. . . . . . . "Agathon L\u00E9onard oder Agathon L\u00E9onard van der Weydeveld oder Agathon van Weydeveldt (* 28. August 1841 in Lille; \u2020 12. November 1923 in Paris) ist ein Bildhauer belgischer Abstammung, der die franz\u00F6sische Staatsb\u00FCrgerschaft annahm."@de . "Agathon L\u00E9onard"@en . . . . . . . "Agathon L\u00E9onard oder Agathon L\u00E9onard van der Weydeveld oder Agathon van Weydeveldt (* 28. August 1841 in Lille; \u2020 12. November 1923 in Paris) ist ein Bildhauer belgischer Abstammung, der die franz\u00F6sische Staatsb\u00FCrgerschaft annahm."@de . . . "Agathon L\u00E9onard"@de . . "Agathon L\u00E9onard or L\u00E9onard Agathon van Weydevelt (1841 Lille - 1923 Paris), was a French Art Nouveau sculptor. L\u00E9onard moved to Paris when quite young and studied sculpture at the Ecole des Beaux-Arts de Paris under Eug\u00E8ne Delaplanche. He became a member of the Soci\u00E9t\u00E9 des Artistes Fran\u00E7ais in 1887 and a member of the Soci\u00E9t\u00E9 Nationale des Beaux-Arts in 1897. He regularly exhibited across France, and was made a chevalier of the L\u00E9gion d'Honneur in 1900. Some of his best-known works are studies of dancers, such as La Cothurne (Tragic Pose from Le Jeu de l'escharpe), modeled in 1895 and cast in 1900. The Play of the Scarf, executed in a characteristic fin-de-si\u00E8cle manner and rendered in gilt, showed a dancer in a flowing gown with a billowing scarf held above her head. This piece was produc"@en . . . . . . . . . . . . . . . . . . . . . "L\u00E9onard Agathon Van Weydeveldt dit Agathon L\u00E9onard, n\u00E9 le 28 ao\u00FBt 1841 \u00E0 Lille et mort le 12 novembre 1923 \u00E0 Paris (14e arrondissement), est un sculpteur d'origine belge naturalis\u00E9 fran\u00E7ais."@fr . . . . "L\u00E9onard Agathon Van Weydeveldt dit Agathon L\u00E9onard, n\u00E9 le 28 ao\u00FBt 1841 \u00E0 Lille et mort le 12 novembre 1923 \u00E0 Paris (14e arrondissement), est un sculpteur d'origine belge naturalis\u00E9 fran\u00E7ais."@fr . . . . . . . . "1102164776"^^ . "2485"^^ . . . "Agathon L\u00E9onard or L\u00E9onard Agathon van Weydevelt (1841 Lille - 1923 Paris), was a French Art Nouveau sculptor. L\u00E9onard moved to Paris when quite young and studied sculpture at the Ecole des Beaux-Arts de Paris under Eug\u00E8ne Delaplanche. He became a member of the Soci\u00E9t\u00E9 des Artistes Fran\u00E7ais in 1887 and a member of the Soci\u00E9t\u00E9 Nationale des Beaux-Arts in 1897. He regularly exhibited across France, and was made a chevalier of the L\u00E9gion d'Honneur in 1900. Some of his best-known works are studies of dancers, such as La Cothurne (Tragic Pose from Le Jeu de l'escharpe), modeled in 1895 and cast in 1900. The Play of the Scarf, executed in a characteristic fin-de-si\u00E8cle manner and rendered in gilt, showed a dancer in a flowing gown with a billowing scarf held above her head. This piece was produced in 1897, was inspired by the renowned dancer, Lois Fuller and was displayed as a table centerpiece at the 1900 World's Fair at the Pavillon de S\u00E8vres in Paris. Bronze casting of L\u00E9onard's work was carried out by the foundry. Besides bronze, he also produced works in marble, quartz and ivory. His bas-relief of St. Cecilia is to be found in the Abbeville Museum and the Nantes Museum houses a bust titled The Plunderer of Shipwrecks. L\u00E9onard also produced Art Nouveau medallions, statuettes and pottery."@en . . . . . . . . . . . . . . . . . . . . . . "18429083"^^ . . . . "Agathon L\u00E9onard"@fr . .