. . . . "Alain RESNAIS (naski\u011Dinta en la 3-a de junio 1922 en Vannes, mortinta en la 1-a de marto 2014 en Parizo) estis franca re\u011Disoro. Ekde la fino de la 1950-aj jaroj li estis unu de la plej gravaj reprezentantoj de la franca a\u016Dtoro-filmo."@eo . . . . . "Alain Resnais (pron. \u0251l\u0251\u0303 \u0281\u025B-n\u025B) (Vannes, 3 de junho de 1922 \u2014 Paris, 1\u00BA de mar\u00E7o de 2014) foi um realizador, roteirista e montador franc\u00EAs, autor de filmes considerados como obras-primas de fic\u00E7\u00E3o po\u00E9tica, tais como Hiroshima mon amour (Hiroshima, meu amor), de 1959, com roteiro de Marguerite Duras, e L'ann\u00E9e derni\u00E8re \u00E0 Marienbad (O Ano Passado em Marienbad), de 1961, com roteiro de Alain Robbe-Grillet. Ambos os filmes abordam quest\u00F5es relacionadas com o tempo e a mem\u00F3ria. O Ano passado em Marienbad - com uma estrutura narrativa n\u00E3o convencional, em que realidade e fic\u00E7\u00E3o se sobrep\u00F5em, enquanto as refer\u00EAncias espa\u00E7o-temporais se confundem - foi recebido com certa perplexidade, por parte da audi\u00EAncia, e gerou controv\u00E9rsia entre os cr\u00EDticos: alguns elogiaram o filme, como sendo uma obra-prima, enquanto outros o consideraram simplesmente inintelig\u00EDvel. Resnais tamb\u00E9m realizou document\u00E1rios de grande import\u00E2ncia na hist\u00F3ria do cinema, como Nuit et brouillard (Noite e nevoeiro), de 1955, sobre as instru\u00E7\u00F5es de deporta\u00E7\u00E3o dos oponentes Reich para campos de concentra\u00E7\u00E3o. O filme \u00E9 tido como um dos melhores document\u00E1rios sobre a Segunda Guerra Mundial. Alain Resnais \u00E9 considerado como um dos expoentes da Nouvelle Vague e um dos fundadores da modernidade cinematogr\u00E1fica europeia - ao lado de Roberto Rossellini, Ingmar Bergman e Michelangelo Antonioni - por ter colocado em quest\u00E3o a gram\u00E1tica do cinema cl\u00E1ssico e de desconstruir a narrativa linear."@pt . . . "Alain Resnais (Vannes, 3 giugno 1922 \u2013 Neuilly-sur-Seine, 1\u00BA marzo 2014) \u00E8 stato un regista francese. Fu uno degli ispiratori teorici della Nouvelle Vague, di cui fu sempre punto di riferimento, pur non aderendovi mai ufficialmente. Si distinse anche per la sua attivit\u00E0 di teorico del cinema. \u00C8 ricordato a livello internazionale soprattutto per il suo capolavoro Hiroshima mon amour (1959), considerato una delle prime opere ispiratrici della Nouvelle Vague e uno dei film francesi pi\u00F9 celebri in assoluto. Durante la sua lunga carriera vinse numerosi premi cinematografici tra cui un Golden Globe, un Premio BAFTA, sei Premi C\u00E9sar, il Leone d'oro al Festival di Venezia e due Orsi d'argento al Festival di Berlino."