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Statements

Subject Item
dbr:Univers
rdf:type
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Univers Univers Univers Univers 유니버스 (글꼴) Ουνιβέρς Univers Univers Univers Univers (lletra tipogràfica) Univers (police d'écriture) Univers Univers
rdfs:comment
Univers, pronuncia /yniˈvɛr/, è un carattere senza grazie di tipo realist creato da Adrian Frutiger, i cui studi iniziarono nel 1954 e finirono nel 1957. Sia Univers che Helvetica, con cui a volte il primo viene confuso, prendono ispirazione dal carattere del 1896 Akzidenz Grotesk che ha avuto molta importanza nello stile svizzero del design grafico. La famiglia Univers comprende 14 larghezze più 14 corrispondenti pesi Oblique oltre a 16 varianti con il charset dell'Europa centrale e del cirillico. Univers est une police d'écriture dessinée par Adrian Frutiger chez Deberny & Peignot en 1957 pour les machines à écrire de marque IBM. Cette fonte sans-serif reste, près de cinquante ans après sa création, un classique de la typographie contemporaine[réf. nécessaire]. 유니버스(Univers)는 1954년 (Adrian Frutiger)가 디자인한 산세리프체의 이름이다. 원래 1957년 가 출시한 이 글꼴 라이브러리는 1972년 Haas에 인수되었다. 그 뒤 Haas'sche Schriftgiesserei의 인수에 따라 1985년에 D. Stempel AG에, 1989년에 Linotype collection에 전달되었다. Die Univers [ynivɛʁ] ist eine serifenlose Linear-Antiqua-Schrift, die in den Jahren 1950/1951 bis 1956 von Adrian Frutiger entworfen und 1957 von der Schriftgießerei Deberny & Peignot veröffentlicht wurde. Sie ist für ihre sachliche und kühle Eleganz sowie ihre gute Lesbarkeit auch aus größerer Entfernung bekannt. A Univers é uma família tipográfica sem-serifa bastante popular. Foi desenhada por Adrian Frutiger e publicada pela em 1957. A fonte é conhecida por sua limpeza e legibilidade a longas distâncias. A Univers foi uma das primeiras famílias a serem desenhadas pensando-se em todas as suas variações e tamanhos. Frutiger criou um sistema próprio para a categorização dos tipos, usando um código de números ao invés de nomes (são 21 variações ao todo, incluindo as itálicas, negritos, estendidas, etc). A versão regular é reconhecida pelo código 55, as itálicas possuem números pares e as demais, ímpares. Univers（宽式IPA：/ynivɛʀ/, 法语意思是通用"universe"）是1957年瑞士设计师阿德里安·弗鲁提格设计的一种西文无衬线字体。 它和Helvetica一起被称为“瑞士风格”字体，最初是作为法国的照相排版发表的。 该字体家族沿用设计师Frutiger使用的“号”（number）系统来区别不同的字重和变体，而不是分别起不同名字。尽管如此，现在Univers家族字体名字由号码和字母后缀两部分组成。Frutiger在保持统一风格的基础上制作了大量不同的宽度、不同字重的字体，使得该字体家族逐渐庞大。目前Univers字体家族有44种字体，其中16种按照字重、宽度、位置组合编号，20种斜体，8种字体支持中欧字符集，8种支持西里尔字母。 Univers is een schreefloos lettertype ontworpen door Adrian Frutiger in 1956. Zowel Univers als Helvetica, waar het soms mee wordt verward, zijn gebaseerd op de Akzidenz Grotesk uit 1896. Deze Zwitserse lettertypen spelen een belangrijke rol in het grafisch ontwerp. De verschillende dikten en de variaties binnen de lettertypefamilie Univers worden aangegeven met nummer in plaats van namen, een systeem dat Frutiger ook toepast in zijn andere ontwerpen. Frutiger voorzag de uitgebreide lettertypefamilie van veelvoudige breedten en dikten die toch een eenduidige uitdrukking kennen. Univers és un tipus de lletra, ideada pel tipògraf suís Adrian Frutiger en 1957. És un dels majors èxits tipogràfics de la segona meitat del segle XX. Univers (French pronunciation: ​[ynivɛʁ]) is a large sans-serif typeface family designed by Adrian Frutiger and released by his employer Deberny & Peignot in 1957. Classified as a neo-grotesque sans-serif, one based on the model of nineteenth-century German typefaces such as Akzidenz-Grotesk, it was notable for its availability from the moment of its launch in a comprehensive range of weights and widths. The original marketing for Univers deliberately referenced the periodic table to emphasise its scope. Η Ουνιβέρς (Univers) είναι μια