This HTML5 document contains 102 embedded RDF statements represented using HTML+Microdata notation.

The embedded RDF content will be recognized by any processor of HTML5 Microdata.

Namespace Prefixes

PrefixIRI
dbpedia-slhttp://sl.dbpedia.org/resource/
dctermshttp://purl.org/dc/terms/
dbohttp://dbpedia.org/ontology/
n13http://dbpedia.org/resource/File:
foafhttp://xmlns.com/foaf/0.1/
n4https://global.dbpedia.org/id/
dbthttp://dbpedia.org/resource/Template:
rdfshttp://www.w3.org/2000/01/rdf-schema#
n11http://earlymedieval.archeurope.info/
n6http://commons.wikimedia.org/wiki/Special:FilePath/
n16https://books.google.co.uk/
rdfhttp://www.w3.org/1999/02/22-rdf-syntax-ns#
owlhttp://www.w3.org/2002/07/owl#
n19http://www.metmuseum.org/toah/hd/gi1k/
wikipedia-enhttp://en.wikipedia.org/wiki/
dbphttp://dbpedia.org/property/
dbchttp://dbpedia.org/resource/Category:
provhttp://www.w3.org/ns/prov#
xsdhhttp://www.w3.org/2001/XMLSchema#
wikidatahttp://www.wikidata.org/entity/
dbrhttp://dbpedia.org/resource/

