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Statements

Subject Item
dbr:Wachet_auf,_ruft_uns_die_Stimme,_BWV_140
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rdfs:label
Wachet auf, ruft uns die Stimme Wachet auf, ruft uns die Stimme, BWV 140 Wachet auf, ruft uns die Stimme (BWV 140) Wachet auf, ruft uns die Stimme, BWV 140 目覚めよと、われらに呼ばわる物見らの声 Wachet auf, ruft uns die Stimme, BWV 140 Wachet auf, ruft uns die Stimme (Bach) Wachet auf, ruft uns die Stimme, BWV 140 Wachet auf, ruft uns die Stimme, BWV 140 Wachet auf, ruft uns die Stimme
rdfs:comment
Wachet auf, ruft uns die Stimme ('Awake, calls the voice to us'), BWV 140, also known as Sleepers Wake, is a church cantata by Johann Sebastian Bach, regarded as one of his most mature and popular sacred cantatas. He composed the chorale cantata in Leipzig for the 27th Sunday after Trinity and first performed it on 25 November 1731. Wachet auf, ruft uns die Stimme (BWV 140) is een religieuze cantate geschreven door Johann Sebastian Bach. カンタータ第140番『目覚めよと、われらに呼ばわる物見らの声』(Wachet auf, ruft uns die Stimme)BWV140は、ヨハン・ゼバスティアン・バッハが作曲したカンタータ。題名は『目覚めよと呼ぶ声が聞こえ』『目覚めよと呼ぶ声あり』などとされることもある。 Wachet auf, ruft uns die Stimme ("Destatevi, ci chiama la voce") BWV 140 è una cantata sacra di Johann Sebastian Bach. Wachet auf, ruft uns die Stimme, BWV 140 (Acordai, chama-nos a voz, em alemão) é uma cantata de Johann Sebastian Bach que estreou em 25 de novembro de 1731 na Thomaskirche em Leipzig. Escrita para trompa, 2 oboés, taille (um instrumento semelhante ao oboé da caccia, hoje muitas vezes substituído por um corne inglês), violino piccolo, violino, viola, baixo contínuo, e coro com soprano, tenor e baixo solistas. Wachet auf, ruft uns die Stimme (BWV 140) ist eine der bekanntesten Kantaten Johann Sebastian Bachs. Das Werk basiert auf dem bekannten gleichnamigen Choral von Philipp Nicolai aus dem Jahre 1599. Wachet auf, ruft uns Stimme, BWV 140 (Desperteu-vos, ens crida la veu), és una cantata religiosa de Johann Sebastian Bach per al vint-i-setè diumenge després de la Trinitat, estrenada a Leipzig, el 25 de novembre de 1731. Wachet auf, ruft uns die Stimme (BWV 140) – kantata religijna Johanna Sebastiana Bacha napisana w Lipsku na 27. Niedzielę po Trójcy Świętej (25 listopada 1731 r., liturgia luterańska). Oparta jest na chorale Philippa Nicolai z 1599 r. o tym samym tytule. Tekst kantaty wiąże się z biblijną przypowieścią o pannach mądrych i głupich (Mt 25, 1-13). Wachet auf, ruft uns die Stimme, BWV 140 (Despertad, nos llama la voz) es una cantata de iglesia escrita por Johann Sebastian Bach en Leipzig para el vigésimo séptimo domingo después de la Trinidad y estrenada el 25 de noviembre de 1731. Está basada en el himno homónimo escrito por Philipp Nicolai en 1599. El cuarto movimiento de la cantata es la base para la primera de Corales Schübler, BWV 645 de Bach. La cantata es una adición tardía al ciclo de cantatas corales de Bach, con la poesía adicional para dos dúos de Jesús y el alma que amplían el tema del himno.​​​​ Wachet auf, ruft uns die Stimme (Réveillez-vous, nous crie - ou bien : « nous appelle » - la voix), (BWV 140, connue aussi sous le nom de Cantate du Veilleur), est une cantate religieuse de Jean-Sébastien Bach, composée à Leipzig en 1731. Elle jouit d'une notoriété exceptionnelle, notamment grâce à son choral central, Zion hört die Wächter singen (« Sion entend les veilleurs chanter »), qui a fait l'objet de nombreuses transcriptions : pour orgue (Bach lui-même (BWV 645)), pour piano (Ferruccio Busoni) ou pour orchestre (Leopold Stokowski, Eugene Ormandy).
