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Statements

Subject Item
dbr:O_Ewigkeit,_du_Donnerwort,_BWV_20
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rdfs:label
O Ewigkeit, du Donnerwort (BWV 20) O Ewigkeit, du Donnerwort BWV 20 O Ewigkeit, du Donnerwort, BWV 20 おお永遠、そは雷のことば BWV20 O Ewigkeit, du Donnerwort, BWV 20 O Ewigkeit, du Donnerwort, BWV 20 O Ewigkeit, du Donnerwort, BWV 20
rdfs:comment
O Ewigkeit, du Donnerwort (Ô éternité, toi, parole foudroyante !) (BWV 20) est une cantate religieuse de Johann Sebastian Bach composée à Leipzig en 1724. おお永遠、そは雷のことば(O Ewigkeit, du Donnerwort)は、ヨハン・ゼバスティアン・バッハの教会カンタータ、BWV20。永遠の地獄のコラール賛美歌「おお永遠、そは雷のことば」が使われており、同名のカンタータBWV60もある。 O Ewigkeit, du Donnerwort (BWV 20), ist eine Kirchenkantate von Johann Sebastian Bach. Er schrieb sie in Leipzig für den ersten Sonntag nach Trinitatis und führte sie am 11. Juni 1724 zum ersten Mal auf. Sie eröffnete seinen zweiten Leipziger Kantatenjahrgang, der auch als Choralkantatenjahrgang bekannt ist. O Ewigkeit, du Donnerwort (in tedesco, "Oh eternità, parola di tuono") BWV 20 è una cantata di Johann Sebastian Bach. O Ewigkeit, du Donnerwort, BWV 20 (Oh Eternitat! Paraula terrible), és una cantata religiosa de Johann Sebastian Bach per al primer diumenge després de la Trinitat, estrenada a Leipzig l'11 de juny de 1724. Johann Sebastian Bach composed the church cantata O Ewigkeit, du Donnerwort (O eternity, you word of thunder), BWV 20, in Leipzig for the first Sunday after Trinity and first performed it on 11 June 1724. Bach composed it when beginning his second year as Thomaskantor in Leipzig. It is the first cantata he composed for his second annual cycle which was planned to contain chorale cantatas, each based on a Lutheran hymn. The cantata is focused on Johann Rist's 1642 hymn "O Ewigkeit, du Donnerwort", with a chorale melody by Johann Schop. As usual for Bach's chorale cantatas to come in the cycle, selected hymn stanzas were retained while the others were paraphrased by a contemporary poet who transformed their ideas into a sequence of alternating recitatives and arias. For this cantata, the fir O Ewigkeit, du Donnerwort, BWV 20 (¡Oh eternidad, atronadora palabra!) es una cantata de iglesia escrita por Johann Sebastian Bach en Leipzig para el primer domingo después de la Trinidad y estrenada el 11 de junio de 1724. Es la primera cantata coral de su segundo ciclo anual y está basada en el himno homónimo escrito por Johann Rist en 1642 sobre una melodía de .​​​​
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Kurt Equiluz Paul Agnew Marcus Ullmann Wilke te Brummelstroete David Markovitz Pamela Dellal Peter Kooy Petra Noskaiová Sytse Buwalda Wolfgang Schöne Theo Altmeyer Jan Kobow dbr:Jan_van_der_Crabben Bas Ramselaar Paul Esswood Knut Schoch Max van Egmond Klaus Mertens Gerald Gray Siri Thornhill dbr:Dietrich_Henschel Robin Blaze Verena Gohl Ingeborg Danz Michael Chance
dbp:textSource
Rist anon.
