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Statements

Subject Item
dbr:The_Magnetic_Lady
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yago:Wikicat17th-centuryPlays yago:WikicatPlaysByBenJonson yago:Writing106362953 yago:Abstraction100002137 yago:WrittenCommunication106349220 yago:Communication100033020 yago:WikicatEnglishRenaissancePlays yago:DramaticComposition107007684 dbo:Play yago:Play107007945 yago:Wikicat1632Plays
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The Magnetic Lady
rdfs:comment
The Magnetic Lady, or Humours Reconciled is a Caroline-era stage play, the final comedy of Ben Jonson. It was licensed for performance by Sir Henry Herbert, the Master of the Revels, on 12 October 1632, and first published in 1641, in Volume II of the second folio collection of Jonson's works. The play was premiered by the King's Men at the Blackfriars Theatre; it was not an overt failure like The New Inn, but does not appear to have been a great success either. The play was criticised by the dramatist's long and seemingly ever-growing list of enemies, Inigo Jones being one example.
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The Magnetic Lady, or Humours Reconciled is a Caroline-era stage play, the final comedy of Ben Jonson. It was licensed for performance by Sir Henry Herbert, the Master of the Revels, on 12 October 1632, and first published in 1641, in Volume II of the second folio collection of Jonson's works. The play was premiered by the King's Men at the Blackfriars Theatre; it was not an overt failure like The New Inn, but does not appear to have been a great success either. The play was criticised by the dramatist's long and seemingly ever-growing list of enemies, Inigo Jones being one example.
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