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Statements

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dbr:Semantic_System
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Système Semantic Semantic System
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The Semantic System is based on a microtonal musical scale tuned in just intonation, developed by Alain Daniélou. For Alain Daniélou the subtleties of the intervals of music of oral traditions cannot be expressed using the equal temperament tuning system of 12 notes per octave, which has been the prevalent system in Western culture for around two centuries. This "artificial" musical scale was developed as a compromise, to standardise musical instruments by reducing the number of notes they could play, but it also reduced the possibilities of expression for both composers and musicians. Le Système Semantic est une échelle microtonale accordée en intonation juste élaborée par Alain Daniélou. Pour Alain Daniélou, les subtilités des intervalles des musiques de tradition orale ne peuvent être rendues par le système tempéré égal à 12 notes par octave qui prévaut dans le monde occidental depuis environ deux siècles. Pour rappel, cette échelle « artificielle » représente un compromis destiné à limiter le nombre de notes des instruments et réduit les possibilités d’expression du compositeur et du musicien.
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Le Système Semantic est une échelle microtonale accordée en intonation juste élaborée par Alain Daniélou. Pour Alain Daniélou, les subtilités des intervalles des musiques de tradition orale ne peuvent être rendues par le système tempéré égal à 12 notes par octave qui prévaut dans le monde occidental depuis environ deux siècles. Pour rappel, cette échelle « artificielle » représente un compromis destiné à limiter le nombre de notes des instruments et réduit les possibilités d’expression du compositeur et du musicien. À l'issue d’années de recherches, d’expériences menées sur la musique modale indienne, Alain Daniélou publie la Sémantique Musicale : un ouvrage qui propose une échelle microtonale à intonation juste parmi les plus élaborées. Selon lui, l’oreille humaine identifierait et classifierait les hauteurs en s’appuyant sur des rapports de fréquence binaires, ternaires et quinternaires. Cette hypothèse aboutit à une division inégale de l’octave en 53 notes, ayant leurs rapports de fréquences uniquement composés de produits des puissances des nombres premiers 2, 3, et 5. The Semantic System is based on a microtonal musical scale tuned in just intonation, developed by Alain Daniélou. For Alain Daniélou the subtleties of the intervals of music of oral traditions cannot be expressed using the equal temperament tuning system of 12 notes per octave, which has been the prevalent system in Western culture for around two centuries. This "artificial" musical scale was developed as a compromise, to standardise musical instruments by reducing the number of notes they could play, but it also reduced the possibilities of expression for both composers and musicians. « Alain Daniélou draws attention to the fact that a musical culture that adopts a system of equal temperament thereby sacrifices the possibility of expressing all but the most general significations inherent in a musical language. » After many years spent researching and leading experiments in the world of Indian modal music, Alain Daniélou published a book entitled in which he proposes one of the most elaborated microtonal scales of just intonation. According to him, the human ear is able to identify and classify pitches by using binary, ternary and quinary frequency ratios as a reference point. This theory gives rise to the unequal division of the octave into 53 notes, with frequency ratios composed solely of products of powers of prime numbers 2, 3 and 5.
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