. . "8372"^^ . . . . . "10.2\uB294 TMH \uB7A9\uC2A4\uC758 THX \uC81C\uC791\uC790 \uACFC \uC11C\uB358\uCE98\uB9AC\uD3EC\uB2C8\uC544 \uB300\uD559\uAD50(\uC601\uD654\uC608\uC220\uACF5\uD559\uBD80)\uAC00 \uAC1C\uBC1C\uD55C \uC11C\uB77C\uC6B4\uB4DC \uC0AC\uC6B4\uB4DC \uD3EC\uB9F7\uC774\uB2E4. USC Viterbi School of Engineering\uC758 \uD06C\uB9AC\uC2A4(Chris Kyriakakis)\uC640 \uB354\uBD88\uC5B4 \uAC1C\uBC1C\uB41C 10.2\uB294 \uB2E4\uC74C\uACFC \uAC19\uC740 \uD3EC\uB9F7\uC758 \uC2AC\uB85C\uAC74\uC744 \uAC00\uB9AC\uD0A8\uB2E4: \"5.1\uC758 2\uBC30\uB9CC\uD07C \uC88B\uC740\". \uADF8\uB7EC\uB098 \uC88C\uC6B0 \uD3EC\uC778\uD2B8 \uC11C\uB77C\uC6B4\uB4DC \uCC44\uB110\uC774 \uD3EC\uD568\uB418\uB294 \uACBD\uC6B0 \uC2E4\uC81C\uB85C\uB294 14\uAC1C\uC758 \uAD6C\uBCC4\uB41C \uCC44\uB110\uC774 \uC874\uC7AC\uD560 \uC218 \uC788\uB2E4. \uADF8\uB294 1987\uB144\uC5D0 5.1\uC5D0 \uB300\uD55C \uC774\uB984\uC5D0 \uB300\uD574 \"\uACF5\uAC04\uAC10\uC744 \uC8FC\uAE30 \uC704\uD574 \uD544\uC694\uD55C \uCD5C\uC18C\uD55C\uC758 \uCC44\uB110 \uC218\"\uB85C \uC120\uC815\uD55C \uAC83\uC5D0 \uCC29\uC548\uD55C \uAC83\uC774\uB2E4. \uD640\uBA3C\uACFC \uB2E4\uB978 \uC0AC\uB78C\uB4E4\uC740 \uB514\uC9C0\uD138 \uB808\uCF54\uB529\uC758 \uCD5C\uADFC \uCD94\uC138\uC778 \uB354 \uB192\uC740 \uC0D8\uD50C\uB9C1 \uC18D\uB3C4\uAC00 \uB290\uB08C\uC744 \uC904\uB9CC\uD55C \uC0C1\uB2F9\uD55C \uD6A8\uACFC\uAC00 \uC5C6\uC73C\uBA70 \uC18C\uB9AC \uACF5\uD559\uC758 \uB2E4\uC74C \uAC1C\uCC99\uC0AC\uD56D\uC740 \uAD6C\uBCC4\uB41C \uCC44\uB110\uC758 \uC218\uB97C \uB298\uB824\uC11C \uC778\uAC04\uC758 \uACF5\uAC10\uAC01\uC744 \uCDA9\uC871\uC2DC\uD0A4\uB294 \uAC83\uC774\uB77C\uACE0 \uC774\uC57C\uAE30\uD55C\uB2E4. 2015\uB144 \uAE30\uC900\uC73C\uB85C, \uC5EC\uB7EC \uB514\uCF54\uB529, UHD \uB610\uB294 \uAC00\uC0C1 \uD655\uC7A5 \uD504\uB85C\uC138\uC11C\uB4E4\uC740 10.2\uB9CC\uD07C, \uB610\uB294 \uADF8 \uC774\uC0C1\uC758 \uC218\uC5D0 \uB3C4\uB2EC\uD558\uC600\uB2E4."@ko . . "1099941453"^^ . . "10.2 surround sound"@pt . "10.2 surround sound"@en . . . . . . "10.2 \u00E9 o formato de surround sound desenvolvido pelo criador THX Tomlinson Holman da TMH Labs e University of Southern California (escolas de Artes Cinematogr\u00E1ficas e Engenharia). Desenvolvido junto com Chris Kyriakakis do Viterbi Escola de Engenharia USC, 10.2 refere-se ao slogan do formato: \"Duas vezes t\u00E3o bom quanto o 5.1\". No entanto, h\u00E1, na verdade, pode ser 14 canais discretos se os canais surround ponto esquerdo e direito est\u00E3o inclu\u00EDdos. Ele afirma que 5,1, um nome que ele mesmo veio com em 1987, foi escolhido como foi \"o n\u00FAmero