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Subject Item
dbr:The_Hawk_in_the_Rain
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dbo:Book yago:Publication106589574 yago:Product104007894 yago:PhysicalEntity100001930 yago:Creation103129123 yago:Book106410904 yago:Wikicat1957Books yago:Whole100003553 yago:Object100002684 yago:Artifact100021939 yago:Work104599396
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The Hawk in the Rain
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The Hawk in the Rain is a collection of 40 poems by the British poet Ted Hughes. Published by Faber and Faber in 1957, it was Hughes's first book of poetry. The book received immediate acclaim in both England and America, where it won the . Many of the book's poems imagine the real and symbolic lives of animals, including a fox, a jaguar, and the eponymous hawk. Other poems focus on erotic relationships, and on stories of the First World War, Hughes's father being a survivor of Gallipoli.
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The Hawk in the Rain is a collection of 40 poems by the British poet Ted Hughes. Published by Faber and Faber in 1957, it was Hughes's first book of poetry. The book received immediate acclaim in both England and America, where it won the . Many of the book's poems imagine the real and symbolic lives of animals, including a fox, a jaguar, and the eponymous hawk. Other poems focus on erotic relationships, and on stories of the First World War, Hughes's father being a survivor of Gallipoli. The book, dedicated to Hughes' first wife Sylvia Plath, is a collection of 40 poems. According to the Oxford Dictionary of National Biography, Plath considered her husband's poetry ".. the most rich and powerful since that of Yeats and Dylan Thomas". She had typed out almost all his poems and submitted them, in this collection, to a competition for a first book of poems being run by the Poetry Centre of the Young Men's and Young Women's Hebrew Association of New York. In February 1957 the judges, W. H. Auden, Stephen Spender, and Marianne Moore, awarded the first prize (publication by Harper and Row) to Hughes. Marianne Moore wrote: "Hughes's talent is unmistakable, the work has focus, is aglow with feeling, with conscience; sensibility is awake, embodied in appropriate diction." Hughes rejected the Latinate and courtly iamb in favour of bludgeoning trochees and spondees. The strong alliteration, onomatopoeia, and hyperbole gave his poems an impact not heard in English verse since the demise of Middle English.
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