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Statements

Subject Item
dbr:Tower_music
rdf:type
owl:Thing
rdfs:label
Turmblasen Tower music
rdfs:comment
Turmblasen (auch Turmmusik) ist eine musikalische Aufführungsform, die ursprünglich zu den traditionellen Aufgaben eines Türmers oder Stadtpfeifers, später auch des Ratstrompeters gehörte. Neben bestimmten Hornsignalen hatte er regelmäßige musikalische Darbietungen als Solist oder im Ensemble vom Kirch- oder Rathausturm aus zu gestalten. Mit der Abschaffung des Türmerberufes etablierte sich das Turmblasen in vielen Ländern als kirchlicher Volksbrauch häufig von Laienmusikern insbesondere zu christlichen Feiertagen. Turmmusiken komponierten u. a. Johannes Wannenmacher (Choralbicinien), Johann Hermann Schein, Gottfried Reiche, Johann Christoph Pezel (Hora decima musicorum Lipsiensium, 1670), Ludwig van Beethoven (3 Equale, 1812), Paul Hindemith (Morgenmusik, 1932), Bertold Hummel (Turmmusik Tower music is a musical performance from the top of a tower. It can also designate the music composed for or played in such a performance. In the early European Middle Ages, musical instruments on towers were used to warn of danger and mark the passage of time. At first this was done by a tower watchman, later by ensembles of instrumentalists employed by the city. The music became more choral, and came to by played on specific days of the week, and to mark specific dates (feast days such as Christmas and Easter, for instance). The practice largely died out in the late 19th century, but was revived in the early twentieth, and continues to this day. Modern tower music is often played by volunteers.
foaf:depiction
n4:Matthäikirche_Leipzig_1749_Foto_H.-P.Haack.jpg n4:TuebingenStiftskirche060409_P1040560.jpg n4:Glaspalast_München_1883_057.jpg n4:Mendel_I_006_r.jpg n4:Die_Gartenlaube_(1890)_b_169.jpg
dcterms:subject
dbc:Music_genres dbc:Communication
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n12:Pezel,_Johann_Christoph n14:Turmmusiken_und_Suiten_%28Pezel,_Johann_Christoph%29 n16:IMSLP45921-PMLP98005-DDT063_-_Pezel,_Johann_-_03_-_Musica_Vespertina_Lipsica.pdf
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wikidata:Q1258366 n13:HEBX dbpedia-fi:Tornimusiikki dbpedia-de:Turmblasen yago-res:Tower_music
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dbt:Commonscatinline dbt:Sfn dbt:Reflist dbt:About dbt:Listen dbt:Efn dbt:Short_description dbt:Notelist
dbo:thumbnail
n4:Glaspalast_München_1883_057.jpg?width=300
dbp:description
Großer Gott, wir loben dich and Ich ruf zu dir, Herr Jesu Christ played in the weekly Sunday performance from the tower of the Tuebingen Collegiate church .
dbp:filename
TuebingenStiftskircheBlaeser.ogg
dbp:title
Weekly tower music of the Tuebingen Collegiate Church
dbo:abstract
Tower music is a musical performance from the top of a tower. It can also designate the music composed for or played in such a performance. In the early European Middle Ages, musical instruments on towers were used to warn of danger and mark the passage of time. At first this was done by a tower watchman, later by ensembles of instrumentalists employed by the city. The music became more choral, and came to by played on specific days of the week, and to mark specific dates (feast days such as Christmas and Easter, for instance). The practice largely died out in the late 19th century, but was revived in the early twentieth, and continues to this day. Modern tower music is often played by volunteers. The tower used would often be a church tower, but the tower or balcony of a civic building might also be used. The instruments had to be audible to someone not on the tower. This eliminated the quieter (basse) instruments, leaving the louder (haut) instruments. Apart from bells, natural trumpets, slide trumpets, trombones, shawms, bagpipes, and drums were used. Music was written specifically to be played from towers, but other works could also be used. Alta capella musicians playing the tower music would generally also perform in processions and ground-level outdoor events, and in some cases would also perform (on different instruments) indoors. Turmblasen (auch Turmmusik) ist eine musikalische Aufführungsform, die ursprünglich zu den traditionellen Aufgaben eines Türmers oder Stadtpfeifers, später auch des Ratstrompeters gehörte. Neben bestimmten Hornsignalen hatte er regelmäßige musikalische Darbietungen als Solist oder im Ensemble vom Kirch- oder Rathausturm aus zu gestalten. Mit der Abschaffung des Türmerberufes etablierte sich das Turmblasen in vielen Ländern als kirchlicher Volksbrauch häufig von Laienmusikern insbesondere zu christlichen Feiertagen. Turmmusiken komponierten u. a. Johannes Wannenmacher (Choralbicinien), Johann Hermann Schein, Gottfried Reiche, Johann Christoph Pezel (Hora decima musicorum Lipsiensium, 1670), Ludwig van Beethoven (3 Equale, 1812), Paul Hindemith (Morgenmusik, 1932), Bertold Hummel (Turmmusik I-V, 1988). Walther Hensel, Ludwig Plaß und Wilhelm Ehmann haben viel für die Wiederbelebung dieses Brauches getan.
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14144
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