Statements

Subject Item
dbr:Magdeburg_Ivories
rdf:type
owl:Thing
rdfs:label
Magdeburg Ivories
rdfs:comment
The Magdeburg Ivories are a set of 16 surviving ivory panels illustrating episodes of Christ's life. They were commissioned by Emperor Otto I, probably to mark the dedication of Magdeburg Cathedral, and the raising of the Magdeburg see to an archbishopric in 968. The panels were initially part of an unknown object in the cathedral that has been variously conjectured to be an antependium or altar front, a throne, door, pulpit, or an ambon; traditionally this conjectural object, and therefore the ivories as a group, has been called the Magdeburg Antependium. This object is believed to have been dismantled or destroyed in the 1000s, perhaps after a fire in 1049.
foaf:depiction
n6:Elfenbein_Christus_erscheint_seinen_Jüngern_BNM.jpg n6:Christ's_Mission_to_the_Apostles,_about_970-980_AD,_Ottonian,_Milan,_ivory_-_Cleveland_Museum_of_Art_-_DSC08609.jpg n6:Christ_healing_the_possessed_of_Gerasa,_donated_by_Emperor_Otto_the_Great_to_the_Magdeburg_Cathedral,_Milanese_workshop,_c._968_AD,_ivory_-_Hessisches_Landesmuseum_Darmstadt_-_Darmstadt,_Germany_-_DSC00289.jpg n6:Magdeburger_Reliefs_Heimsuchung.jpg n6:Magdeburger_Reliefs_Verhör_Geisselung.jpg n6:Christ_Magdeburg_Cathedral_Met_41.100.157.jpg
dcterms:subject
dbc:Sculptures_of_the_Metropolitan_Museum_of_Art dbc:10th-century_sculptures dbc:Ottonian_sculptures dbc:Ivory_works_of_art dbc:Sculptures_of_the_Berlin_State_Museums dbc:National_Museums_Liverpool dbc:Sculptures_of_the_British_Museum dbc:Magdeburg dbc:Objets_d'art_of_the_Louvre dbc:Medieval_European_objects_in_the_British_Museum
dbo:wikiPageID
59776007
dbo:wikiPageRevisionID
1104074542
dbo:wikiPageWikiLink
dbr:Jesus_and_the_woman_taken_in_adultery dbr:Life_of_Christ_in_art dbr:Lorraine dbc:Medieval_European_objects_in_the_British_Museum dbr:Holy_Roman_Empire n13:Christ_Magdeburg_Cathedral_Met_41.100.157.jpg dbr:Ambon_(liturgy) dbr:New_York_City dbr:Antependium dbr:Munich dbr:Gerasa_(Judaea) dbc:Sculptures_of_the_Metropolitan_Museum_of_Art dbr:Peter_Lasko dbr:Berlin_State_Library dbr:Metropolitan_Museum_of_Art dbr:World_Museum dbr:Finding_in_the_Temple dbr:Treasure_binding dbr:Gilding dbr:Hessisches_Landesmuseum_Darmstadt dbr:Magdeburg_Cathedral n13:Elfenbein_Christus_erscheint_seinen_Jüngern_BNM.jpg dbr:Great_Commission dbc:10th-century_sculptures dbr:Kulturhistorisches_Museum_Magdeburg dbr:Louvre dbr:Raising_of_Lazarus dbr:Relief dbc:Ivory_works_of_art dbr:Paris dbr:Cleveland_Museum_of_Art dbc:Ottonian_sculptures dbr:Flagellation_of_Christ dbr:Compiègne dbr:Ottonian_art dbr:Darmstadt dbr:Raising_of_the_son_of_the_widow_of_Nain dbr:Christ_in_Majesty dbr:Liverpool dbc:National_Museums_Liverpool dbr:Openwork dbc:Sculptures_of_the_Berlin_State_Museums dbr:Office_of_Public_Sector_Information dbr:Magdeburg dbc:Magdeburg dbr:Simon_the_Pharisee dbr:V&A_Museum dbr:Doubting_Thomas dbc:Sculptures_of_the_British_Museum dbr:Exorcism_of_the_Gerasene_demoniac dbr:Musée_Antoine_Vivenel dbr:Coin_in_the_fish's_mouth dbr:Cultural_depictions_of_Otto_I,_Holy_Roman_Emperor dbr:Otto_I,_Holy_Roman_Emperor dbr:Metz dbr:Pontius_Pilate dbr:Saint_John_Abbey,_Müstair dbr:Codex_Wittekindeus dbr:Bavarian_National_Museum dbr:Feeding_the_multitude dbr:British_Museum dbr:Visitation_(Christianity) dbc:Objets_d'art_of_the_Louvre
dbo:wikiPageExternalLink
n11:index.php%3Fpage=the-magdeburg-ivories n16:books%3Fid=PwJb18lq5gkC&pg=PA89&lpg=PA89 n19:hd_gi1k.htm
owl:sameAs
n4:9K3Ko dbpedia-sl:Magdeburška_slonovina wikidata:Q61449858
dbp:wikiPageUsesTemplate
dbt:Authority_control dbt:Reflist dbt:ISBN dbt:Short_description dbt:Commonscat dbt:Pp. dbt:Center
dbo:thumbnail
n6:Christ_Magdeburg_Cathedral_Met_41.100.157.jpg?width=300
dbo:abstract
The Magdeburg Ivories are a set of 16 surviving ivory panels illustrating episodes of Christ's life. They were commissioned by Emperor Otto I, probably to mark the dedication of Magdeburg Cathedral, and the raising of the Magdeburg see to an archbishopric in 968. The panels were initially part of an unknown object in the cathedral that has been variously conjectured to be an antependium or altar front, a throne, door, pulpit, or an ambon; traditionally this conjectural object, and therefore the ivories as a group, has been called the Magdeburg Antependium. This object is believed to have been dismantled or destroyed in the 1000s, perhaps after a fire in 1049. They are often assumed to have been made in Milan, then an important political and artistic center of the Holy Roman Empire; art historian Peter Lasko, however, has argued on stylistic grounds for artists trained in the Lorraine area, possibly in Metz. The group of plaques is widely considered a key example of Ottonian art, exemplifying in sculpture the Ottonian style that survives more often in manuscript illustrations.
prov:wasDerivedFrom
wikipedia-en:Magdeburg_Ivories?oldid=1104074542&ns=0
dbo:wikiPageLength
11373
foaf:isPrimaryTopicOf
wikipedia-en:Magdeburg_Ivories