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Statements

Subject Item
dbr:Twentieth-century_theatre
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Theater der Späten Neuzeit Twentieth-century theatre
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Das Theater der Späten Neuzeit beschreibt die Entwicklung des Theaters nach der Romantik bis in die Gegenwart. Der Aufbau eines modernen Theaters weicht nur gering von antiken Vorbildern ab. Der Inhalt orientiert sich stark an den Strömungen des Naturalismus, Realismus, Dadaismus, Expressionismus, Surrealismus und des Postmodernismus. Einflussreiche Autoren dieser Zeit sind Bertolt Brecht, Antonin Artaud, , Harold Pinter, Steven Berkoff, Eugene O’Neill, Samuel Beckett, und Tony Kushner. Besondere Entwicklungen des Theaters sind: Twentieth-century theatre describes a period of great change within the theatrical culture of the 20th century, mainly in Europe and North America. There was a widespread challenge to long-established rules surrounding theatrical representation; resulting in the development of many new forms of theatre, including modernism, expressionism, impressionism, political theatre and other forms of Experimental theatre, as well as the continuing development of already established theatrical forms like naturalism and realism.
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dbo:abstract
Twentieth-century theatre describes a period of great change within the theatrical culture of the 20th century, mainly in Europe and North America. There was a widespread challenge to long-established rules surrounding theatrical representation; resulting in the development of many new forms of theatre, including modernism, expressionism, impressionism, political theatre and other forms of Experimental theatre, as well as the continuing development of already established theatrical forms like naturalism and realism. Throughout the century, the artistic reputation of theatre improved after being derided throughout the 19th century. However, the growth of other media, especially film, has resulted in a diminished role within the culture at large. In light of this change, theatrical artists have been forced to seek new ways to engage with society. The various answers offered in response to this have prompted the transformations that make up its modern history. Developments in areas like gender theory and postmodern philosophy identified and created subjects for the theatre to explore. These sometimes explicitly meta-theatrical performances were meant to confront the audience's perceptions and assumptions to raise questions about their society. These challenging and influential plays characterized much of the final two decades of the 20th century. Although largely developing in Europe and North America through the beginning of the century, the next 50 years saw an embrace of non-Western theatrical forms. Influenced by the dismantling of empires and the continuing development of post-colonial theory, many new artists used elements of their own cultures and societies to create a diversified theatre. Das Theater der Späten Neuzeit beschreibt die Entwicklung des Theaters nach der Romantik bis in die Gegenwart. Der Aufbau eines modernen Theaters weicht nur gering von antiken Vorbildern ab. Der Inhalt orientiert sich stark an den Strömungen des Naturalismus, Realismus, Dadaismus, Expressionismus, Surrealismus und des Postmodernismus. Einflussreiche Autoren dieser Zeit sind Bertolt Brecht, Antonin Artaud, , Harold Pinter, Steven Berkoff, Eugene O’Neill, Samuel Beckett, und Tony Kushner. Besondere Entwicklungen des Theaters sind: * Naturalistisches Theater * Symbolistisches Theater * * Absurdes Theater * Postdramatisches Theater
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