m\u00EDnimo de canais necess\u00E1rios para dar uma sensa\u00E7\u00E3o de espa\u00E7o\". Holman e outros afirmam que as taxas de amostragem mais elevadas, o que \u00E9 uma tend\u00EAncia recente em grava\u00E7\u00E3o digital, n\u00E3o tem um efeito percept\u00EDvel significativa e que a pr\u00F3xima fronteira em engenharia de som \u00E9 aumentar o n\u00FAmero de canais discretos de conhecer a percep\u00E7\u00E3o do som espacial humano."@pt . . . "10.2 \uC11C\uB77C\uC6B4\uB4DC \uC0AC\uC6B4\uB4DC"@ko . . . . . . . "10.2\uB294 TMH \uB7A9\uC2A4\uC758 THX \uC81C\uC791\uC790 \uACFC \uC11C\uB358\uCE98\uB9AC\uD3EC\uB2C8\uC544 \uB300\uD559\uAD50(\uC601\uD654\uC608\uC220\uACF5\uD559\uBD80)\uAC00 \uAC1C\uBC1C\uD55C \uC11C\uB77C\uC6B4\uB4DC \uC0AC\uC6B4\uB4DC \uD3EC\uB9F7\uC774\uB2E4. USC Viterbi School of Engineering\uC758 \uD06C\uB9AC\uC2A4(Chris Kyriakakis)\uC640 \uB354\uBD88\uC5B4 \uAC1C\uBC1C\uB41C 10.2\uB294 \uB2E4\uC74C\uACFC \uAC19\uC740 \uD3EC\uB9F7\uC758 \uC2AC\uB85C\uAC74\uC744 \uAC00\uB9AC\uD0A8\uB2E4: \"5.1\uC758 2\uBC30\uB9CC\uD07C \uC88B\uC740\". \uADF8\uB7EC\uB098 \uC88C\uC6B0 \uD3EC\uC778\uD2B8 \uC11C\uB77C\uC6B4\uB4DC \uCC44\uB110\uC774 \uD3EC\uD568\uB418\uB294 \uACBD\uC6B0 \uC2E4\uC81C\uB85C\uB294 14\uAC1C\uC758 \uAD6C\uBCC4\uB41C \uCC44\uB110\uC774 \uC874\uC7AC\uD560 \uC218 \uC788\uB2E4. \uADF8\uB294 1987\uB144\uC5D0 5.1\uC5D0 \uB300\uD55C \uC774\uB984\uC5D0 \uB300\uD574 \"\uACF5\uAC04\uAC10\uC744 \uC8FC\uAE30 \uC704\uD574 \uD544\uC694\uD55C \uCD5C\uC18C\uD55C\uC758 \uCC44\uB110 \uC218\"\uB85C \uC120\uC815\uD55C \uAC83\uC5D0 \uCC29\uC548\uD55C \uAC83\uC774\uB2E4. \uD640\uBA3C\uACFC \uB2E4\uB978 \uC0AC\uB78C\uB4E4\uC740 \uB514\uC9C0\uD138 \uB808\uCF54\uB529\uC758 \uCD5C\uADFC \uCD94\uC138\uC778 \uB354 \uB192\uC740 \uC0D8\uD50C\uB9C1 \uC18D\uB3C4\uAC00 \uB290\uB08C\uC744 \uC904\uB9CC\uD55C \uC0C1\uB2F9\uD55C \uD6A8\uACFC\uAC00 \uC5C6\uC73C\uBA70 \uC18C\uB9AC \uACF5\uD559\uC758 \uB2E4\uC74C \uAC1C\uCC99\uC0AC\uD56D\uC740 \uAD6C\uBCC4\uB41C \uCC44\uB110\uC758 \uC218\uB97C \uB298\uB824\uC11C \uC778\uAC04\uC758 \uACF5\uAC10\uAC01\uC744 \uCDA9\uC871\uC2DC\uD0A4\uB294 \uAC83\uC774\uB77C\uACE0 \uC774\uC57C\uAE30\uD55C\uB2E4. 2015\uB144 \uAE30\uC900\uC73C\uB85C, \uC5EC\uB7EC \uB514\uCF54\uB529, UHD \uB610\uB294 \uAC00\uC0C1 \uD655\uC7A5 \uD504\uB85C\uC138\uC11C\uB4E4\uC740 10.2\uB9CC\uD07C, \uB610\uB294 \uADF8 \uC774\uC0C1\uC758 \uC218\uC5D0 \uB3C4\uB2EC\uD558\uC600\uB2E4."