry_and_Idleness wikidata:Q6028178 freebase:m.0271rlf n22:4nC68
dbp:wikiPageUsesTemplate
dbt:Use_dmy_dates dbt:EngvarB dbt:Italic_title dbt:Cquote dbt:Reflist dbt:William_Hogarth
dbo:thumbnail
n10:William_Hogarth_-_Industry_and_Idleness,_Plate_11;_The_Idle_'Prentice_Executed_at_Tyburn.png?width=300
dbo:abstract
Industry and Idleness (en español: Industria y ociosidad) es el título de una serie de doce grabados creados por William Hogarth en 1747, el entorno de todos ellos está relacionado y tienen la intención de enseñar a los niños que trabajan las posibles recompensas de la dedicación y el trabajo duro y los seguros desastres que acompañan a la carencia de ambos.​ A diferencia de sus obras anteriores, A Harlot's Progress (1731) y Marriage à-la-mode (1743), que fueron pintados primero y posteriormente convertidos en grabados, Industry and Idleness fue creada exclusivamente como una serie de grabados. Cada una de las impresiones fue vendida por 1 chelín, siendo un total de 12 por el conjunto,​ que equivale, en poder adquisitivo, aproximadamente a 80 libras esterlinas a partir de 2005.​ Se cree que estas impresiones estaban dirigidas a un mercado más amplio y menos pudiente que sus trabajos anteriores. Los originales residen actualmente en el Museo Británico. Industry and Idleness is the title of a series of 12 plot-linked engravings created by William Hogarth in 1747, intending to illustrate to working children the possible rewards of hard work and diligent application and the sure disasters attending a lack of both. Unlike his earlier works, such as A Harlot's Progress (1731) and Marriage à-la-mode (1743), which were painted first and subsequently converted to engravings, Industry and Idleness was created solely as a set of engravings. Each of the prints was sold for 1/– each so 12/– for the entire set, which is equivalent in purchasing power to approximately £80 STG as of 2005. It may be assumed that these prints were aimed for a wider and less wealthy market than his earlier works. The originals currently reside at the British Museum. Industry and Idleness (« Industrie et oisiveté ») est une série de douze estampes créées par William Hogarth en 1747, dans le but d'illustrer aux enfants travailleurs les récompenses possibles du travail ardu et de leur application diligente, ainsi que les désastres évidents qui accompagnent leur absence. Contrairement à ses séries précédentes, telles que A Harlot's Progress (1731) et Marriage A-la-Mode (1743), qui sont d'abord peintes puis adaptées en gravures, Industry and Idleness est créée uniquement une série d'estampes. Vendues bon marché, on peut supposer que ces tirages visaient un marché plus vaste et moins riche que ses œuvres antérieures. Les originaux se trouvent actuellement au British Museum.
gold:hypernym
dbr:Title
prov:wasDerivedFrom
wikipedia-en:Industry_and_Idleness?oldid=1116819451&ns=0
dbo:wikiPageLength
24509
foaf:isPrimaryTopicOf
wikipedia-en:Industry_and_Idleness