οικογένεια γραμματοσειρών sans-serif που σχεδιάστηκε από τον Άντριαν Φρούτιγκερ το 1956. Η Ουνιβέρς και η προερχονται από τη γραμματοσειρά Akzidenz Grotesk του 1896. Αυτές οι γραμματοσειρές βρίσκονται κυρίως στο ελβετικό ύφος του γραφικού σχεδιασμού. Η οικογένεια Univers αποτελείται από 14 βάρη συν 14 αντίστοιχα πλάγια βάρη συν 16 παραλλαγές με χαρακτήρες της Κεντρικής Ευρώπης, στο κυριλλικό και το ελληνικό αλφάβητο. Univers är ett sans serif-typsnitt som skapades av Adrian Frutiger 1950-1956. Det släpptes på marknaden av 1957. Typsnittet ses som sakligt med en sval elegans och har fördelen att det även är lättläst på större avstånd. Univers är tillsammans med Helvetica antagligen det mest använda typsnittet från den schweiziska typografin. Det var mycket populärt under 1960- och 1970-talet och är även idag ett av de mest använda sans serif-typsnitten. Univers har bland annat används vid de olympiska spelen i München 1972 och inom företagsvärlden av Audi, Deutsche Bank och Apple. Univers（ユニバース）は、1957年にスイス人アドリアン・フルティガー（Adrian Frutiger）によってデザインされ、フランスの活字鋳造所ドベルニ・エ・ペイニョ（Deberny & Peignot）から写真植字向けに発表されたサンセリフの欧文書体。 Univers es un tipo de letra de palo seco ideada por el tipógrafo suizo Adrian Frutiger en 1957. Es uno de los mayores éxitos tipográficos de la segunda mitad del siglo XX. En 1954, la fundición tipográfica Deberny & Peignot quería agregar una sans serif antiqua lineal en varios pesos al rango de las fuentes Lumitype. Adrian Frutiger sugirió abstenerse de adaptar un alfabeto existente y en su lugar desarrollar una nueva fuente que, sobre todo, sea adecuada para la composición tipográfica de textos más largos. Usando sus viejos bocetos de la Escuela de Artes Aplicadas, crea la fuente Univers, que se publicó con Deberny & Peignot en 1957 y, posteriormente, fue producida por Linotype.
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2007-01-01
dbp:quote
Some of these old sans serifs have had a real renaissance within the last twenty years, once the reaction of the 'New Objectivity' had been overcome. A purely geometrical form of type is unsustainable.
dbp:source
1920.0
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n15:Univers
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dbr:Zurich_(typeface)
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30.0
dbo:abstract
Univers (French pronunciation: ​[ynivɛʁ]) is a large sans-serif typeface family designed by Adrian Frutiger and released by his employer Deberny & Peignot in 1957. Classified as a neo-grotesque sans-serif, one based on the model of nineteenth-century German typefaces such as Akzidenz-Grotesk, it was notable for its availability from the moment of its launch in a comprehensive range of weights and widths. The original marketing for Univers deliberately referenced the periodic table to emphasise its scope. Univers was one of the first typeface families to fulfil the idea that a typeface should form a family of consistent, related designs. Past sans-serif designs such as Gill Sans had much greater differences between weights, while loose families such as American Type Founders' Franklin Gothic family often were advertised under different names for each style, to emphasise that they were not completely matching. By creating a matched range of styles and weights, Univers allowed documents to be created in one consistent typeface for all text, making it easier to artistically set documents in sans-serif type. This matched the desire among practitioners of the "Swiss style" of typography for neutral sans-serif typefaces avoiding artistic excesses. The design concept of Univers was intended to take advantage of the new technology of phototypesetting, in which fonts were stored as glass discs rather than as solid metal type and matrices for every size to be used. Deberny & Peignot had established itself as a leader in this technology, although as by the time of its launch metal type was still very popular, the design was also released in this form. Univers was rapidly licensed and re-released by Monotype, Linotype, American Type Founders, IBM and others for phototypesetting, for metal type and reproduction by typewriter. Historian James Mosley has described it as "probably the last major" release of a large family as metal type. Univers es un tipo de letra de palo seco ideada por el tipógrafo suizo Adrian Frutiger en 1957. Es uno de los mayores éxitos tipográficos de la segunda mitad del siglo XX. En 1954, la fundición tipográfica Deberny & Peignot quería agregar una sans serif antiqua lineal en varios pesos al rango de las fuentes Lumitype. Adrian Frutiger sugirió abstenerse de adaptar un alfabeto existente y en su lugar desarrollar una nueva fuente que, sobre todo, sea adecuada para la composición tipográfica de textos más largos. Usando sus viejos bocetos de la Escuela de Artes Aplicadas, crea la fuente Univers, que se publicó con Deberny & Peignot en 1957 y, posteriormente, fue producida por Linotype. La fuente Univers fue creada casi simultáneamente con otros alfabetos exitosos: Helvetica (1957) y Optima (1958). La familia de fuentes Univers fue completamente rediseñada como un proyecto conjunto entre Adrian Frutiger y Linotype. El resultado: Linotype Univers.​ Univers is een schreefloos lettertype ontworpen door Adrian Frutiger in 1956. Zowel Univers als Helvetica, waar het soms mee wordt verward, zijn gebaseerd op de Akzidenz Grotesk uit 1896. Deze Zwitserse lettertypen spelen een belangrijke rol in het grafisch ontwerp. De verschillende dikten en de variaties binnen de lettertypefamilie Univers worden aangegeven met nummer in plaats van namen, een systeem dat Frutiger ook toepast in zijn andere ontwerpen. Frutiger voorzag de uitgebreide lettertypefamilie van veelvoudige breedten en dikten die toch een eenduidige uitdrukking kennen. De Univers lettertypefamilie bestaat uit 14 dikten en 14 corresponderende cursieve dikten, plus 16 varianten met Midden-Europese en cyrillische karaktersets. In 1997 bewerkte Frutiger in samenwerking met Linotype de gehele Univers familie: de Linotype Univers. Univers werd onder meer uitgebreid met meer extreme dikten zoals Ultra Light en Extended Heavy. Univers est une police d'écriture dessinée par Adrian Frutiger chez Deberny & Peignot en 1957 pour les machines à écrire de marque IBM. Cette fonte sans-serif reste, près de cinquante ans après sa création, un classique de la typographie contemporaine[réf. nécessaire]. Il a, par exemple, habillé la communication des Jeux olympiques d'été de 1972 à Munich. On retrouve également Univers sur les panneaux bleu marine de la SNCF (avant son remplacement par Achemine), sur les bandes noires des stations du Métro de Montréal (la police sera remplacée par la police Transit dans l'ensemble du réseau sauf sur celles-ci) et dans l'habillage de plusieurs chaînes de télévisions comme BFM TV (entre 2007 et 2019), CNN (entre 2011 et 2014) ou encore, entre 2010 et 2017, i-Télé. Univers, pronuncia /yniˈvɛr/, è un carattere senza grazie di tipo realist creato da Adrian Frutiger, i cui studi iniziarono nel 1954 e finirono nel 1957. Sia Univers che Helvetica, con cui a volte il primo viene confuso, prendono ispirazione dal carattere del 1896 Akzidenz Grotesk che ha avuto molta importanza nello stile svizzero del design grafico. I differenti pesi e variazioni tra i caratteri che compongono la famiglia sono distinti tramite numeri invece che tramite nomi, un sistema che è stato usato da Frutiger anche per altri caratteri.Infatti Frutiger ha immaginato una grande famiglia di caratteri con diverse larghezze e pesi che però mantiene un idioma di design