@ko . . "10.2 \u00E9 o formato de surround sound desenvolvido pelo criador THX Tomlinson Holman da TMH Labs e University of Southern California (escolas de Artes Cinematogr\u00E1ficas e Engenharia). Desenvolvido junto com Chris Kyriakakis do Viterbi Escola de Engenharia USC, 10.2 refere-se ao slogan do formato: \"Duas vezes t\u00E3o bom quanto o 5.1\". No entanto, h\u00E1, na verdade, pode ser 14 canais discretos se os canais surround ponto esquerdo e direito est\u00E3o inclu\u00EDdos. Ele afirma que 5,1, um nome que ele mesmo veio com em 1987, foi escolhido como foi \"o n\u00FAmero m\u00EDnimo de canais necess\u00E1rios para dar uma sensa\u00E7\u00E3o de espa\u00E7o\". Holman e outros afirmam que as taxas de amostragem mais elevadas, o que \u00E9 uma tend\u00EAncia recente em grava\u00E7\u00E3o digital, n\u00E3o tem um efeito percept\u00EDvel significativa e que a pr\u00F3xima fronteira em enge"@pt . . . . . . . . . . "10.2 is the surround sound format developed by THX creator Tomlinson Holman of TMH Labs and the University of Southern California (schools of Cinematic Arts and Engineering). Developed along with Chris Kyriakakis of the USC Viterbi School of Engineering, 10.2 refers to the format's slogan: \"Twice as good as 5.1\". However, there actually may be 14 discrete channels if the left and right point surround channels are included. He states that 5.1, a name which he himself came up with in 1987 was chosen as it was \"the minimum number of channels necessary to give a sense of spaciousness\". Holman and others state that higher sampling rates, which is a recent trend in digital recording, does not have a significant perceivable effect and that the next frontier in sound engineering is to increase the number of discrete channels to meet human spatial sound perception. As of 2015, several decoding, UHD, or virtual expansion processors have approached numbers as great or greater than 10.2."@en . . . . . . . "10.2 is the surround sound format developed by THX creator Tomlinson Holman of TMH Labs and the University of Southern California (schools of Cinematic Arts and Engineering). Developed along with Chris Kyriakakis of the USC Viterbi School of Engineering, 10.2 refers to the format's slogan: \"Twice as good as 5.1\". However, there actually may be 14 discrete channels if the left and right point surround channels are included. He states that 5.1, a name which he himself came up with in 1987 was chosen as it was \"the minimum number of channels necessary to give a sense of spaciousness\". Holman and others state that higher sampling rates, which is a recent trend in digital recording, does not have a significant perceivable effect and that the next frontier in sound engineering is to increase the"@en . . . . "1229520"^^ . .