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dbr:Anthony_Rolfe_Johnson Arleen Augér Markus Schäfer Ingeborg Reichelt Theo Altmeyer Hana Blažíková Ursula Buckel Peter Kooy Klaus Mertens Elisabeth Grümmer Peter Frank Marietta Zumbült Edith Mathis Gerd Türk Bas Ramselaar Jakob Stämpfli Thomas Hampson Kurt Equiluz Markus Volpert Sandrine Piau Franz Kelch Nuria Rial Elly Ameling Hedy Graf Theo Adam Sibylla Rubens Nico van der Meel Hans-Joachim Rotzsch Ruth Holton James Gilchrist Jan Kobow Bernhard Berchthold Julianne Baird Dietrich Fischer-Dieskau boy soprano Alan Bergius Jeffrey Thomas Drew Minter Philippe Huttenlocher Stephen Varcoe Aldo Baldin Kurt Huber Hans Sotin Jan Opalach Peter Schreier Helmut Krebs
dbp:textSource
anon. anon Nicolai
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1
dbp:vocal
S B soprano, tenor and bass solo SATB T choir B
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dbp:occasion
27
dbp:book
Matthew 1
dbp:caption
Autograph manuscript of the obbligato piccolo violino part of the first soprano-bass aria, one of the few surviving instrumental parts written by Bach, from the archives of the Thomaskirche
dbp:chapter
5 25
dbp:cname
Wachet auf, ruft uns die Stimme, BWV 140
dbp:composer
dbr:Johann_Sebastian_Bach
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dbr:Karl-Friedrich_Beringer
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Leusink Thomas Gardiner m4 m2 Beringer Gönnenwein Rifkin m6 m1 Hennig m5 Richter m3 Harnoncourt Lutz m7 Koopman Rilling Werner Ristenpart Suzuki
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1.3
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2 Winds Ob Vp 2Vl Va Strings Co 2Ob Ot Vp
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B-flat major E-flat major dbr:E-flat_major dbr:C_minor C minor
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J.S. Bach-Stiftung St. Gallen Eterna dbr:Archiv_Produktion dbr:Sony_Music dbr:BIS_Records dbr:Teldec dbr:Éditions_de_l'Oiseau-Lyre dbr:Erato_Records dbr:EMI dbr:Hänssler_Classic dbr:Deutsche_Grammophon dbr:Antoine_Marchand dbr:Brilliant_Classics Thorofon Accord
dbp:movements
7
dbp:number
[[#6 [[#2 [[#5 [[#4 [[#1 [[#7 [[#3
dbp:otherName
Sleepers Wake
dbp:range
–11 –13
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Bible
dbp:time
3 6
dbp:title
Bach Made in Germany Vol. 2 – Cantatas IV J. S. Bach: Complete Cantatas Vol. 21 J. S. Bach: Das Kantatenwerk • Complete Cantatas • Les Cantates, Folge / Vol. 35 – BWV 140, 143–146 J. S. Bach: Cantata No. 140, Cantata No. 57 J. S. Bach: Cantatas J. S. Bach: Cantatas BWV 140 & BWV 51 J. S. Bach: Cantatas BWV 140 & BWV 148 Bach: Wie schön leuchtet der Morgenstern – Cantata BWV 1, 48, 78 & 140 J. Ch. F. Bach / J. S. Bach: Wachet auf, ruft uns die Stimme J.S. Bach: Kantate BWV 140 "Wachet auf, ruft uns die Stimme" J. S. Bach: Cantatas Vol. 52 – Wachet auf, ruft uns die Stimme, Cantatas · 29 · 112 · 140 Bach Edition Vol. 15 – Cantatas Vol. 8
dbp:type
Chorale fantasia dbr:Chorale_cantata_(Bach) Recitative Duet Chorale
dbp:version
King James
dbp:work
Wachet auf, ruft uns die Stimme Wachet auf, ruft uns die Stimme, BWV 140
dbo:abstract
Wachet auf, ruft uns die Stimme (BWV 140) is een religieuze cantate geschreven door Johann Sebastian Bach. Wachet auf, ruft uns die Stimme (BWV 140) ist eine der bekanntesten Kantaten Johann Sebastian Bachs. Das Werk basiert auf dem bekannten gleichnamigen Choral von Philipp Nicolai aus dem Jahre 1599. カンタータ第140番『目覚めよと、われらに呼ばわる物見らの声』(Wachet auf, ruft uns die Stimme)BWV140は、ヨハン・ゼバスティアン・バッハが作曲したカンタータ。題名は『目覚めよと呼ぶ声が聞こえ』『目覚めよと呼ぶ声あり』などとされることもある。 Wachet auf, ruft uns die Stimme ("Destatevi, ci chiama la voce") BWV 140 è una cantata sacra di Johann Sebastian Bach. Wachet auf, ruft uns die Stimme (Réveillez-vous, nous crie - ou bien : « nous appelle » - la voix), (BWV 140, connue aussi sous le nom de Cantate du Veilleur), est une cantate religieuse de Jean-Sébastien Bach, composée à Leipzig en 1731. Elle jouit d'une notoriété exceptionnelle, notamment grâce à son choral central, Zion hört die Wächter singen (« Sion entend les veilleurs chanter »), qui a fait l'objet de nombreuses transcriptions : pour orgue (Bach lui-même (BWV 645)), pour piano (Ferruccio Busoni) ou pour orchestre (Leopold Stokowski, Eugene Ormandy). Wachet auf, ruft uns die Stimme (BWV 140) – kantata religijna Johanna Sebastiana Bacha napisana w Lipsku na 27. Niedzielę po Trójcy Świętej (25 listopada 1731 r., liturgia luterańska). Oparta jest na chorale Philippa Nicolai z 1599 r. o tym samym tytule. Tekst kantaty wiąże się z biblijną przypowieścią o pannach mądrych i głupich (Mt 25, 1-13). Wachet auf, ruft uns die Stimme, BWV 140 (Despertad, nos llama la voz) es una cantata de iglesia escrita por Johann Sebastian Bach en Leipzig para el vigésimo séptimo domingo después de la Trinidad y estrenada el 25 de noviembre de 1731. Está basada en el himno homónimo escrito por Philipp Nicolai en 1599. El cuarto movimiento de la cantata es la base para la primera de Corales Schübler, BWV 645 de Bach. La cantata es una adición tardía al ciclo de cantatas corales de Bach, con la poesía adicional para dos dúos de Jesús y el alma que amplían el tema del himno.