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Statements

Subject Item
dbr:Kōji_Uno
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Uno Kōji كوجي أونو Kōji Uno 宇野浩二 Kōji Uno
rdfs:comment
Uno Kōji (japanisch 宇野 浩二, eigentlich: Uno Kakujirō (宇野 格次郎); * 26. Juli 1891 in Fukuoka, Präfektur Fukuoka; † 21. September 1961) war ein japanischer Schriftsteller. كوجي أونو (باليابانية: 宇野浩二) (26 يوليو 1891، فوكوكا في اليابان - 21 سبتمبر 1961)؛ كاتب وروائي ياباني. Kōji Uno (宇野 浩二, Uno Kōji, July 26, 1891 - September 21, 1961) was a noted Japanese novelist and short story writer. Uno was born in Fukuoka to parents of Samurai origin. His grandfather was a police captain and his father a teacher. After his father's death when Uno was four, his family lost all their savings speculating in the stock market. When Uno was eight, he was sent to live with his grandmother and an uncle in Sōemonchō as his mother became a waitress. There he lived, beside the Dōtonbori entertainment district, among geisha, prostitutes, wig-makers, and gamblers, as he attended Rikugun elementary school from 1899 to 1901. He attended Tennōji middle school, where he learned to read English and acquired a taste for Nikolai Gogol's fiction. In 1910 he moved to Tokyo to study English Kōji Uno (宇野 浩二, Uno Kōji, 26 juillet 1891 - 21 septembre 1961) est un nouvelliste et écrivain japonais de renom. 宇野 浩二（うの こうじ、1891年（明治24年）7月26日 - 1961年（昭和36年）9月21日）は、日本の小説家・作家。本名は、宇野格次郎。父は六三郎、母はキョウ。7歳年長の兄・崎太郎は幼時に脳膜炎にかかり知的障害があった。 福岡県福岡市南湊町（現在の福岡市中央区荒戸一丁目）に生まれる。早稲田大学英文科中退。『蔵の中』『苦の世界』など、おかしみと哀感のある作品を独自の説語体で発表し、文壇に認められた。その後『山恋ひ』『子を貸し屋』などで作風の幅を広げた。一時精神に変調をきたすが、復活後は冷厳に現実を見つめる簡素で写実的な作風に転じ、『枯木のある風景』『器用貧乏』『思ひ川』などを発表。他に松川事件の被告を弁護した『世にも不思議な物語』などがある。
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Kōji Uno (宇野 浩二, Uno Kōji, 26 juillet 1891 - 21 septembre 1961) est un nouvelliste et écrivain japonais de renom. Uno Kōji (japanisch 宇野 浩二, eigentlich: Uno Kakujirō (宇野 格次郎); * 26. Juli 1891 in Fukuoka, Präfektur Fukuoka; † 21. September 1961) war ein japanischer Schriftsteller. كوجي أونو (باليابانية: 宇野浩二) (26 يوليو 1891، فوكوكا في اليابان - 21 سبتمبر 1961)؛ كاتب وروائي ياباني. Kōji Uno (宇野 浩二, Uno Kōji, July 26, 1891 - September 21, 1961) was a noted Japanese novelist and short story writer. Uno was born in Fukuoka to parents of Samurai origin. His grandfather was a police captain and his father a teacher. After his father's death when Uno was four, his family lost all their savings speculating in the stock market. When Uno was eight, he was sent to live with his grandmother and an uncle in Sōemonchō as his mother became a waitress. There he lived, beside the Dōtonbori entertainment district, among geisha, prostitutes, wig-makers, and gamblers, as he attended Rikugun elementary school from 1899 to 1901. He attended Tennōji middle school, where he learned to read English and acquired a taste for Nikolai Gogol's fiction. In 1910 he moved to Tokyo to study English literature at Waseda University, where he read Symbolist poetry and Russian modernists including Leonid Andreyev, Mikhail Artsybashev, Konstantin Balmont, Aleksandr Kuprin, Fyodor Sologub, and Boris Konstantinovich Zaytsev. At age 28, Uno published his first major work, "In the Storehouse", whose colloquial and ironic style was criticized as "flippant" and "popular". After seven years (1927–1933) of mental illness and silence, his publications became more conventional and Uno participated in the literary life of the day. During World War II, he wrote essays on literary life in the Taishō period (1912–1926). He received the Yomiuri Prize in 1950 for his 1948 novel Omoigawa (思ひ川, River of Thought), and highly praised for his 1951 critical biography of author Ryūnosuke Akutagawa. In 1953 he campaigned for the release of twenty Communist factory workers accused of sabotaging a Japan National Railways freight train, publishing two novels on their behalf, and touring China in 1956 on a personal invitation from Zhou Enlai. Uno died of pulmonary tuberculosis. 宇野 浩二（うの こうじ、1891年（明治24年）7月26日 - 1961年（昭和36年）9月21日）は、日本の小説家・作家。本名は、宇野格次郎。父は六三郎、母はキョウ。7歳年長の兄・崎太郎は幼時に脳膜炎にかかり知的障害があった。 福岡県福岡市南湊町（現在の福岡市中央区荒戸一丁目）に生まれる。早稲田大学英文科中退。『蔵の中』『苦の世界』など、おかしみと哀感のある作品を独自の説語体で発表し、文壇に認められた。その後『山恋ひ』『子を貸し屋』などで作風の幅を広げた。一時精神に変調をきたすが、復活後は冷厳に現実を見つめる簡素で写実的な作風に転じ、『枯木のある風景』『器用貧乏』『思ひ川』などを発表。他に松川事件の被告を弁護した『世にも不思議な物語』などがある。
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