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Subject Item
dbr:Men_and_Women_(poetry_collection)
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Men and Women (zbiór poetycki) Men and Women (poetry collection) Hommes et Femmes
rdfs:comment
Men and Women (Mężczyźni i kobiety) – tom wierszy angielskiego poety Roberta Browninga, opublikowany w 1855. Zawiera pięćdziesiąt jeden utworów, w tym Love Among the Ruins (Miłość środ ruin, tłum. Jan Kasprowicz), A Lover’s Quarrel, Evelyn Hope, Up at a Villa – Down in the City, A Woman’s Last Word, A Toccata of Galuppi's, By the Fire-Side, Any Wife to Any Husband i An Epistle Containing the Strange Medical Experience of Karshish, the Arab Physician. W zbiorze znalazły się też wiersze Mesmerism, A Serenade at the Villa (Serenada przed willą, tłum. Jan Kasprowicz, My Star (Moja gwiazda, tłum. Juliusz Żuławski), Instans Tyrannus, A Pretty Woman, Childe Roland to the Dark Tower Came (Sir Roland pod Mroczną Wieżą stanął, tłum. Juliusz Żuławski), Respectability, A Light Woman, The Statue and th Men and Women Hommes et FemmesAndrea del Sarto : Portrait d'homme. Ce portrait a orné la couverture de certaines éditions d'Hommes et Femmes Men and Women (Hommes et Femmes) est une série de cinquante-et-un monologues dramatiques de Robert Browning, publiée en 1855, et qui est aujourd'hui reconnue comme étant l'une des œuvres les plus marquantes du poète. L'ensemble reçut pourtant un accueil critique assez peu favorable lors de sa publication et ne se vendit que médiocrement. Men and Women is a collection of fifty-one poems in two volumes by Robert Browning, first published in 1855. While now generally considered to contain some of the best of Browning's poetry, at the time it was not received well and sold poorly.
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Men and Women
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Robert Browning Men and Women
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Cover, circa 1856
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dbo:abstract
Men and Women is a collection of fifty-one poems in two volumes by Robert Browning, first published in 1855. While now generally considered to contain some of the best of Browning's poetry, at the time it was not received well and sold poorly. Men and Women (Mężczyźni i kobiety) – tom wierszy angielskiego poety Roberta Browninga, opublikowany w 1855. Zawiera pięćdziesiąt jeden utworów, w tym Love Among the Ruins (Miłość środ ruin, tłum. Jan Kasprowicz), A Lover’s Quarrel, Evelyn Hope, Up at a Villa – Down in the City, A Woman’s Last Word, A Toccata of Galuppi's, By the Fire-Side, Any Wife to Any Husband i An Epistle Containing the Strange Medical Experience of Karshish, the Arab Physician. W zbiorze znalazły się też wiersze Mesmerism, A Serenade at the Villa (Serenada przed willą, tłum. Jan Kasprowicz, My Star (Moja gwiazda, tłum. Juliusz Żuławski), Instans Tyrannus, A Pretty Woman, Childe Roland to the Dark Tower Came (Sir Roland pod Mroczną Wieżą stanął, tłum. Juliusz Żuławski), Respectability, A Light Woman, The Statue and the Bust, Love in a Life, Life in a Love, How It Strikes a Contemporary, The Last Ride Together (Ostatnia przejażdżka we dwoje, tłum. Zenon Przesmycki (Miriam), The Patriot, Master Hugues of Saxe-Gotha, Bishop Blougram’s Apology, Memorabilia, Andrea del Sarto (Andrea del Sarto, tłum. Juliusz Żuławski), Before, After, In Three Days, In a Year, Old Pictures in Florence, In a Balcony (Na balkonie, tłum. Jan Kasprowicz), Saul, De Gustibus—, Women and Roses, Protus, Holy-Cross Day, The Guardian-Angel, Cleon, The Twins, Popularity, The Heretic’s Tragedy, Two in the Campagna, A Grammarian’s Funeral, One Way of Love (Pierwsza droga miłości, tłum. Lucjan Szenwald), Another Way of Love (Druga droga miłości, tłum. Lucjan Szenwald) i Transcendentalism - A Poem in Twelve Volumes (Transcendentalizm. Poemat w dwunastu księgach, tłum. Juliusz Żuławski). Podsumowanie tomu jest utwór One Word More, napisany trocheicznym pięciostopowcem. Wiele utworów z omawianego cyklu ma formę monologu dramatycznego, ułożonego najczęściej wierszem białym (blank verse). Men and Women Hommes et FemmesAndrea del Sarto : Portrait d'homme. Ce portrait a orné la couverture de certaines éditions d'Hommes et Femmes Men and Women (Hommes et Femmes) est une série de cinquante-et-un monologues dramatiques de Robert Browning, publiée en 1855, et qui est aujourd'hui reconnue comme étant l'une des œuvres les plus marquantes du poète. L'ensemble reçut pourtant un accueil critique assez peu favorable lors de sa publication et ne se vendit que médiocrement. Déclamés solennellement, chuchotés sur le ton de la confidence ou malicieusement joués par des personnages historiques, tels Fra Lippo Lippi et Andrea del Sarto, ou encore d'autres qui sont fictifs, voire sans nom, souvent le poète lui-même ainsi déguisé, comme dans le doux Love among the Ruins (« Amour parmi les ruines ») ou encore Two in the Campagna (« Deux dans la Campagna [italienne] »), ces monologues présentent une grande variété de situations, de personnages et de problématiques. Beaucoup, cependant, sont consacrés à des épisodes de la renaissance italienne. Un cinquante-et-unième, One Word More (« Juste un mot »), dont Browning est nommément le narrateur, est consacré à son épouse, la poétesse Elizabeth Barrett Browning.
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