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Statements

Subject Item
dbr:Kazuo_Yagi
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Kazuo Yagi 八木一夫
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Kazuo Yagi (八木 一夫, Yagi Kazuo, 1918–1979) was a Japanese potter and ceramic artist best known for spearheading the introduction of nonfunctional ceramic vessels to the Japanese pottery world. With an innovative ceramicist as his father, Yagi was sent to art school to study sculpture, instead of pottery. After graduating in 1937, he continued to train in the progressive circles, such as the National Ceramic Research Institute and the Japan Ceramic Sculpture Association. Following a short period of military service in 1939 and through the early postwar years, he was involved in a series of collectives that sought to transcend the traditional aesthetic values in not just ceramics but also in a range of visual media. 八木 一夫(やぎ かずお、1918年(大正7年)7月4日 - 1979年(昭和54年)2月28日)は日本の陶芸家である。戦後復興期に前衛陶芸家集団「走泥社」を結成、器としての機能を持たない「オブジェ焼」と呼ばれる作品を発表し、現代陶芸に新分野を確立した。陶芸家の長男。長男は陶芸家の。
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Kazuo Yagi (八木 一夫, Yagi Kazuo, 1918–1979) was a Japanese potter and ceramic artist best known for spearheading the introduction of nonfunctional ceramic vessels to the Japanese pottery world. With an innovative ceramicist as his father, Yagi was sent to art school to study sculpture, instead of pottery. After graduating in 1937, he continued to train in the progressive circles, such as the National Ceramic Research Institute and the Japan Ceramic Sculpture Association. Following a short period of military service in 1939 and through the early postwar years, he was involved in a series of collectives that sought to transcend the traditional aesthetic values in not just ceramics but also in a range of visual media. It was not until 1948 that Yagi established his own ceramics collective, Sōdeisha, a group which rejected extant models of pottery and deliberately sought to blur the line between pottery and sculpture. Inspired in part by Isamu Noguchi’s work in Japan in the early 1950s, which used ceramic materials to create modern abstract forms, Yagi and other members debuted so-called obuje-yaki ("kiln-fired objet "), or pottery with no functional purpose. The introduction of obuje-yaki was considered extremely radical at the time, because it questioned the very basis of ceramic objects. Yagi also introduced other experimental ceramic methods later in his career, such as burnishing his pottery objects black (so-called kokutō). Through his ceramic works, Yagi questioned the boundary between pottery and sculpture. However, his steadfast dedication to ceramics ultimately resulted in the nonfunctional ceramic vessel becoming an accepted type within Japanese pottery practice today. His legacy was felt through Sōdeisha, which continued even after his death, and his teaching at Kyoto City University of Arts. 八木 一夫(やぎ かずお、1918年(大正7年)7月4日 - 1979年(昭和54年)2月28日)は日本の陶芸家である。戦後復興期に前衛陶芸家集団「走泥社」を結成、器としての機能を持たない「オブジェ焼」と呼ばれる作品を発表し、現代陶芸に新分野を確立した。陶芸家の長男。長男は陶芸家の。
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