"In a decade that broke many traditions, adopted new cultures, and launched a new age of social movements, 1960s fashion had a nonconformist but stylish, trendy touch. Around the middle of the decade, new styles started to emerge from small villages and cities into urban centers, receiving media publicity, influencing haute couture creations of elite designers and the mass-market clothing manufacturers. Examples include the mini skirt, culottes, go-go boots, and more experimental fashions, less often seen on the street, such as curved PVC dresses and other PVC clothes. Mary Quant popularized the not mini skirt, and Jackie Kennedy introduced the pillbox hat; both became extremely popular. False eyelashes were worn by women throughout the 1960s. Hairstyles were a variety of lengths and styles. Psychedelic prints, neon colors, and mismatched patterns were in style. In the early-to-mid 1960s, London \"Modernists\" known as Mods influenced male fashion in Britain. Designers were producing clothing more suitable for young adults, leading to an increase in interest and sales. In the late 1960s, the hippie movement also exerted a strong influence on women's clothing styles, including bell-bottom jeans, tie-dye and batik fabrics, as well as paisley prints."@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Mode under 1960-talet"@sv . . . . . . . . . . "In a decade that broke many traditions, adopted new cultures, and launched a new age of social movements, 1960s fashion had a nonconformist but stylish, trendy touch. Around the middle of the decade, new styles started to emerge from small villages and cities into urban centers, receiving media publicity, influencing haute couture creations of elite designers and the mass-market clothing manufacturers. Examples include the mini skirt, culottes, go-go boots, and more experimental fashions, less often seen on the street, such as curved PVC dresses and other PVC clothes."@en . . . . "1960s in fashion"@en . . . . . . . . . . . "M\u00F3da 60. let 20. stolet\u00ED"@cs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "5175362"^^ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Mode p\u00E5 1960-talet blev pr\u00E4glat av att ungdomar tog plats som en stor m\u00E5lgrupp p\u00E5 ett s\u00E4tt de inte varit tidigare. Utvecklingen h\u00E4ngde ihop med den som skedde inom musik och kultur. Ungdomarna ville inte kl\u00E4 sig efter strikta regler, klassiska ideal och traditioner. De ville leva sitt liv med sina idoler, sin musik och sitt mode. Tjejerna, som tidigare varit lite damiga och s\u00F6ta, kl\u00E4dde sig nu i minikjolar som var ett m\u00E5ste i garderoben under 1960-talet. Aldrig tidigare hade kjolen varit s\u00E5 kort att den slutade ovanf\u00F6r kn\u00E4na. Under detta \u00E5rtionde var modet v\u00E4ldigt v\u00E5gat och m\u00E5nga av kvinnornas kl\u00E4der var i miniformat. Minikjolen, de kvinnliga dr\u00E4kterna och mods-stilen dominerade under 1960-talet. Modet under st\u00F6rre delen av 1960-talet var att ha s\u00E5 raka kl\u00E4der som m\u00F6jligt, men det skulle \u00E4nd\u00E5 vara enkelt. Att b\u00E4ra mycket accessoarer var inte n\u00E5got som var popul\u00E4rt under 1960-talet, utan det skulle vara s\u00E5 enkelt som m\u00F6jligt. Hattar var dock n\u00E5got som var v\u00E4ldigt vanligt. Hattar i olika stilar anv\u00E4ndes mycket f\u00F6r att f\u00E5 fram den speciella looken man letade efter. Det fanns sm\u00E5 s\u00F6ta hattar, sofistikerade hattar eller f\u00F6r de som ville; lite fr\u00E4ckare hattar."@sv . . . "Mode p\u00E5 1960-talet blev pr\u00E4glat av att ungdomar tog plats som en stor m\u00E5lgrupp p\u00E5 ett s\u00E4tt de inte varit tidigare. Utvecklingen h\u00E4ngde ihop med den som skedde inom musik och kultur. Ungdomarna ville inte kl\u00E4 sig efter strikta regler, klassiska ideal och traditioner. De ville leva sitt liv med sina idoler, sin musik och sitt mode."