. "The African Writers' Evening is the first regular evening held for African writers at the UK's Poetry Caf\u00E9. It was started in 2003 by Nii Ayikwei Parkes in consultation with the directors of the Poetry Society after he completed a residency there. The solid reputation of African Writers' Evening is based on its ability to consistently identify and feature talented emerging writers."@en . . . "28601075"^^ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "African Writers' Evening"@en . . . . . . . "The African Writers' Evening is the first regular evening held for African writers at the UK's Poetry Caf\u00E9. It was started in 2003 by Nii Ayikwei Parkes in consultation with the directors of the Poetry Society after he completed a residency there. The solid reputation of African Writers' Evening is based on its ability to consistently identify and feature talented emerging writers. Diana Evans and Hisham Matar, for example, were both featured prior to the official releases of their d\u00E9but publications, two of 2007's features Ken Kamoche and Sade Adeniran were shortlisted for the 2008 Commonwealth Prize for their first books, and Inua Ellams won an Edinburgh Festival Fringe First Award three years after his first featured appearance at African Writers' Evening in 2006. Recently, the event's founder Nii Ayikwei Parkes was himself shortlisted for the Commonwealth Prize and the November 2009 featured reader, Nadifa Mohamed won the 2010 Betty Trask Award. African Writers' Evening is held bi-monthly from March to November with occasional special events, such as the AWE Heritage Series launched at the Southbank Centre on 6 July 2009 and AWE/NYC, which was held at the Bowery Club in September 2009. While the event is still held mainly at the Poetry Caf\u00E9 in Covent Garden, a recent partnership with the Southbank Centre has seen the end-of-year reading in November held at the Royal Festival Hall since 2008."@en . . . . . . . . . . . . . . . . . . . . . . . "8712"^^ . . "1064600172"^^ . . . . . . . . . . . . . . .