This HTML5 document contains 45 embedded RDF statements represented using HTML+Microdata notation.

The embedded RDF content will be recognized by any processor of HTML5 Microdata.

Namespace Prefixes

PrefixIRI
dctermshttp://purl.org/dc/terms/
yago-reshttp://yago-knowledge.org/resource/
dbohttp://dbpedia.org/ontology/
foafhttp://xmlns.com/foaf/0.1/
n13https://global.dbpedia.org/id/
yagohttp://dbpedia.org/class/yago/
dbthttp://dbpedia.org/resource/Template:
rdfshttp://www.w3.org/2000/01/rdf-schema#
freebasehttp://rdf.freebase.com/ns/
rdfhttp://www.w3.org/1999/02/22-rdf-syntax-ns#
owlhttp://www.w3.org/2002/07/owl#
wikipedia-enhttp://en.wikipedia.org/wiki/
dbchttp://dbpedia.org/resource/Category:
dbphttp://dbpedia.org/property/
provhttp://www.w3.org/ns/prov#
xsdhhttp://www.w3.org/2001/XMLSchema#
wikidatahttp://www.wikidata.org/entity/
dbrhttp://dbpedia.org/resource/

Statements

Subject Item
dbr:Interruptions_(epic_theatre)
rdf:type
yago:HigherCognitiveProcess105770664 yago:WikicatBertoltBrechtTheoriesAndTechniques yago:Thinking105770926 yago:Explanation105793000 yago:Theory105989479 yago:Abstraction100002137 yago:PsychologicalFeature100023100 yago:Cognition100023271 yago:Process105701363
rdfs:label
Interruptions (epic theatre)
rdfs:comment
The technique of interruption pervades all levels of the stage work of the German modernist theatre practitioner Bertolt Brecht—the dramatic, theatrical and performative. At its most elemental, it is a formal treatment of material that imposes a "freeze", a "framing", or a change of direction of some kind; something that is in progress (an action, a gesture, a song, a tone) is halted in some way.
dcterms:subject
dbc:Bertolt_Brecht_theories_and_techniques
dbo:wikiPageID
12786787
dbo:wikiPageRevisionID
957446658
dbo:wikiPageWikiLink
dbr:Soviet_Union dbr:Modernist dbr:Walter_Benjamin dbr:Soviet_montage_theory dbr:Dziga_Vertov dbr:Germany dbr:Lev_Kuleshov dbr:Bertolt_Brecht dbr:Demonstration_(acting) dbr:Vsevolod_Pudovkin dbr:Theatre_practitioner dbr:Drama dbr:Cut_(transition) dbr:Epic_theater dbr:Sergei_Eisenstein dbr:Non-Aristotelian_drama dbr:Film_director dbc:Bertolt_Brecht_theories_and_techniques
owl:sameAs
freebase:m.02x4x3p yago-res:Interruptions_(epic_theatre) wikidata:Q6056660 n13:4nk1Y
dbp:wikiPageUsesTemplate
dbt:ISBN dbt:Theatre-stub dbt:-%22 dbt:Reflist dbt:Brecht_theory
dbo:abstract
The technique of interruption pervades all levels of the stage work of the German modernist theatre practitioner Bertolt Brecht—the dramatic, theatrical and performative. At its most elemental, it is a formal treatment of material that imposes a "freeze", a "framing", or a change of direction of some kind; something that is in progress (an action, a gesture, a song, a tone) is halted in some way. The technique of interruption produces an effect on the dramatic level akin to the 'pair of scissors' that Brecht imagines cutting a drama into pieces, "which remain fully capable of life"; the metaphor of the cut is a pertinent one, as the technique bears striking similarities to the principles of montage being developed in the Soviet Union contemporaneously with Brecht's "epic theatre" (by the film-makers Eisenstein, Vertov, Pudovkin, and Kuleshov).
prov:wasDerivedFrom
wikipedia-en:Interruptions_(epic_theatre)?oldid=957446658&ns=0
dbo:wikiPageLength
2367
foaf:isPrimaryTopicOf
wikipedia-en:Interruptions_(epic_theatre)