@sv . . . "60914"^^ . . . . . "A moda na d\u00E9cada de 1960 \u00E9 marcada pela minissaia, o monequini, o uso de cortes sim\u00E9tricos e geom\u00E9tricos, o vesti\u00E1rio unissex tem for\u00E7a com o jeans e as blusas sem gola, al\u00E9m das roupas com um estilo espacial, fluorescente e met\u00E1lica. Al\u00E9m disso, as mulheres v\u00E3o come\u00E7ar a aderir pe\u00E7as \u00EDntimas como a calcinha e a meia-cal\u00E7a o que trazia uma seguran\u00E7a para usar a minissaia e curtir um rock\u2019n roll. Diante disso, vemos claramente que houve uma modifica\u00E7\u00E3o na indument\u00E1ria dos anos 50, saindo do engessamento da moda e entrando em um campo onde o valor se encontra mais no comportamento. Dessas caracter\u00EDsticas indument\u00E1rias, a minissaia e a cal\u00E7a comprida foram dois itens que trouxeram um choque para a sociedade da \u00E9poca, com a diferen\u00E7a que as cal\u00E7as \u201Cevidenciavam uma simetria de g\u00EAneros; para as gera\u00E7\u00F5es mais velhas, representavam mesmo a masculiniza\u00E7\u00E3o da mulher\u201D. Enquanto que as minissaias remetiam ao sexo e a associa\u00E7\u00E3o com a p\u00EDlula anticoncepcional uma vez que ambos correspondem ao um controle do corpo. Nesse mesmo per\u00EDodo, a moda unissex e andr\u00F3gena se faz cada vez mais presente. O unissex se mostra evidente nessa d\u00E9cada quando agrega \u201Co uso de cal\u00E7as compridas iguais por homens e mulheres\u201D e a moda andr\u00F3gena por n\u00E3o ter um enquadramento de g\u00EAnero definido. \u00C9 poss\u00EDvel fazer uma r\u00E1pida cronologia do vestu\u00E1rio partindo dos anos 1950 \u2013 \u00E9poca que as roupas eram feitas para um p\u00FAblico classe m\u00E9dia, adulto, ref\u00E9m da alta costura que vem de Paris \u2013, passa pela primeira fase dos anos 1960 \u2013 possui uma fotografia de moda em que a mulher se torna ornamento, expans\u00E3o das maisons, luta para que os padr\u00F5es continuem, falta de aten\u00E7\u00E3o para o p\u00FAblico adolescente, aus\u00EAncia de homens mas fotografias \u2013, chega em meados de 1965 quando se h\u00E1 um estouro revolucion\u00E1rio na vestimenta advindo principalmente pelo p\u00FAblico jovem. Da\u00ED at\u00E9 a d\u00E9cada de 1970, abandona-se em partes a alta costura e abre-se espa\u00E7o para estilos e pe\u00E7as de roupas que antes eram consideradas inimagin\u00E1veis."@pt . . . . . . . . . . . . . . . . . . . . . . . . . . "A moda na d\u00E9cada de 1960 \u00E9 marcada pela minissaia, o monequini, o uso de cortes sim\u00E9tricos e geom\u00E9tricos, o vesti\u00E1rio unissex tem for\u00E7a com o jeans e as blusas sem gola, al\u00E9m das roupas com um estilo espacial, fluorescente e met\u00E1lica. Al\u00E9m disso, as mulheres v\u00E3o come\u00E7ar a aderir pe\u00E7as \u00EDntimas como a calcinha e a meia-cal\u00E7a o que trazia uma seguran\u00E7a para usar a minissaia e curtir um rock\u2019n roll. Diante disso, vemos claramente que houve uma modifica\u00E7\u00E3o na indument\u00E1ria dos anos 50, saindo do engessamento da moda e entrando em um campo onde o valor se encontra mais no comportamento. Dessas caracter\u00EDsticas indument\u00E1rias, a minissaia e a cal\u00E7a comprida foram dois itens que trouxeram um choque para a sociedade da \u00E9poca, com a diferen\u00E7a que as cal\u00E7as \u201Cevidenciavam uma simetria de g\u00EAneros; para as"@pt . . . "Ann\u00E9es 1960 en mode"@fr . . . . . . . . . . . . . . . . . . . . . . "Moda na d\u00E9cada de 1960"@pt . . . . . . . . . . . . . . . . . . . . . . . . "La mode des ann\u00E9es 1960 est marqu\u00E9e par un renversement complet des pr\u00E9ceptes \u00E9tablis lors de la pr\u00E9c\u00E9dente d\u00E9cennie. L'incontournable haute couture voit sa supr\u00E9matie supplant\u00E9e par le pr\u00EAt-\u00E0-porter, promue en cela par les mouvements de la jeunesse. Cette m\u00EAme jeunesse devient \u00E0 la fois la source d\u2019inspiration et le client final du v\u00EAtement. Paris capitale de la mode c\u00E8de sa place au Swinging London anglais : Londres devient le centre de la plupart des tendances. La musique pop \u00E9manant de ce pays va aussi influencer les comportements vestimentaires au m\u00EAme titre que les y\u00E9y\u00E9s en