@it . . . . . . . "\u0410\u043B\u0435\u0301\u043D \u0420\u0435\u043D\u0435\u0301 (\u0444\u0440. Alain Resnais) (*3 \u0447\u0435\u0440\u0432\u043D\u044F 1922, \u0412\u0430\u043D\u043D, \u0424\u0440\u0430\u043D\u0446\u0456\u044F\u2014 \u20201 \u0431\u0435\u0440\u0435\u0437\u043D\u044F 2014, \u041F\u0430\u0440\u0438\u0436, \u0424\u0440\u0430\u043D\u0446\u0456\u044F) \u2014 \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u044C\u043A\u0438\u0439 \u043A\u0456\u043D\u043E\u0440\u0435\u0436\u0438\u0441\u0435\u0440, \u0441\u0446\u0435\u043D\u0430\u0440\u0438\u0441\u0442, \u043F\u0440\u043E\u0434\u044E\u0441\u0435\u0440 \u0456 \u0430\u043A\u0442\u043E\u0440, \u043A\u043B\u0430\u0441\u0438\u043A \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u044C\u043A\u043E\u0433\u043E \u043A\u0456\u043D\u043E\u043C\u0438\u0441\u0442\u0435\u0446\u0442\u0432\u0430. \u0419\u043E\u0433\u043E \u0440\u0430\u043D\u043D\u0456 \u0440\u0435\u0436\u0438\u0441\u0435\u0440\u0441\u044C\u043A\u0456 \u0440\u043E\u0431\u043E\u0442\u0438 \u0432\u0456\u0434\u043D\u043E\u0441\u044F\u0442\u044C \u0434\u043E \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u044C\u043A\u043E\u0457 \u00AB\u043D\u043E\u0432\u0456\u0439 \u0445\u0432\u0438\u043B\u0456\u00BB. \u041D\u0435\u0437\u0432\u0430\u0436\u0430\u044E\u0447\u0438 \u043D\u0430 \u0442\u0440\u0438\u0432\u0430\u043B\u0443 \u0456 \u043F\u0440\u043E\u0434\u0443\u043A\u0442\u0438\u0432\u043D\u0443 \u043A\u0430\u0440'\u0454\u0440\u0443, \u043C\u0456\u0436\u043D\u0430\u0440\u043E\u0434\u043D\u0435 \u0432\u0438\u0437\u043D\u0430\u043D\u043D\u044F \u043E\u0442\u0440\u0438\u043C\u0430\u0432 \u0437\u0430 \u0442\u0440\u0438 \u0440\u0430\u043D\u043D\u0456 \u0444\u0456\u043B\u044C\u043C\u0438: (1955), (1959), \u00AB\u0422\u043E\u0440\u0456\u043A \u0432 \u041C\u0430\u0440\u0456\u0454\u043D\u0431\u0430\u0434\u0456\u00BB (1961). \u0414\u0432\u0456\u0447\u0456 \u0443\u0434\u043E\u0441\u0442\u043E\u0454\u043D\u0438\u0439 \u041F\u0440\u0438\u0437\u0443 \u0416\u0430\u043D\u0430 \u0412\u0456\u0433\u043E: \u0443 1954 \u0442\u0430 1956 \u0440\u043E\u043A\u0430\u0445."@uk . . . . . "Alain Resnais (3. \u010Dervna 1922 \u2013 1. b\u0159ezna 2014) byl francouzsk\u00FD filmov\u00FD re\u017Eis\u00E9r. T\u00E9to \u010Dinnosti se za\u010Dal v\u011Bnovat ve druh\u00E9 polovin\u011B \u010Dty\u0159ic\u00E1t\u00FDch let. Mezi jeho nejv\u00FDznamn\u011Bj\u0161\u00ED d\u00EDla pat\u0159\u00ED nap\u0159\u00EDklad film Hiro\u0161ima, m\u00E1 l\u00E1ska z roku 1959. Za sv\u016Fj film Star\u00E1 zn\u00E1m\u00E1 p\u00EDsni\u010Dka z roku 1997 z\u00EDskal C\u00E9sara pro nejlep\u0161\u00ED film; za film Smoking/No Smoking z roku 1994 pak C\u00E9sara pro nejlep\u0161\u00EDho re\u017Eis\u00E9ra. Nato\u010Dil mnoho dal\u0161\u00EDch film\u016F, jako nap\u0159\u00EDklad Loni v Marienbadu (1961), Muriel neboli v \u010Dase n\u00E1vratu (1963), (1980) nebo (2012). Zem\u0159el v roce 2014 ve sv\u00FDch jedenadevades\u00E1ti letech."