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Statements

Subject Item
dbr:The_Politics_of_Dancing_(Re-Flex_album)
rdf:type
wikidata:Q482994 yago:Wikicat1983Albums dbo:Album schema:MusicAlbum wikidata:Q386724 owl:Thing yago:Whole100003553 wikidata:Q2188189 yago:Object100002684 schema:CreativeWork yago:Instrumentality103575240 yago:Medium106254669 dbo:Work yago:WikicatRe-FlexAlbums yago:PhysicalEntity100001930 yago:Artifact100021939 dbo:MusicalWork yago:Album106591815
rdfs:label
The Politics of Dancing (Re-Flex album)
rdfs:comment
The Politics of Dancing is the debut studio album by English new wave band Re-Flex, recorded in late 1982 and released in November 1983 by EMI Records, and was, until September 2010, their only officially released studio album. John Punter of Roxy Music fame produced the album at Utopia Studios in London, England. In 2017, the album's title track was prominently featured in the film Atomic Blonde.
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The Politics of Dancing
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dbc:1983_debut_albums dbc:Albums_produced_by_John_Punter dbc:EMI_Records_albums dbc:Re-Flex_albums
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dbr:Audio_mixing_(recorded_music) dbr:New_wave_music dbr:Re-Flex dbr:Bass_guitar dbr:Billboard_200 dbr:West_Germany dbr:Design dbr:Keith_Breeden dbr:London dbr:AllMusic dbr:Album dbr:Audio_engineer dbr:Kent_Music_Report dbr:Lead_vocalist dbr:David_Bowie dbr:List_of_signature_songs dbr:Atomic_Blonde dbc:Albums_produced_by_John_Punter dbr:Chris_Sheldon dbc:1983_debut_albums dbr:The_Politics_of_Dancing_(song) dbr:Synth-pop dbr:EMI_Records dbr:Studio_album dbr:Backing_vocalist dbr:One_Way_Records dbr:One-hit_wonder dbr:John_Punter dbc:EMI_Records_albums dbr:Trouser_Press dbr:Electronic_keyboard dbr:New_Zealand dbr:Programming_(music) dbr:Drum_kit dbr:Toto_(band) dbr:Percussion_instrument dbr:Middle_of_the_road_(music) dbr:Roxy_Music dbr:Cherry_Red_Records dbr:Electronic_drum dbr:Record_producer dbc:Re-Flex_albums dbr:Guitar dbr:Capitol_Records
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n15:Re-Flex_-_The_Politics_Of_Dancing_cov1983.jpg?width=300
dbp:artist
dbr:Re-Flex
dbp:cover
Re-Flex_-_The_Politics_Of_Dancing_cov1983.jpg
dbp:genre
*New wave *synth-pop
dbp:headline
Bonus tracks on 2019 release Side one Side two
dbp:label
*EMI *Capitol
dbp:length
265.0 339.0 230.0 409.0 353.0 328.0 208.0 266.0 250.0 308.0 300.0 357.0 269.0 402.0 219.0 225.0 325.0 567.0 229.0 396.0
dbp:nextTitle
Humanication
dbp:nextYear
1985
dbp:note
7.0 12.0
dbp:producer
dbr:John_Punter
dbp:recorded
Late 1982
dbp:released
November 1983
dbp:rev
dbr:AllMusic dbr:Trouser_Press
dbp:rev2score
favourable
dbp:studio
Utopia Studios
dbp:title
Praying to the Beat True Lust Flex It! dbr:The_Politics_of_Dancing_(song) Hurt The Politics of Dancing Cut It Keep in Touch Something About You Hitline Jungle Pointless What You Deserve Sensitive Couldn't Stand a Day Cruel World
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2731.0
dbp:type
dbr:Studio_album
dbp:writer
Fishman François Craig Paul Fishman Roland Vaughan Kerridge Kerridge Baxter Nigel Ross-Scott
dbo:abstract
The Politics of Dancing is the debut studio album by English new wave band Re-Flex, recorded in late 1982 and released in November 1983 by EMI Records, and was, until September 2010, their only officially released studio album. John Punter of Roxy Music fame produced the album at Utopia Studios in London, England. The album received moderate success, charting at No. 34 in New Zealand, No. 53 in the United States, and No. 58 in West Germany, but the title track was a big international success and became the band's signature song, causing some to label them a one-hit wonder. Five other singles were released from the album with minor success in the US and UK: "Hitline", "Hurt", "Praying to the Beat", "Couldn't Stand a Day", and "Sensitive". The album was reissued on CD in 1993 through One Way Records. Jambo Music Ltd., a division of JHP, who publish and administer Re-Flex's catalogue of songs, re-released it as part of a 6-CD box set which also contained the previously unreleased Humanication album and other previously unavailable tracks recorded before and after the band's relationship with EMI. Cherry Red Records issued a 2-CD expanded edition of this album with bonus material in 2019. In 2017, the album's title track was prominently featured in the film Atomic Blonde.
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