France. Le collant, le pantalon, le bikini vont r\u00E9volutionner les tenues f\u00E9minines. Le \u00AB Space age \u00BB repr\u00E9sent\u00E9 par Courr\u00E8ges ainsi que la minijupe vont s'imposer comme symboles de l'\u00E9poque. L'usage de mati\u00E8res synth\u00E9tiques se r\u00E9pand. En France, certains noms deviennent synonymes de ces bouleversements, comme Emmanuel Ungaro, Pierre Cardin, Paco Rabanne ou Yves Saint Laurent. Chez les hommes, le vestiaire influenc\u00E9 par les Mods est de plus en plus pr\u00EAt du corps, \u00E9troit. Dans le reste du monde, plusieurs stylistes comme l'Am\u00E9ricain Rudi Gernreich bousculent les conventions. Outre quelques tendances \u00E9mergeant \u00E0 New York ou Los Angeles, les \u00C9tats-Unis restent majoritairement conservateurs malgr\u00E9 l'influence britannique tr\u00E8s forte dans ce pays. Vers la fin de la d\u00E9cennie, le modernisme et la cr\u00E9ativit\u00E9 de l'\u00E9poque laissent entrer une iconoclaste mode ethnique et ses tendances assimil\u00E9es ; elle va se disperser dans certaines couches de la soci\u00E9t\u00E9. Les \u00E9volutions de la consommation et distribution ont alors d\u00E9j\u00E0 r\u00E9volutionn\u00E9 la fa\u00E7on d'aborder la mode partout en Occident, marquant une rupture radicale avec les ann\u00E9es 1950."@fr . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "La mode des ann\u00E9es 1960 est marqu\u00E9e par un renversement complet des pr\u00E9ceptes \u00E9tablis lors de la pr\u00E9c\u00E9dente d\u00E9cennie. L'incontournable haute couture voit sa supr\u00E9matie supplant\u00E9e par le pr\u00EAt-\u00E0-porter, promue en cela par les mouvements de la jeunesse. Cette m\u00EAme jeunesse devient \u00E0 la fois la source d\u2019inspiration et le client final du v\u00EAtement. Paris capitale de la mode c\u00E8de sa place au Swinging London anglais : Londres devient le centre de la plupart des tendances. La musique pop \u00E9manant de ce pays va aussi influencer les comportements vestimentaires au m\u00EAme titre que les y\u00E9y\u00E9s en France. Le collant, le pantalon, le bikini vont r\u00E9volutionner les tenues f\u00E9minines. Le \u00AB Space age \u00BB repr\u00E9sent\u00E9 par Courr\u00E8ges ainsi que la minijupe vont s'imposer comme symboles de l'\u00E9poque. L'usage de mati\u00E8res sy"@fr . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "M\u00F3dn\u00ED revoluce 60. let zm\u011Bnila zp\u016Fsob, jak\u00FDm se \u017Eeny obl\u00E9kaly. V\u0161e se obr\u00E1tilo k ml\u00E1d\u00ED a t\u00EDm skon\u010Dila nutnost obl\u00E9kat se do tv\u00EDdov\u00FDch kost\u00FDmk\u016F. Mlad\u00ED lond\u00FDn\u0161t\u00ED n\u00E1vrh\u00E1\u0159i svoji ul\u00EDtlou m\u00F3du p\u0159edstavili i v USA. Svobodn\u00E1 \u0161edes\u00E1t\u00E1 l\u00E9ta byla velmi optimistick\u00E1, energick\u00E1 a dynamick\u00E1. Toto se odr\u00E1\u017Eelo v m\u00F3dn\u00ED pr\u016Fmyslu v\u0161emi sm\u011Bry, od ak\u010Dn\u00EDch fotografi\u00ED britsk\u00FDch m\u00F3dn\u00EDch fotograf\u016F nebo , po kovov\u00E9 i plastov\u00E9 materi\u00E1ly, z nich\u017E n\u00E1vrh\u00E1\u0159i jako \u010Di Paco Rabanne vyr\u00E1b\u011Bli oble\u010Den\u00ED."@cs . . . . . . . . . . . "M\u00F3dn\u00ED revoluce 60. let zm\u011Bnila zp\u016Fsob, jak\u00FDm se \u017Eeny obl\u00E9kaly. V\u0161e se obr\u00E1tilo k ml\u00E1d\u00ED a t\u00EDm skon\u010Dila nutnost obl\u00E9kat se do tv\u00EDdov\u00FDch kost\u00FDmk\u016F. Mlad\u00ED lond\u00FDn\u0161t\u00ED n\u00E1vrh\u00E1\u0159i svoji ul\u00EDtlou m\u00F3du p\u0159edstavili i v USA. Svobodn\u00E1 \u0161edes\u00E1t\u00E1 l\u00E9ta byla velmi optimistick\u00E1, energick\u00E1 a dynamick\u00E1. Toto se odr\u00E1\u017Eelo v m\u00F3dn\u00ED pr\u016Fmyslu v\u0161emi sm\u011Bry, od ak\u010Dn\u00EDch fotografi\u00ED britsk\u00FDch m\u00F3dn\u00EDch fotograf\u016F nebo , po kovov\u00E9 i plastov\u00E9 materi\u00E1ly, z nich\u017E n\u00E1vrh\u00E1\u0159i jako \u010Di Paco Rabanne vyr\u00E1b\u011Bli oble\u010Den\u00ED."@cs . . . . . . . . . . . . . . . . . "1124997378"^^ . . . . . . . . . . . . . . . . . . . . . . .