@cs . . . . . . . . . . . . . . . . . ""@en . . . . "Alain Resnais"@eu . "Alain Resnais (ur. 3 czerwca 1922 w Vannes, zm. 1 marca 2014 w Pary\u017Cu) \u2013 francuski re\u017Cyser i scenarzysta filmowy. Jeden z najwa\u017Cniejszych re\u017Cyser\u00F3w tzw. francuskiej nowej fali. Do jego najbardziej znanych film\u00F3w nale\u017C\u0105: Hiroszima, moja mi\u0142o\u015B\u0107 (1959) i Zesz\u0142ego roku w Marienbadzie (1961)."@pl . . "\u0622\u0644\u0627\u0646 \u0631\u064A\u0646\u064A\u0647 (\u0628\u0627\u0644\u0641\u0631\u0646\u0633\u064A\u0629: Alain Resnais)\u200F (\u0648. 1922 \u2013 2014 \u0645) \u0647\u0648 \u0645\u062E\u0631\u062C \u0633\u064A\u0646\u0645\u0627\u0626\u064A\u060C \u0648\u0645\u0635\u0648\u0631 \u0633\u064A\u0646\u0645\u0627\u0626\u064A\u060C \u0648\u0645\u0648\u0646\u062A\u064A\u0631\u060C \u0648\u0643\u0627\u062A\u0628 \u0633\u064A\u0646\u0627\u0631\u064A\u0648\u060C \u0648\u0645\u0645\u062B\u0644 \u0645\u0646 \u0641\u0631\u0646\u0633\u0627 . \u0648\u0644\u062F \u0641\u064A \u0641\u0627\u0646 . \u062A\u0648\u0641\u064A \u0641\u064A \u0628\u0627\u0631\u064A\u0633 ."@ar . . . . . . ""@en . . . . . . "Alain Resnais, f\u00F6dd 3 juni 1922 i Vannes, d\u00F6d 1 mars 2014 i Paris, var en fransk filmregiss\u00F6r. Resnais var en av nyckelpersonerna i \"franska nya v\u00E5gen\"-r\u00F6relsen under 1960-talet. Han gjorde \u00F6ver 50 filmer under sin karri\u00E4r och blev mest k\u00E4nd f\u00F6r Hiroshima \u2013 min \u00E4lskade fr\u00E5n 1959. I fjol i Marienbad vann Guldlejonet vid Filmfestivalen i Venedig 1961. Han var aktiv in i det sista d\u00E5 hans film uts\u00E5gs till mest innovativa film p\u00E5 Berlins filmfestival 2014 m\u00E5naden innan han gick bort, 91 \u00E5r gammal."@sv . . . "div"@en . . "\u4E9E\u502B\u00B7\u96F7\u5948"@zh . . . . . . "Alain Resnais"@cs . . . . "Alain Resnais (Vannes, 3 de junio de 1922-Par\u00EDs, 1 de marzo de 2014)\u200B fue un director, guionista de cine y montador franc\u00E9s.\u200B Junto a Fran\u00E7ois Truffaut y Jean-Luc Godard, entre otros,\u200B fue una de las principales figuras de la Nouvelle vague ('Nueva Ola')\u200B del cine franc\u00E9s,\u200B que revolucion\u00F3 el concepto del montaje y la fotograf\u00EDa.\u200B A lo largo de su trayectoria recibi\u00F3 58 nominaciones, incluidas las recibidas en el Festival de Cannes, en Cahiers du Cin\u00E9ma o en los premios C\u00E9sar, y 59 galardones en ceremonias como los premios BAFTA, el Festival de Berl\u00EDn, la Academia Europea, los Globo de Oro o el Festival de Venecia.