This HTML5 document contains 123 embedded RDF statements represented using HTML+Microdata notation.

The embedded RDF content will be recognized by any processor of HTML5 Microdata.

Namespace Prefixes

PrefixIRI
dbpedia-dehttp://de.dbpedia.org/resource/
dctermshttp://purl.org/dc/terms/
yago-reshttp://yago-knowledge.org/resource/
dbohttp://dbpedia.org/ontology/
n14http://dbpedia.org/resource/File:
foafhttp://xmlns.com/foaf/0.1/
dbpedia-kohttp://ko.dbpedia.org/resource/
dbpedia-eshttp://es.dbpedia.org/resource/
n22https://global.dbpedia.org/id/
dbpedia-hehttp://he.dbpedia.org/resource/
yagohttp://dbpedia.org/class/yago/
dbthttp://dbpedia.org/resource/Template:
rdfshttp://www.w3.org/2000/01/rdf-schema#
freebasehttp://rdf.freebase.com/ns/
n6http://commons.wikimedia.org/wiki/Special:FilePath/
rdfhttp://www.w3.org/1999/02/22-rdf-syntax-ns#
owlhttp://www.w3.org/2002/07/owl#
dbpedia-frhttp://fr.dbpedia.org/resource/
wikipedia-enhttp://en.wikipedia.org/wiki/
dbchttp://dbpedia.org/resource/Category:
dbphttp://dbpedia.org/property/
provhttp://www.w3.org/ns/prov#
xsdhhttp://www.w3.org/2001/XMLSchema#
wikidatahttp://www.wikidata.org/entity/
n25http://musicbrainz.org/work/
dbrhttp://dbpedia.org/resource/
dbpedia-jahttp://ja.dbpedia.org/resource/

