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Neil Jenney Neil Jenney Дженни, Нил Neil Jenney
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Neil Jenney es un artista autodidacta nacido en 1945. Asistió a la en 1964. En 1966 se trasladó a Nueva York, donde actualmente reside. Su estilo de pintura fue descrito por la crítica de arte Marcia Tucker en 1978 como Bad Painting, una descripción que ha abrazado. Jenney describe su estilo como realismo , pero es un uso idiosincrásico de la palabra de su parte, que significa: un estilo en el cual las verdades narrativas se encuentran en las relaciones simples de los objetos. Su trabajo durante 1969-1970, que es el período para el cual fue sabido primero, era una reacción al minimalism y al photo-realism. Neil Jenney siempre ha sido anti-foto. El impacto de la obra fue grande para un período tan breve: según la crítica de arte del New York Times, Roberta Smith "en esos dos años el Sr. Je Нил Дженни (англ. Neil Jenney; род. 1945, Торрингтон, Коннектикут, США) — американский художник. Neil Jenney (* 1945 in Torrington, Connecticut, USA; lebt in New York City) ist ein US-amerikanischer zeitgenössischer Maler und Vertreter des Neuen Realismus in der Malerei, bekannt für seine Bad Paintings. Neil Jenney is a self-taught artist born on November 6, 1945 in Torrington, Connecticut. He attended Massachusetts College of Art in 1964. In 1966 he moved to New York City where he currently resides. His painting style was described by the art critic Marcia Tucker in 1978 as Bad Painting, a description which he has embraced. Jenney describes his style as realism, but it is an idiosyncratic use of the word on his part, meaning: a style in which narrative truths are found in the simple relationships of objects. His body of work during 1969–1970, which is the period for which he was first known, was a reaction to minimalism and photo-realism. The work's impact was large for such a brief period: according to New York Times art critic Roberta Smith "in those two years Mr. Jenney helped put rep
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Neil Jenney (* 1945 in Torrington, Connecticut, USA; lebt in New York City) ist ein US-amerikanischer zeitgenössischer Maler und Vertreter des Neuen Realismus in der Malerei, bekannt für seine Bad Paintings. Нил Дженни (англ. Neil Jenney; род. 1945, Торрингтон, Коннектикут, США) — американский художник. Neil Jenney es un artista autodidacta nacido en 1945. Asistió a la en 1964. En 1966 se trasladó a Nueva York, donde actualmente reside. Su estilo de pintura fue descrito por la crítica de arte Marcia Tucker en 1978 como Bad Painting, una descripción que ha abrazado. Jenney describe su estilo como realismo , pero es un uso idiosincrásico de la palabra de su parte, que significa: un estilo en el cual las verdades narrativas se encuentran en las relaciones simples de los objetos. Su trabajo durante 1969-1970, que es el período para el cual fue sabido primero, era una reacción al minimalism y al photo-realism. Neil Jenney siempre ha sido anti-foto. El impacto de la obra fue grande para un período tan breve: según la crítica de arte del New York Times, Roberta Smith "en esos dos años el Sr. Jenney ayudó a poner la pintura representacional en un nuevo rumbo y estableció precedentes para el arte de los años setenta, ochenta y noventa". A menudo, la obra de Jenney de este período representaba pares de objetos que tenían relaciones de causa y efecto evocadoras (tales como una sierra y un trozo de madera cortada, como se muestra en la pieza de 1969 Sawn and Saw .) En una revisión del 15 de abril de 2001 en el Observador de Nueva York de su muestra de trabajo de finales de los años 60 y principios de los 70 en la Galería Gagosian, Mario Naves dijo que las pinturas: Ese adjetivo peyorativo, en el caso del Sr. Jenney, viene con citas de miedo de una milla de altura y connota un arte que combina la figuración sin salida de Pop, el callejón sin salida materialidad del Minimalismo y un sentido del humor que es, si no es un callejón sin salida, a continuación, agudamente inexpresivo.El Sr. Jenney pintó las imágenes durante el apogeo del Arte Conceptual , y si eran, en parte, un rechazo a sus verdades desencarnadas, también participó de su desapego intelectual". Su pintura Here and There (1969), que representa una cerca blanca que divide un campo de pinceladas verdes y verdes, fue en la exposición 2004 The Undiscovered Country en el Hammer Museum de Los Ángeles. Su trabajo está en muchos museos incluyendo el museo del arte moderno , el museo de arte metropolitano , el museo de Whitney del arte americano , y la galería de arte de Corcoran en Washington DC Él demuestra actualmente con la galería de Barbara Mathes . Su pintura "Meltdown Morning" está en exhibición en el Museo de Arte de Filadelfia. * Datos: Q825963 Neil Jenney is a self-taught artist born on November 6, 1945 in Torrington, Connecticut. He attended Massachusetts College of Art in 1964. In 1966 he moved to New York City where he currently resides. His painting style was described by the art critic Marcia Tucker in 1978 as Bad Painting, a description which he has embraced. Jenney describes his style as realism, but it is an idiosyncratic use of the word on his part, meaning: a style in which narrative truths are found in the simple relationships of objects. His body of work during 1969–1970, which is the period for which he was first known, was a reaction to minimalism and photo-realism. The work's impact was large for such a brief period: according to New York Times art critic Roberta Smith "in those two years Mr. Jenney helped put representational painting on a new course and established precedents for the art of the 1970s, 80s and 90s." Often, Jenney's work of this period depicted pairs of objects which had evocative cause and effect relationships (such as a saw and a piece of cut wood, as are depicted in the 1969 piece Sawn and Saw.) In an April 15, 2001 review in the New York Observer of his show of work from the late 60s and early 70s at Gagosian Gallery, Mario Naves said that the paintings: "...aren't really bad at least not bad bad. That pejorative adjective, in Mr. Jenney's case, comes with scare quotes a mile high and connotes an art that combines the dead-end figuration of Pop, the dead-end materiality of Minimalism and a sense of humor that is, if not dead-end, then sharply deadpan. Mr. Jenney painted the pictures during the heyday of Conceptual Art, and if they were, in part, a rebuff to its disembodied verities, they also partook of its intellectual detachment." His painting Here and There (1969), which depicts a white fence dividing a field of drippy, green brushstrokes, was in the 2004 exhibition The Undiscovered Country at the Hammer Museum in Los Angeles. His work is in many museums including the Museum of Modern Art, The Metropolitan Museum of Art, the Whitney Museum of American Art, and the Corcoran Gallery of Art in Washington D.C. He currently shows with the . His painting "Meltdown Morning" is on display at the Philadelphia Museum of Art.
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