\u200B"@es . . . "\u039F \u0391\u03BB\u03AD\u03BD \u03A1\u03B5\u03BD\u03AD (\u0393\u03B1\u03BB\u03BB\u03B9\u03BA\u03AC: Alain Resnais, 3 \u0399\u03BF\u03C5\u03BD\u03AF\u03BF\u03C5 1922 - 1\u03B7 \u039C\u03B1\u03C1\u03C4\u03AF\u03BF\u03C5 2014) \u03AE\u03C4\u03B1\u03BD \u0393\u03AC\u03BB\u03BB\u03BF\u03C2 \u03C3\u03BA\u03B7\u03BD\u03BF\u03B8\u03AD\u03C4\u03B7\u03C2 \u03B3\u03BD\u03C9\u03C3\u03C4\u03CC\u03C2 \u03BA\u03C5\u03C1\u03AF\u03C9\u03C2 \u03B3\u03B9\u03B1 \u03C4\u03B9\u03C2 \u03C4\u03B1\u03B9\u03BD\u03AF\u03B5\u03C2 \u03C4\u03BF\u03C5 \u03A7\u03B9\u03C1\u03BF\u03C3\u03AF\u03BC\u03B1, \u03B1\u03B3\u03AC\u03C0\u03B7 \u03BC\u03BF\u03C5 (1959), \u03A0\u03AD\u03C1\u03C5\u03C3\u03B9 \u03C3\u03C4\u03BF \u039C\u03AC\u03C1\u03B9\u03B5\u03BD\u03BC\u03C0\u03B1\u03BD\u03C4 (1961) \u03BA\u03B1\u03B9 (1977) . \u039A\u03B1\u03C4\u03AC \u03C4\u03B7 \u03B4\u03B9\u03AC\u03C1\u03BA\u03B5\u03B9\u03B1 \u03C4\u03B7\u03C2 \u03BA\u03B9\u03BD\u03B7\u03BC\u03B1\u03C4\u03BF\u03B3\u03C1\u03B1\u03C6\u03B9\u03BA\u03AE\u03C2 \u03C3\u03C4\u03B1\u03B4\u03B9\u03BF\u03B4\u03C1\u03BF\u03BC\u03AF\u03B1\u03C2 \u03C4\u03BF\u03C5 \u03BA\u03AD\u03C1\u03B4\u03B9\u03C3\u03B5 \u03C0\u03BF\u03BB\u03BB\u03AD\u03C2 \u03B4\u03B9\u03B1\u03BA\u03C1\u03AF\u03C3\u03B5\u03B9\u03C2 \u03B5\u03BD\u03CE \u03C3\u03C5\u03BD\u03B4\u03AD\u03B8\u03B7\u03BA\u03B5 \u03C3\u03C4\u03B5\u03BD\u03AC \u03BA\u03B1\u03B9 \u03BC\u03B5 \u03C4\u03BF \u03BA\u03B9\u03BD\u03B7\u03BC\u03B1\u03C4\u03BF\u03B3\u03C1\u03B1\u03C6\u03B9\u03BA\u03CC \u03C1\u03B5\u03CD\u03BC\u03B1 \u03C4\u03BF\u03C5 \"\u039D\u03AD\u03BF\u03C5 \u039A\u03CD\u03BC\u03B1\u03C4\u03BF\u03C2\" (Nouvelle Vague)."@el . . "Paris, France"@en . . "Alain Resnais, f\u00F6dd 3 juni 1922 i Vannes, d\u00F6d 1 mars 2014 i Paris, var en fransk filmregiss\u00F6r. Resnais var en av nyckelpersonerna i \"franska nya v\u00E5gen\"-r\u00F6relsen under 1960-talet. Han gjorde \u00F6ver 50 filmer under sin karri\u00E4r och blev mest k\u00E4nd f\u00F6r Hiroshima \u2013 min \u00E4lskade fr\u00E5n 1959. I fjol i Marienbad vann Guldlejonet vid Filmfestivalen i Venedig 1961. Han var aktiv in i det sista d\u00E5 hans film uts\u00E5gs till mest innovativa film p\u00E5 Berlins filmfestival 2014 m\u00E5naden innan han gick bort, 91 \u00E5r gammal."@sv . . . . "Alain Resnais"@nl . "\u039F \u0391\u03BB\u03AD\u03BD \u03A1\u03B5\u03BD\u03AD (\u0393\u03B1\u03BB\u03BB\u03B9\u03BA\u03AC: Alain Resnais, 3 \u0399\u03BF\u03C5\u03BD\u03AF\u03BF\u03C5 1922 - 1\u03B7 \u039C\u03B1\u03C1\u03C4\u03AF\u03BF\u03C5 2014) \u03AE\u03C4\u03B1\u03BD \u0393\u03AC\u03BB\u03BB\u03BF\u03C2 \u03C3\u03BA\u03B7\u03BD\u03BF\u03B8\u03AD\u03C4\u03B7\u03C2 \u03B3\u03BD\u03C9\u03C3\u03C4\u03CC\u03C2 \u03BA\u03C5\u03C1\u03AF\u03C9\u03C2 \u03B3\u03B9\u03B1 \u03C4\u03B9\u03C2 \u03C4\u03B1\u03B9\u03BD\u03AF\u03B5\u03C2 \u03C4\u03BF\u03C5 \u03A7\u03B9\u03C1\u03BF\u03C3\u03AF\u03BC\u03B1, \u03B1\u03B3\u03AC\u03C0\u03B7 \u03BC\u03BF\u03C5 (1959), \u03A0\u03AD\u03C1\u03C5\u03C3\u03B9 \u03C3\u03C4\u03BF \u039C\u03AC\u03C1\u03B9\u03B5\u03BD\u03BC\u03C0\u03B1\u03BD\u03C4 (1961) \u03BA\u03B1\u03B9 (1977) . \u039A\u03B1\u03C4\u03AC \u03C4\u03B7 \u03B4\u03B9\u03AC\u03C1\u03BA\u03B5\u03B9\u03B1 \u03C4\u03B7\u03C2 \u03BA\u03B9\u03BD\u03B7\u03BC\u03B1\u03C4\u03BF\u03B3\u03C1\u03B1\u03C6\u03B9\u03BA\u03AE\u03C2 \u03C3\u03C4\u03B1\u03B4\u03B9\u03BF\u03B4\u03C1\u03BF\u03BC\u03AF\u03B1\u03C2 \u03C4\u03BF\u03C5 \u03BA\u03AD\u03C1\u03B4\u03B9\u03C3\u03B5 \u03C0\u03BF\u03BB\u03BB\u03AD\u03C2 \u03B4\u03B9\u03B1\u03BA\u03C1\u03AF\u03C3\u03B5\u03B9\u03C2 \u03B5\u03BD\u03CE \u03C3\u03C5\u03BD\u03B4\u03AD\u03B8\u03B7\u03BA\u03B5 \u03C3\u03C4\u03B5\u03BD\u03AC \u03BA\u03B1\u03B9 \u03BC\u03B5 \u03C4\u03BF \u03BA\u03B9\u03BD\u03B7\u03BC\u03B1\u03C4\u03BF\u03B3\u03C1\u03B1\u03C6\u03B9\u03BA\u03CC \u03C1\u03B5\u03CD\u03BC\u03B1 \u03C4\u03BF\u03C5 \"\u039D\u03AD\u03BF\u03C5 \u039A\u03CD\u03BC\u03B1\u03C4\u03BF\u03C2\" (Nouvelle Vague)."@el . "Alain Resnais (Gwened, 3 de juny de 1922 - Par\u00EDs, 1 de mar\u00E7 de 2014) fou un cineasta franc\u00E8s. Fou un dels fundadors de la nouvelle vague francesa, innov\u00E0 en la t\u00E8cnica del flashback per a explorar la mem\u00F2ria i el temps, punts de vista i narratives ambigus. El 2009 (i p\u00F2stumament el 2014) va ser homenajat per a la seva carrera i obra completa a Canes. Smoking/No Smoking (1993) \u00E9s una s\u00E8rie de dos films que es poden veure en qualsevol ordre, ja que la hist\u00F2ria t\u00E9 dotze possibles conclusions, malgrat que tingui un final obvi i universal, i tots es desenvolupen en un cementiri."@ca . . . . . "\u0410\u043B\u0435\u043D \u0420\u0435\u043D\u0435\u0301 (\u0444\u0440. Alain Resnais; 3 \u0438\u044E\u043D\u044F 1922, \u0412\u0430\u043D\u043D \u2014 1 \u043C\u0430\u0440\u0442\u0430 2014, \u041F\u0430\u0440\u0438\u0436) \u2014 \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u0441\u043A\u0438\u0439 \u043A\u0438\u043D\u043E\u0440\u0435\u0436\u0438\u0441\u0441\u0451\u0440, \u0441\u0446\u0435\u043D\u0430\u0440\u0438\u0441\u0442, \u0440\u0435\u0436\u0438\u0441\u0441\u0451\u0440 \u043C\u043E\u043D\u0442\u0430\u0436\u0430, \u043F\u043E\u043C\u043E\u0449\u043D\u0438\u043A \u0440\u0435\u0436\u0438\u0441\u0441\u0451\u0440\u0430, \u043F\u0440\u043E\u0434\u044E\u0441\u0435\u0440 \u0438 \u0430\u043A\u0442\u0451\u0440, \u043A\u043B\u0430\u0441\u0441\u0438\u043A \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u0441\u043A\u043E\u0433\u043E \u043A\u0438\u043D\u043E\u0438\u0441\u043A\u0443\u0441\u0441\u0442\u0432\u0430. \u0415\u0433\u043E \u0440\u0430\u043D\u043D\u0438\u0435 \u0440\u0435\u0436\u0438\u0441\u0441\u0451\u0440\u0441\u043A\u0438\u0435 \u0440\u0430\u0431\u043E\u0442\u044B \u043E\u0442\u043D\u043E\u0441\u044F\u0442 \u043A \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u0441\u043A\u043E\u0439 \u00AB\u043D\u043E\u0432\u043E\u0439 \u0432\u043E\u043B\u043D\u0435\u00BB. \u041D\u0435\u0441\u043C\u043E\u0442\u0440\u044F \u043D\u0430 \u043F\u0440\u043E\u0434\u043E\u043B\u0436\u0438\u0442\u0435\u043B\u044C\u043D\u0443\u044E \u0438 \u043F\u0440\u043E\u0434\u0443\u043A\u0442\u0438\u0432\u043D\u0443\u044E \u043A\u0430\u0440\u044C\u0435\u0440\u0443, \u043C\u0435\u0436\u0434\u0443\u043D\u0430\u0440\u043E\u0434\u043D\u043E\u0435 \u043F\u0440\u0438\u0437\u043D\u0430\u043D\u0438\u0435 \u043F\u043E\u043B\u0443\u0447\u0438\u043B \u0437\u0430 \u0442\u0440\u0438 \u0440\u0430\u043D\u043D\u0438\u0445 \u0444\u0438\u043B\u044C\u043C\u0430: \u00AB\u041D\u043E\u0447\u044C \u0438 \u0442\u0443\u043C\u0430\u043D\u00BB (1955), \u00AB\u0425\u0438\u0440\u043E\u0441\u0438\u043C\u0430, \u043B\u044E\u0431\u043E\u0432\u044C \u043C\u043E\u044F\u00BB (1959), \u00AB\u0412 \u043F\u0440\u043E\u0448\u043B\u043E\u043C \u0433\u043E\u0434\u0443 \u0432 \u041C\u0430\u0440\u0438\u0435\u043D\u0431\u0430\u0434\u0435\u00BB (1961). \u0414\u0432\u0430\u0436\u0434\u044B \u0443\u0434\u043E\u0441\u0442\u043E\u0435\u043D \u043F\u0440\u0438\u0437\u0430 \u0416\u0430\u043D\u0430 \u0412\u0438\u0433\u043E: \u0432 1954 \u0438 1956 \u0433\u043E\u0434\u0443."@ru . . . . . "Alain Resnais"@ca . . . . "\u30A2\u30E9\u30F3\u30FB\u30EC\u30CD"@ja . "1922-06-03"^^ . "53551"^^ . . . . "Alain Resnais"@sv . "89753"^^ . "Alain Resnais"@de . . . "Alain Resnais (* 3. Juni 1922 in Vannes; \u2020 1. M\u00E4rz 2014 in Paris) war ein franz\u00F6sischer Filmregisseur."@de . "Resnais"@en . . . . "\u0420\u0435\u043D\u0435, \u0410\u043B\u0435\u043D"@ru . "2014"^^ . . . . . "Alain Resnais [al\u025B\u0303 \u0281\u025Bn\u025B] est un r\u00E9alisateur fran\u00E7ais, \u00E9galement sc\u00E9nariste et monteur, n\u00E9 le 3 juin 1922 \u00E0 Vannes (Morbihan) et mort le 1er mars 2014 \u00E0 Neuilly-sur-Seine (Hauts-de-Seine). Alors qu'il envisage de devenir com\u00E9dien, il int\u00E8gre la premi\u00E8re promotion de l'IDHEC en montage et commence, \u00E0 la fin des ann\u00E9es 1940, \u00E0 r\u00E9aliser des courts m\u00E9trages et moyens m\u00E9trages documentaires qui marquent le public et la critique : Van Gogh, Guernica et surtout Nuit et Brouillard, premier film de r\u00E9f\u00E9rence sur les camps de concentration. R\u00E9alisateur d'Hiroshima mon amour (1959) et de L'Ann\u00E9e derni\u00E8re \u00E0 Marienbad (1961), Alain Resnais est rapidement consid\u00E9r\u00E9 comme l'un des grands repr\u00E9sentants du Nouveau cin\u00E9ma (Nouvelle Vague) et comme un des