​​​​ Wachet auf, ruft uns die Stimme, BWV 140 (Acordai, chama-nos a voz, em alemão) é uma cantata de Johann Sebastian Bach que estreou em 25 de novembro de 1731 na Thomaskirche em Leipzig. Escrita para trompa, 2 oboés, taille (um instrumento semelhante ao oboé da caccia, hoje muitas vezes substituído por um corne inglês), violino piccolo, violino, viola, baixo contínuo, e coro com soprano, tenor e baixo solistas. Esta cantata é baseada no coral do mesmo nome de Philipp Nicolai. Este hino luterano continua popular hoje, tanto em seu original alemão como em uma variedade de traduções. O texto se baseia na parábola das dez virgens (Mateus 25:1-13), é uma leitura programada no hinário luterano para o 27º domingo após a Trindade, como este domingo ocorre somente no ano da igreja, quando a Páscoa é muito cedo, a cantata é executada raramente. A raridade da ocasião para a qual foi composta faz dela uma das poucas cantatas cuja data de composição é definitivamente conhecida. No moderno Lecionário Comum Revisado, porém, a leitura está marcada para o domingo apropriado, ou o 32º domingo do Tempo Comum, no primeiro ano do ciclo de três anos. Assim, o hino ou a cantata são comumente realizadas nas igrejas. O texto e seus temas escatológicos também são comumente associados a domingos do início do Advento. Wachet auf, ruft uns die Stimme ('Awake, calls the voice to us'), BWV 140, also known as Sleepers Wake, is a church cantata by Johann Sebastian Bach, regarded as one of his most mature and popular sacred cantatas. He composed the chorale cantata in Leipzig for the 27th Sunday after Trinity and first performed it on 25 November 1731. Bach composed this cantata to complete his second annual cycle of chorale cantatas, begun in 1724. The cantata is based on the hymn in three stanzas "Wachet auf, ruft uns die Stimme" (1599) by Philipp Nicolai, which covers the prescribed reading for the Sunday, the parable of the Ten Virgins. The text and tune of the three stanzas of the hymn appears unchanged in three of seven movements (1, 4 and 7). An unknown author supplied additional poetry for the inner movements as sequences of recitative and duet, based on the love poetry of the Song of Songs. Bach structured the cantata in seven movements, setting the first stanza as a chorale fantasia, the second stanza in the central movement in the style of a chorale prelude, and the third stanza as a four-part chorale. He set the new texts as dramatic recitatives and love-duets, similar to contemporary opera. Bach scored the work for three vocal soloists (soprano, tenor and bass), a four-part choir and a Baroque instrumental ensemble consisting of a horn (to reinforce the soprano), two oboes, taille, violino piccolo, strings and basso continuo including bassoon. Bach used the central movement of the cantata as the basis for the first of his Schübler Chorales, BWV 645. Bach scholar Alfred Dürr notes that the cantata is an expression of Christian mysticism in art, while William G. Whittaker calls it "a cantata without weaknesses, without a dull bar, technically, emotionally and spiritually of the highest order, its sheer perfection and its boundless imagination rouse one's wonder time and time again". Wachet auf, ruft uns Stimme, BWV 140 (Desperteu-vos, ens crida la veu), és una cantata religiosa de Johann Sebastian Bach per al vint-i-setè diumenge després de la Trinitat, estrenada a Leipzig, el 25 de novembre de 1731.
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140
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dbp:orchestra
dbr:Consortium_Musicum dbr:Münchener_Bach-Orchester dbr:The_Bach_Ensemble dbr:Pforzheim_Chamber_Orchestra dbr:Netherlands_Bach_Collegium Orchestra of the J.S. Bach Foundation dbr:Württembergisches_Kammerorchester_Heilbronn dbr:Gewandhausorchester dbr:Bach_Collegium_Japan dbr:Deutsche_Kammer-Virtuosen_Berlin dbr:Amsterdam_Baroque_Orchestra_&_Choir dbr:Barockorchester_L'Arco dbr:English_Baroque_Soloists Chamber Orchestra of the Saar dbr:Concentus_Musicus_Wien
dbp:orchestraType
Period
gold:hypernym
dbr:Cantata
prov:wasDerivedFrom
wikipedia-en:Wachet_auf,_ruft_uns_die_Stimme,_BWV_140?oldid=1111445118&ns=0
dbo:wikiPageLength
30059
foaf:isPrimaryTopicOf
wikipedia-en:Wachet_auf,_ruft_uns_die_Stimme,_BWV_140