dbp:verse
19 16
dbp:vocal
solo: alto, tenor and bass A SATB choir T A T B
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dbo:thumbnail
n31:Leipzig_Nikolaikirche_um_1850.jpg?width=300
dbp:occasion
First Sunday after Trinity
dbp:book
1 Luke
dbp:caption
Nikolaikirche, c. 1850
dbp:chapter
4 16
dbp:composer
dbr:Johann_Sebastian_Bach
dbp:conductor
dbr:Nikolaus_Harnoncourt
dbp:id
m9 m4 m3 m6 m5 m10 m7 m11 m1 m8 m2
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2 3 Winds Strings Tt 3Ob
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dbr:D_minor dbr:F_major dbr:C_minor F major dbr:A_minor dbr:C_major
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dbr:Brilliant_Classics dbr:Hänssler_Classic dbr:Harmonia_Mundi dbr:Soli_Deo_Gloria_(record_label) Koch International dbr:BIS_Records dbr:Teldec Accent Antoine Marchand
dbp:movements
11
dbp:number
2 3 1 6 7 4 5 10 11 8 9
dbp:range
–21 –31
dbp:source
Bible
dbp:time
3
dbp:title
J. S. Bach: Complete Cantatas Vol. 10 J. S. Bach: Das Kantatenwerk • Complete Cantatas • Les Cantates, Folge / Vol. 5 J. S. Bach: Cantatas for the First and Second Sundays After Trinity J. S. Bach: Cantatas for the Complete Liturgical Year Vol. 7 Cantatas BWV 20 · 2 · 10 J. S. Bach: "O Ewigkeit du Donnerwort" – Cantatas BWV 2, 20 & 176 Bach Cantatas Vol. 1: City of London / For the 1st Sunday after Trinity Bach Edition Vol. 18 – Cantatas Vol. 9 J. S. Bach: Cantatas Vol. 8 – Leipzig Cantatas
dbp:type
Chorale fantasia Recitative Aria dbr:Chorale_cantata_(Bach) Chorale Duet aria
dbp:version
King James
dbp:work
, Part II , Part I
dbo:abstract
おお永遠、そは雷のことば(O Ewigkeit, du Donnerwort)は、ヨハン・ゼバスティアン・バッハの教会カンタータ、BWV20。永遠の地獄のコラール賛美歌「おお永遠、そは雷のことば」が使われており、同名のカンタータBWV60もある。 O Ewigkeit, du Donnerwort, BWV 20 (¡Oh eternidad, atronadora palabra!) es una cantata de iglesia escrita por Johann Sebastian Bach en Leipzig para el primer domingo después de la Trinidad y estrenada el 11 de junio de 1724. Es la primera cantata coral de su segundo ciclo anual y está basada en el himno homónimo escrito por Johann Rist en 1642 sobre una melodía de .​​​​ O Ewigkeit, du Donnerwort (Ô éternité, toi, parole foudroyante !) (BWV 20) est une cantate religieuse de Johann Sebastian Bach composée à Leipzig en 1724. O Ewigkeit, du Donnerwort, BWV 20 (Oh Eternitat! Paraula terrible), és una cantata religiosa de Johann Sebastian Bach per al primer diumenge després de la Trinitat, estrenada a Leipzig l'11 de juny de 1724. Johann Sebastian Bach composed the church cantata O Ewigkeit, du Donnerwort (O eternity, you word of thunder), BWV 20, in Leipzig for the first Sunday after Trinity and first performed it on 11 June 1724. Bach composed it when beginning his second year as Thomaskantor in Leipzig. It is the first cantata he composed for his second annual cycle which was planned to contain chorale cantatas, each based on a Lutheran hymn. The cantata is focused on Johann Rist's 1642 hymn "O Ewigkeit, du Donnerwort", with a chorale melody by Johann Schop. As usual for Bach's chorale cantatas to come in the cycle, selected hymn stanzas were retained while the others were paraphrased by a contemporary poet who transformed their ideas into a sequence of alternating recitatives and arias. For this cantata, the first stanza was used unchanged, and two more stanzas to conclude the cantata's two parts. The first part was performed before the sermon, the second part after the sermon. The first part is in seven movements, and the second part is in four movements. Bach scored the cantata for three vocal soloists, a four-part choir and a Baroque instrumental ensemble of two tromba da tirarsi, three oboes, two violins, viola and basso continuo. Schop's chorale melody appears in the opening chorale fantasia and in the identical four-part harmonisation closing the cantata's two parts. All instruments play in the opening chorale fantasia, in which the soprano sings the hymn tune as a cantus firmus. It is written in the style of a solemn French Overture, opening both the cantata and the second cantata cycle. O Ewigkeit, du Donnerwort (BWV 20), ist eine Kirchenkantate von Johann Sebastian Bach. Er schrieb sie in Leipzig für den ersten Sonntag nach Trinitatis und führte sie am 11. Juni 1724 zum ersten Mal auf. Sie eröffnete seinen zweiten Leipziger Kantatenjahrgang, der auch als Choralkantatenjahrgang bekannt ist. O Ewigkeit, du Donnerwort (in tedesco, "Oh eternità, parola di tuono") BWV 20 è una cantata di Johann Sebastian Bach.
dbp:bwv
20
dbp:choir
dbr:Holland_Boys_Choir Wiener Sängerknaben dbr:Monteverdi_Choir Chorus Viennensis Chorus and orchestra of Emmanuel Music dbr:Frankfurter_Kantorei
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OVPP
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2 3 viola tromba da tirarsi continuo
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