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Statements

Subject Item
dbr:The_Balcony
rdf:type
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rdfs:label
Il balcone (opera teatrale) El balcón (obra de teatro) Le Balcon (Jean Genet) The Balcony 발코니 (희곡)
rdfs:comment
Le Balcon est une pièce de théâtre de Jean Genet en neuf tableaux écrite en 1956 et créée le 18 mai 1960 au Théâtre du Gymnase dans une mise en scène de Peter Brook. The Balcony (French: Le Balcon) is a play by the French dramatist Jean Genet. It is set in an unnamed city that is experiencing a revolutionary uprising in the streets; most of the action takes place in an upmarket brothel that functions as a microcosm of the regime of the establishment under threat outside. 발코니(프랑스어: Le Balcon)는 프랑스의 극작가 장 주네의 희곡이다. 5년 간 작품 활동이 없다가 발표된 작품이다. 이전까지 주로 자신이 속한 범죄 세계, 수형 생활, 동성애자로서 경험과 같은 개인적인 이야기를 작품에 담아내는 데 주력했던 주네는 이 작품 이후 본격적으로 정치·사회적 메시지를 표명하기 시작했다. 피스카토르, 피터 브룩 등 당대 최고의 연출가들이 <발코니> 무대화에 뛰어들었고, 이를 계기로 글쓴이 주네는 전 세계가 주목하는 작가가 되었다. El balcón, en el original francés Le Balcon, es una obra teatral del dramaturgo francés Jean Genet publicada en 1956. Fue puesta en escena por primera vez en 1957 en Londres con dirección de Peter Brook, y ha atraído desde entonces la atención de numerosos directores teatrales como , Erwin Piscator, Roger Blin, Giorgio Strehler y .​La Comédie Française no incorporó esta obra hasta 1985. Producción del Teatro Internacionalista traducido por Bernard Frechtman, Londres (junio de 1981). Il balcone è un'opera teatrale in due atti di Jean Genet scritta nel 1956.
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dbo:thumbnail
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dbo:abstract
발코니(프랑스어: Le Balcon)는 프랑스의 극작가 장 주네의 희곡이다. 5년 간 작품 활동이 없다가 발표된 작품이다. 이전까지 주로 자신이 속한 범죄 세계, 수형 생활, 동성애자로서 경험과 같은 개인적인 이야기를 작품에 담아내는 데 주력했던 주네는 이 작품 이후 본격적으로 정치·사회적 메시지를 표명하기 시작했다. 피스카토르, 피터 브룩 등 당대 최고의 연출가들이 <발코니> 무대화에 뛰어들었고, 이를 계기로 글쓴이 주네는 전 세계가 주목하는 작가가 되었다. Il balcone è un'opera teatrale in due atti di Jean Genet scritta nel 1956. El balcón, en el original francés Le Balcon, es una obra teatral del dramaturgo francés Jean Genet publicada en 1956. Fue puesta en escena por primera vez en 1957 en Londres con dirección de Peter Brook, y ha atraído desde entonces la atención de numerosos directores teatrales como , Erwin Piscator, Roger Blin, Giorgio Strehler y .​La Comédie Française no incorporó esta obra hasta 1985. Producción del Teatro Internacionalista traducido por Bernard Frechtman, Londres (junio de 1981). La obra parece tener como origen las experiencias de Jean Genet en el Barrio Chino de Barcelona en torno a 1933 que dejaron gran impronta en su creación literaria.​ Jacques Lacan describió la obra desde una perspectiva psicoanalítica y señala que se trata de un renacer del espíritu de la Comedia griega, en especial de Aristófanes. También se ha señalado que la obra es la primera gran manifestación teatral en lengua francesa del estilo iniciado por Bertolt Brecht.​ Le Balcon est une pièce de théâtre de Jean Genet en neuf tableaux écrite en 1956 et créée le 18 mai 1960 au Théâtre du Gymnase dans une mise en scène de Peter Brook. The Balcony (French: Le Balcon) is a play by the French dramatist Jean Genet. It is set in an unnamed city that is experiencing a revolutionary uprising in the streets; most of the action takes place in an upmarket brothel that functions as a microcosm of the regime of the establishment under threat outside. Since Peter Zadek directed the first English-language production at the Arts Theatre Club in London in 1957, the play has been revived frequently (in various versions) and has attracted many prominent directors, including Peter Brook, Erwin Piscator, Roger Blin, Giorgio Strehler, and JoAnne Akalaitis. It has been adapted as a film and given operatic treatment. The play's dramatic structure integrates Genet's concern with meta-theatricality and role-playing, and consists of two central strands: a political conflict between revolution and counter-revolution and a philosophical one between reality and illusion. Genet suggested that the play should be performed as a "glorification of the Image and the Reflection." Genet's biographer Edmund White wrote that with The Balcony, along with The Blacks (1959), Genet re-invented modern theatre. The psychoanalyst Jacques Lacan described the play as the rebirth of the spirit of the classical Athenian comic playwright Aristophanes, while the philosopher Lucien Goldmann argued that despite its "entirely different world view" it constitutes "the first great Brechtian play in French literature." Martin Esslin has called The Balcony "one of the masterpieces of our time."
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