p\u00E8res de la modernit\u00E9 cin\u00E9matographique europ\u00E9enne \u00E0 l'instar de Roberto Rossellini, Ingmar Bergman et Michelangelo Antonioni dans sa mani\u00E8re de remettre en cause la grammaire du cin\u00E9ma classique et de d\u00E9construire la narration lin\u00E9aire. Cin\u00E9aste appr\u00E9ciant les exp\u00E9rimentations, capable de se remettre en question \u00E0 chaque nouvelle r\u00E9alisation, Alain Resnais est reconnu pour sa capacit\u00E9 \u00E0 cr\u00E9er des formes in\u00E9dites et \u00E0 enrichir les codes de la repr\u00E9sentation cin\u00E9matographique par son frottement \u00E0 d'autres arts : litt\u00E9rature, th\u00E9\u00E2tre, musique, peinture ou bande dessin\u00E9e. Ses films, tendant vers l'artifice et l'imaginaire, peuvent para\u00EEtre d\u00E9routants pour le grand public m\u00EAme si beaucoup ont rencontr\u00E9 le succ\u00E8s. Tout au long de son \u0153uvre, se retrouve un grand nombre de th\u00E8mes tels que des sujets historiques, la m\u00E9moire, l'engagement politique, l'intimit\u00E9, la r\u00E9alit\u00E9 de l'esprit, le r\u00EAve, le conditionnement socio-culturel, la mort, la m\u00E9lancolie et l'art. Pour les vingt longs m\u00E9trages qui portent sa signature, Resnais a fait appel \u00E0 des auteurs-sc\u00E9naristes aussi renomm\u00E9s et diff\u00E9rents que Marguerite Duras, Alain Robbe-Grillet, Jean Cayrol, Jorge Sempr\u00FAn, Jacques Sternberg, David Mercer, Jean Gruault, Jules Feiffer, Jean-Pierre Bacri, Agn\u00E8s Jaoui et, pour l'adaptation de pi\u00E8ces anglaises d'Alan Ayckbourn, Jean-Michel Ribes, et Jean-Marie Besset. Il co-adapte en 2009, pour la premi\u00E8re fois, avec Laurent Herbiet un roman. Suivront avec le m\u00EAme sc\u00E9nariste trois autres adaptations, dont la derni\u00E8re restera inachev\u00E9e. Fid\u00E8le dans le travail et amateur de l'esprit de troupe, Resnais a notamment sollicit\u00E9 \u00E0 plusieurs reprises les com\u00E9diens Sabine Az\u00E9ma, Pierre Arditi, Andr\u00E9 Dussollier et Lambert Wilson, les techniciens Jacques Saulnier, Renato Berta, \u00C9ric Gautier et Herv\u00E9 de Luze ainsi que le compositeur Mark Snow. R\u00E9alisateur c\u00E9l\u00E9br\u00E9 par la profession, il a \u00E9t\u00E9 plusieurs fois r\u00E9compens\u00E9 aux C\u00E9sars et dans les festivals internationaux."@fr . . . . . "\u4E9E\u502B\u00B7\u96F7\u5948\uFF08\u6CD5\u8A9E\uFF1AAlain