Statements

Subject Item
dbr:Le_bourgeois_gentilhomme_(Strauss)
rdf:type
yago:WikicatOrchestralSuites yago:Communication100033020 yago:Abstraction100002137 yago:AuditoryCommunication107109019 yago:MusicalComposition107037465 yago:Suite107047011 owl:Thing yago:Music107020895
rdfs:label
El burgués gentilhombre (Strauss) Le bourgeois gentilhomme (Strauss) 평민귀족 (슈트라우스) Le Bourgeois gentilhomme (Richard Strauss) Der Bürger als Edelmann (Strauss) 町人貴族 (リヒャルト・シュトラウス)
rdfs:comment
『町人貴族』（ちょうにんきぞく、独: Der Bürger als Edelmann）作品60は、リヒャルト・シュトラウスが作曲した劇付随音楽、およびその抜粋からなる組曲。 Le bourgeois gentilhomme (in German, Der Bürger als Edelmann), Op. 60, is an orchestral suite compiled by Richard Strauss from music he wrote between 1911 and 1917. The work has a complex genesis. Originally, Strauss collaborator Hugo von Hofmannsthal had the idea of reviving Molière's 1670 play Le bourgeois gentilhomme, simplifying its plot, introducing a commedia dell'arte troupe, adding incidental music, and concluding what would be a long evening with a newly written one-act opera called Ariadne auf Naxos. This idea did materialize, as planned, in Stuttgart on 25 October 1912. But it was apparent that the result was too long and expensive and that many in the audience for the play were uninterested in the opera, and vice versa. Strauss and Hofmannsthal accordingly opted to separate the 《평민귀족》 Op.60-2, Op.60-3(독일어: Der Bürger als Edelmann, 프랑스어: Le Bourgeois Gentilhomme)은 리하르트 슈트라우스가 작곡한 부수음악극과 그 음악을 연주회용으로 편곡한 모음곡 형태의 부수음악이다. 몰리에르의 희극 〈평민귀족〉을 후고 폰 호프만스탈이 개작 상연했을 때 작곡한 부수음악극에서 발췌한 것이다. El burgués gentilhombre o Le Bourgeois gentilhomme, op. 60, es una suite orquestal escrita por Richard Strauss entre 1911 y 1917. La idea original de Hugo von Hofmannsthal, libretista de Strauss, tras el éxito de su colaboración en Der Rosenkavalier en 1911, fue revivir la obra de Molière de 1670, del mismo título, El burgués gentilhombre, simplificando la trama, introduciendo una compañía de comedia del arte, añadiendo algo de música incidental y concluyendo con una ópera en un acto, Ariadne auf Naxos. Le Bourgeois gentilhomme, op. 60 est une suite pour orchestre écrite par Richard Strauss (1864-1949) entre 1911 et 1917. Der Bürger als Edelmann (op. 60b-IIIa) ist eine Orchestersuite von Richard Strauss, die er 1919 aus den Musikstücken zur gleichnamigen Ballettkomödie (komponiert zwischen 1911 und 1917) zusammengestellt hat.
dbp:name
Le bourgeois gentilhomme
foaf:depiction
n6:Strauss1914London.jpg n6:Le-bourgeois-gentilhomme.jpg
dcterms:subject
dbc:1917_compositions dbc:Orchestral_suites dbc:Compositions_by_Richard_Strauss dbc:Neoclassicism_(music) dbc:Incidental_music dbc:20th-century_classical_music dbc:1912_compositions
dbo:wikiPageID
7430033
dbo:wikiPageRevisionID
1095358910
dbo:wikiPageWikiLink
dbc:1917_compositions dbr:Triangle_(musical_instrument) dbr:Woodwind_instrument dbr:Bassoon dbr:Harp dbr:Kammerorchester_Basel dbr:Baroque dbr:Clarinet dbr:Divertimento_for_chamber_orchestra_after_keyboard_pieces_by_Couperin,_Opus_86_(Strauss) dbr:English_horn dbr:Christopher_Hogwood dbr:Jean-Baptiste_Lully dbr:Bass_trombone dbr:Commedia_dell'arte n14:Strauss1914London.jpg dbr:Piano dbr:Ariadne_auf_Naxos dbc:Orchestral_suites dbr:Bass_drum dbr:Brass_instrument dbc:Compositions_by_Richard_Strauss dbr:Flute dbr:French_horn dbr:Incidental_music dbr:Timpani dbr:Richard_Strauss dbc:Neoclassicism_(music) dbr:Peter_Ustinov dbr:Percussion_instrument dbr:Le_bourgeois_gentilhomme dbr:Contrabassoon dbr:Neoclassicism_(music) dbr:Orchestral_suite dbr:Trumpet dbr:Piccolo dbc:1912_compositions dbr:Snare_drum dbc:Incidental_music dbr:String_instrument dbr:Opera dbr:Moliere dbc:20th-century_classical_music dbr:Glockenspiel dbr:Sylph dbr:Stuttgart dbr:Hugo_von_Hofmannsthal dbr:Molière dbr:Tanzsuite_aus_Klavierstücken_von_François_Couperin,_TrV_245 dbr:Berlin dbr:Oboe dbr:Tambourine dbr:Cymbal
owl:sameAs
wikidata:Q6507958 yago-res:Le_bourgeois_gentilhomme_(Strauss) dbpedia-he:גם_הוא_באצילים_(שטראוס) dbpedia-ja:町人貴族_(リヒャルト・シュトラウス) dbpedia-de:Der_Bürger_als_Edelmann_(Strauss) freebase:m.0261c9l dbpedia-ko:평민귀족_(슈트라우스) n22:4q7xr dbpedia-fr:Le_Bourgeois_gentilhomme_(Richard_Strauss) dbpedia-es:El_burgués_gentilhombre_(Strauss) n25:570b4a8b-7b29-4e2e-9615-3aff940cb964
dbp:wikiPageUsesTemplate
dbt:Authority_control dbt:Infobox_musical_composition dbt:Richard_Strauss dbt:Neoclassicism_(music) dbt:Short_description dbt:Italic_title dbt:ISBN dbt:Reflist dbt:About
dbo:thumbnail
n6:Le-bourgeois-gentilhomme.jpg?width=300
dbp:opus
60
dbp:caption
M. Jourdain, Le bourgeois gentilhomme, the title character in the play.
dbp:catalogue
TrV 228c
dbp:composed
1917-12-25
dbp:composer
dbr:Richard_Strauss
dbp:premiereDate
1918-04-09
dbp:scoring
Chamber orchestra
dbp:translation
The merchant gentleman
dbp:type
orchestral suite
dbo:abstract
