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Statements

Subject Item
dbr:Nine_Rivers_from_Jordan
rdf:type
yago:WikicatEnglish-languageOperas yago:Communication100033020 yago:ExpressiveStyle107066659 owl:Thing yago:WikicatOperasByHugoWeisgall yago:PsychologicalFeature100023100 yago:WorldPremiere106894371 yago:SocialEvent107288639 yago:Opera107026352 yago:AuditoryCommunication107109019 yago:Show106619065 yago:Abstraction100002137 yago:Performance106891493 yago:Event100029378 yago:ClassicalMusic107025900 yago:YagoPermanentlyLocatedEntity yago:Music107020895 dbo:TelevisionShow yago:WikicatOperas yago:Wikicat1968Operas yago:WikicatNewYorkCityOperaWorldPremieres yago:MusicGenre107071942
rdfs:label
Nine Rivers from Jordan
rdfs:comment
Nine Rivers from Jordan is an opera in a prologue and three acts by composer Hugo Weisgall. The work uses an English libretto by Denis Johnston who derived the libretto from the book of the same title he wrote based on his experiences as a BBC radio reporter during World War II. The work premiered on October 9, 1968, at the New York City Opera. The opera musically, dramatically and symbolically attempts to deal with the unprecedented moral problems caused by the circumstances of the Second World War. The use of many different languages in the libretto, the rapid changes of scene and the geographical extent of the action mirror the universal involvement and confusion of those years. In the opera, actual happenings and imaginary events are juxtaposed.
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dbo:abstract
Nine Rivers from Jordan is an opera in a prologue and three acts by composer Hugo Weisgall. The work uses an English libretto by Denis Johnston who derived the libretto from the book of the same title he wrote based on his experiences as a BBC radio reporter during World War II. The work premiered on October 9, 1968, at the New York City Opera. The opera musically, dramatically and symbolically attempts to deal with the unprecedented moral problems caused by the circumstances of the Second World War. The use of many different languages in the libretto, the rapid changes of scene and the geographical extent of the action mirror the universal involvement and confusion of those years. In the opera, actual happenings and imaginary events are juxtaposed.
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