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Rita Felski Rita Felski
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Rita Felski (born 1956) is an academic and critic, who holds the John Stewart Bryan Professorship of English at the University of Virginia and is a former editor of New Literary History. She is also Niels Bohr Professor at the University of Southern Denmark (2016–2021). Rita Felski (1956) es una académica y crítica estadounidense, que desarrolla actividades académicas y científicas en el "Profesorado William R. Kenan Jr." de filología inglesa en la Universidad de Virginia; y, ex editora de New Literary History.​ También, posee un contrato como profesora Niels Bohr en la Universidad del Sur de Dinamarca, de 2016 a 2021.​ Editora de * Rethinking Tragedy (Johns Hopkins, 2008)Coeditora de * Comparison: Theories, Approaches, Uses (Johns Hopkins, 2013) * Critique and Postcritique (Duke UP 2017).
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Rita Felski (born 1956) is an academic and critic, who holds the John Stewart Bryan Professorship of English at the University of Virginia and is a former editor of New Literary History. She is also Niels Bohr Professor at the University of Southern Denmark (2016–2021). Felski is a prominent scholar in the fields of aesthetics and literary theory, feminist theory, modernity and postmodernity, and cultural studies. She is closely associated with the field of postcritique, a school of thought that tries to find new forms of reading and interpretation that go beyond the methods of critique, critical theory, and ideological criticism. Felski is the author of Beyond Feminist Aesthetics: Feminist Literature and Social Change (Harvard UP, 1989), The Gender of Modernity (Harvard UP, 1995), Doing Time: Feminist Theory and Postmodern Culture (New York UP, 2000), Literature After Feminism (Chicago UP, 2003), and Uses of Literature (Blackwell, 2008). The Limits of Critique (Chicago UP, 2015), an assessment of the role of the hermeneutics of suspicion as a mood and method in literary studies, has been widely reviewed. Felski is the editor of Rethinking Tragedy (Johns Hopkins, 2008) and co-editor of Comparison: Theories, Approaches, Uses (Johns Hopkins, 2013), Critique and Postcritique (Duke UP 2017), and Latour and the Humanities (Johns Hopkins, 2020). She has also published articles in numerous essay collections and in such scholarly journals as PMLA, Signs, New Literary History, Modernism/Modernity, Cultural Critique, Theory, Culture and Society, and New Formations. Her most recent book, Hooked: Art and Attachment, was published by the University of Chicago Press in 2020. Rita Felski (1956) es una académica y crítica estadounidense, que desarrolla actividades académicas y científicas en el "Profesorado William R. Kenan Jr." de filología inglesa en la Universidad de Virginia; y, ex editora de New Literary History.​ También, posee un contrato como profesora Niels Bohr en la Universidad del Sur de Dinamarca, de 2016 a 2021.​ Felski es una destacada académica en los campos de la estética (cuestiones de método, interpretación y valor estético)​ y la teoría literaria, la teoría feminista, la modernidad y la posmodernidad, la crítica literaria feminista, y los estudios culturales.​ Es la autora de: * Beyond Feminist Aesthetics: Feminist Literature and Social Change (Harvard UP, 1989), * The Gender of Modernity (Harvard UP, 1995), * Doing Time: Feminist Theory and Postmodern Culture (New York UP, 2000), * Literature After Feminism (Chicago UP, 2003), * Uses of Literature (Blackwell, 2008). Ha desarrollado extensas investigación de larga data, sobre escritura de mujeres, estudios de traducción y prácticas narrativas transculturales; en la interfaz de los estudios culturales de migrantes, la traducción y los estudios interculturales.​ Su más reciente texto, The Limits of Critique (Los Límites de la Crítica) (236 p. Chicago UP, 2015 ISBN 022629403X), se encuentra con un análisis de una conjetura acerca de la hermenéutica de la sospecha, como estados de ánimo y el método y ha sido ampliamente revisado. Allí, examina la crítica, la forma dominante de interpretación en los estudios literarios, y la sitúa como un método entre muchos, un método con gran atractivo, pero también con límites definidos. Así, muestra cómo esa sospecha hacia los textos excluye muchas lecturas potenciales; y, no ofrece ninguna garantía de pensamiento riguroso o radical. En su lugar, sugiere, los académicos literarios deberían intentar lo que ella llama "lectura poscrítica": en lugar de buscar detrás de un texto en busca de causas y motivos ocultos, los académicos literarios deberían colocarse frente a él y reflexionar sobre lo que sugiere y hace posible.​ Editora de * Rethinking Tragedy (Johns Hopkins, 2008)Coeditora de * Comparison: Theories, Approaches, Uses (Johns Hopkins, 2013) * Critique and Postcritique (Duke UP 2017). También ha publicado artículos en numerosas colecciones de ensayos y en revistas académicas como: * PMLA, * Signs, * , * Modernism/Modernity, * Cultural Critique, * Theory, * Culture and Society, * New Formations. Actualmente está completando un manuscrito llamado "Hooked: Art and Attachment" (Enganchado: Arte y apego.)
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