Le bourgeois gentilhomme (in German, Der Bürger als Edelmann), Op. 60, is an orchestral suite compiled by Richard Strauss from music he wrote between 1911 and 1917. The work has a complex genesis. Originally, Strauss collaborator Hugo von Hofmannsthal had the idea of reviving Molière's 1670 play Le bourgeois gentilhomme, simplifying its plot, introducing a commedia dell'arte troupe, adding incidental music, and concluding what would be a long evening with a newly written one-act opera called Ariadne auf Naxos. This idea did materialize, as planned, in Stuttgart on 25 October 1912. But it was apparent that the result was too long and expensive and that many in the audience for the play were uninterested in the opera, and vice versa. Strauss and Hofmannsthal accordingly opted to separate the two works entirely. In the case of the opera, this meant Strauss composing a new “Prologue” for it to explain the presence of the comedians. (The revised Ariadne auf Naxos premiered four years later and has been a success ever since.) As regards the play, Hofmannsthal devised an ending closer to Molière's original, with Strauss adding to his existing incidental music to support the new conclusion. This premiered in 1917. An adaptation of Moliere's play by Peter Ustinov was presented and recorded in 1997 with Ustinov narrating and playing the parts, incorporating Strauss' music. It was from the now-lengthened incidental music that Strauss compiled his orchestral suite. He finished this task on Christmas Day 1917, and the resulting concert work received its premiere in Berlin on 9 April 1918 with Strauss himself conducting. The suite lasts half an hour and is in nine sections: 1. * Ouverture (Overture) 2. * Menuett (Minuet) 3. * Der Fechtmeister (The Fencing Master) 4. * Auftritt und Tanz der Schneider (Entry and Dance of the Tailors) 5. * Menuett des Lully (Lully's Minuet) 6. * Courante 7. * Auftritt des Cléonte (Entry of Cléonte; after Lully) 8. * Vorspiel (Intermezzo) 9. * Das Diner (The Dinner) Omitted from the suite were ballets added for the 1917 version of the play: one for sylphs, another for pretend-Turks. Strauss's Opus 60 is unusual among his works in having a distinct Baroque flavor. In fact he based sections 5 to 7 on music by Jean-Baptiste Lully, who had provided the original incidental music in 1670 and was as much a collaborator with Molière as Strauss and Hofmannsthal were centuries later. The few other so-called Neo-Classical works by Strauss also found inspiration in the French Baroque: his 1923 Dance suite after keyboard pieces by François Couperin and his 1942 Divertimento for chamber orchestra after keyboard pieces by Couperin, Opus 86. El burgués gentilhombre o Le Bourgeois gentilhomme, op. 60, es una suite orquestal escrita por Richard Strauss entre 1911 y 1917. La idea original de Hugo von Hofmannsthal, libretista de Strauss, tras el éxito de su colaboración en Der Rosenkavalier en 1911, fue revivir la obra de Molière de 1670, del mismo título, El burgués gentilhombre, simplificando la trama, introduciendo una compañía de comedia del arte, añadiendo algo de música incidental y concluyendo con una ópera en un acto, Ariadne auf Naxos. La fórmula, estrenada en 1912 en Stuttgart, dejando la obra teatral en su forma original, pero sustituyendo la mascarada turca por la representación de una ópera de contenido clásico, fracasó por su excesiva duración y sus costes de montaje, por la necesidad de disponer de una compañía de actores y otra compañía de ópera. Puestos a trabajar en la separación de las dos obras, se escribió un prólogo cantado a la ópera para explicar la presencia de los comediantes y se trasladó el argumento de París a Viena. La ópera, revisada y ya independiente, se estrenó en el Hofoper de Viena en 1916. El burgués gentilhombre también fue readaptada siguiendo más cercanamente la obra original de Molière, incluyendo música incidental adicional en 1917 y creando una suite orquestal. El estreno de la suite, bajo su dirección tuvo lugar el 31 de enero de 1920. Le Bourgeois gentilhomme, op. 60 est une suite pour orchestre écrite par Richard Strauss (1864-1949) entre 1911 et 1917. 《평민귀족》 Op.60-2, Op.60-3(독일어: Der Bürger als Edelmann, 프랑스어: Le Bourgeois Gentilhomme)은 리하르트 슈트라우스가 작곡한 부수음악극과 그 음악을 연주회용으로 편곡한 모음곡 형태의 부수음악이다. 몰리에르의 희극 〈평민귀족〉을 후고 폰 호프만스탈이 개작 상연했을 때 작곡한 부수음악극에서 발췌한 것이다. Der Bürger als Edelmann (op. 60b-IIIa) ist eine Orchestersuite von Richard Strauss, die er 1919 aus den Musikstücken zur gleichnamigen Ballettkomödie (komponiert zwischen 1911 und 1917) zusammengestellt hat. 『町人貴族』（ちょうにんきぞく、独: Der Bürger als Edelmann）作品60は、リヒャルト・シュトラウスが作曲した劇付随音楽、およびその抜粋からなる組曲。
prov:wasDerivedFrom
wikipedia-en:Le_bourgeois_gentilhomme_(Strauss)?oldid=1095358910&ns=0
dbo:wikiPageLength
5273
foaf:isPrimaryTopicOf
wikipedia-en:Le_bourgeois_gentilhomme_(Strauss)