unificato. La famiglia Univers comprende 14 larghezze più 14 corrispondenti pesi Oblique oltre a 16 varianti con il charset dell'Europa centrale e del cirillico. Nel 1997 Frutiger ha rielaborato l'Univers in collaborazione con , e ha creato il Linotype Univers, che comprende 63 pesi. Il nuovo Univers comprende molti pesi "estremi" come Ultra Light o Extended Heavy e sono stati aggiunti anche alcuni caratteri monospazio. Il sistema numerico di classificazione è stato portato a tre cifre per comprendere il grande numero di variazioni comprese nella famiglia. Univers és un tipus de lletra, ideada pel tipògraf suís Adrian Frutiger en 1957. És un dels majors èxits tipogràfics de la segona meitat del segle XX. Univers är ett sans serif-typsnitt som skapades av Adrian Frutiger 1950-1956. Det släpptes på marknaden av 1957. Typsnittet ses som sakligt med en sval elegans och har fördelen att det även är lättläst på större avstånd. Univers är tillsammans med Helvetica antagligen det mest använda typsnittet från den schweiziska typografin. Det var mycket populärt under 1960- och 1970-talet och är även idag ett av de mest använda sans serif-typsnitten. Univers har bland annat används vid de olympiska spelen i München 1972 och inom företagsvärlden av Audi, Deutsche Bank och Apple. Det är i sina olika versioner uppdelat genom olika siffror: den normala (regular) varianten heter till exempel Univers 55. 1997 släppte Adrian Frutiger tillsammans med Linotype GmbH en omarbetad version av Univers-familjen under namnet Linotype Univers. Η Ουνιβέρς (Univers) είναι μια οικογένεια γραμματοσειρών sans-serif που σχεδιάστηκε από τον Άντριαν Φρούτιγκερ το 1956. Η Ουνιβέρς και η προερχονται από τη γραμματοσειρά Akzidenz Grotesk του 1896. Αυτές οι γραμματοσειρές βρίσκονται κυρίως στο ελβετικό ύφος του γραφικού σχεδιασμού. Η οικογένεια Univers αποτελείται από 14 βάρη συν 14 αντίστοιχα πλάγια βάρη συν 16 παραλλαγές με χαρακτήρες της Κεντρικής Ευρώπης, στο κυριλλικό και το ελληνικό αλφάβητο. Univers（ユニバース）は、1957年にスイス人アドリアン・フルティガー（Adrian Frutiger）によってデザインされ、フランスの活字鋳造所ドベルニ・エ・ペイニョ（Deberny & Peignot）から写真植字向けに発表されたサンセリフの欧文書体。 유니버스(Univers)는 1954년 (Adrian Frutiger)가 디자인한 산세리프체의 이름이다. 원래 1957년 가 출시한 이 글꼴 라이브러리는 1972년 Haas에 인수되었다. 그 뒤 Haas'sche Schriftgiesserei의 인수에 따라 1985년에 D. Stempel AG에, 1989년에 Linotype collection에 전달되었다. Die Univers [ynivɛʁ] ist eine serifenlose Linear-Antiqua-Schrift, die in den Jahren 1950/1951 bis 1956 von Adrian Frutiger entworfen und 1957 von der Schriftgießerei Deberny & Peignot veröffentlicht wurde. Sie ist für ihre sachliche und kühle Eleganz sowie ihre gute Lesbarkeit auch aus größerer Entfernung bekannt. Univers（宽式IPA：/ynivɛʀ/, 法语意思是通用"universe"）是1957年瑞士设计师阿德里安·弗鲁提格设计的一种西文无衬线字体。 它和Helvetica一起被称为“瑞士风格”字体，最初是作为法国的照相排版发表的。 该字体家族沿用设计师Frutiger使用的“号”（number）系统来区别不同的字重和变体，而不是分别起不同名字。尽管如此，现在Univers家族字体名字由号码和字母后缀两部分组成。Frutiger在保持统一风格的基础上制作了大量不同的宽度、不同字重的字体，使得该字体家族逐渐庞大。目前Univers字体家族有44种字体，其中16种按照字重、宽度、位置组合编号，20种斜体，8种字体支持中欧字符集，8种支持西里尔字母。 A Univers é uma família tipográfica sem-serifa bastante popular. Foi desenhada por Adrian Frutiger e publicada pela em 1957. A fonte é conhecida por sua limpeza e legibilidade a longas distâncias. A Univers foi uma das primeiras famílias a serem desenhadas pensando-se em todas as suas variações e tamanhos. Frutiger criou um sistema próprio para a categorização dos tipos, usando um código de números ao invés de nomes (são 21 variações ao todo, incluindo as itálicas, negritos, estendidas, etc). A versão regular é reconhecida pelo código 55, as itálicas possuem números pares e as demais, ímpares.
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dbr:Grotesque_sans-serif
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dbr:Mergenthaler_Linotype_Company dbr:Deberny_&_Peignot
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