Resnais\uFF0C1922\u5E746\u67083\u65E5\uFF0D2014\u5E743\u67081\u65E5\uFF09\u662F\u4E00\u4F4D\u6CD5\u570B\u5927\u5E2B\u7D1A\u96FB\u5F71\u5C0E\u6F14\uFF0C\u4ED6\u6700\u5EE3\u70BA\u4EBA\u77E5\u7684\u662F\u65E9\u671F\u4EE5\u8A18\u61B6\u8207\u5275\u50B7\u70BA\u984C\u6750\u7684\u4F5C\u54C1\uFF0C\u4EE3\u8868\u4F5C\u54C1\u5305\u542B\u300A\u300B\uFF081955\u5E74\uFF09\u3001\u300A\u5E7F\u5C9B\u4E4B\u604B\u300B\uFF081959\u5E74\uFF09\u548C\u66FE\u69AE\u7372\u5A01\u5C3C\u65AF\u5F71\u5C55\u91D1\u7345\u734E\u7684\u300A\u53BB\u5E74\u5728\u9A6C\u502B\u5DF4\u300B\uFF081961\u5E74\uFF09\u7B49\u3002\u4E9E\u502B\u00B7\u96F7\u5948\u4E5F\u662F\u6CD5\u570B\u65B0\u6D6A\u6F6E\u5C0E\u6F14\u7684\u4E3B\u8981\u4EE3\u8868\uFF0C\u96D6\u7136\u4E9E\u502B\u00B7\u96F7\u5948\u4E26\u4E0D\u8A8D\u70BA\u81EA\u5DF1\u662F\u6CD5\u570B\u65B0\u6D6A\u6F6E\u7684\u4E00\u90E8\u5206\u3002\u4ED6\u8207\u5DE6\u5CB8\u6D3E\u5C0E\u6F14\u7DCA\u5BC6\u806F\u7E6B\uFF0C\u5177\u6709\u73FE\u4EE3\u4E3B\u7FA9\u98A8\u683C\uFF0C\u4E5F\u662F\u5DE6\u7FFC\u653F\u6CBB\u96FB\u5F71\u88FD\u7247\u4EBA\u3002\u4ED6\u7684\u96FB\u5F71\u66FE\u7D93\u8207\u8BA9\u00B7\u5361\u7EA6\u5C14\u3001\u746A\u683C\u9E97\u7279\u00B7\u675C\u62C9\u65AF\u3001\u963F\u862D\u00B7\u7F85\u4F2F-\u683C\u91CC\u8036\u3001\uFF08Jorge Semprun\uFF09\u8207\uFF08Jacques Sternberg\uFF09\u7B49\u4EBA\u5408\u4F5C\u3002 \u4E9E\u502B\u00B7\u96F7\u5948\u65BC1995\u5E74\u7372\u5F97\u5A01\u5C3C\u65AF\u5F71\u5C55\u7D42\u8EAB\u6210\u5C31\u91D1\u7345\u734E\u3001\u65BC2009\u5E74\u7372\u5F97\u574E\u57CE\u5F71\u5C55\u7D42\u8EAB\u6210\u5C31\u734E\u3002"@zh . . . . . . . . "Alain Resnais"@it . "Alain Resnais"@es . . . . . . . . "2014"^^ . "Alain Resnais"@en . "\u30A2\u30E9\u30F3\u30FB\u30EC\u30CD\uFF08Alain Resnais, 1922\u5E746\u67083\u65E5 - 2014\u5E743\u67081\u65E5 \uFF09\u306F\u3001\u30D5\u30E9\u30F3\u30B9\u30FB\u30F4\u30A1\u30F3\u30CC\u51FA\u8EAB\u306E\u6620\u753B\u76E3\u7763\u3002"@ja . . . . . "film editor"@en . . . . . . . . . . . . . . . . "Alain Resnais (1922ko ekainaren 3a, Vannes, Morbihan - 2014ko martxoaren 1a, Paris) frantses zinemagilea da."@eu . . "2014-03-01"^^ . . . . . . . "\u0410\u043B\u0435\u043D \u0420\u0435\u043D\u0435\u0301 (\u0444\u0440. Alain Resnais; 3 \u0438\u044E\u043D\u044F 1922, \u0412\u0430\u043D\u043D \u2014 1 \u043C\u0430\u0440\u0442\u0430 2014, \u041F\u0430\u0440\u0438\u0436) \u2014 \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u0441\u043A\u0438\u0439 \u043A\u0438\u043D\u043E\u0440\u0435\u0436\u0438\u0441\u0441\u0451\u0440, \u0441\u0446\u0435\u043D\u0430\u0440\u0438\u0441\u0442, \u0440\u0435\u0436\u0438\u0441\u0441\u0451\u0440 \u043C\u043E\u043D\u0442\u0430\u0436\u0430, \u043F\u043E\u043C\u043E\u0449\u043D\u0438\u043A \u0440\u0435\u0436\u0438\u0441\u0441\u0451\u0440\u0430, \u043F\u0440\u043E\u0434\u044E\u0441\u0435\u0440 \u0438 \u0430\u043A\u0442\u0451\u0440, \u043A\u043B\u0430\u0441\u0441\u0438\u043A \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u0441\u043A\u043E\u0433\u043E \u043A\u0438\u043D\u043E\u0438\u0441\u043A\u0443\u0441\u0441\u0442\u0432\u0430. \u0415\u0433\u043E \u0440\u0430\u043D\u043D\u0438\u0435 \u0440\u0435\u0436\u0438\u0441\u0441\u0451\u0440\u0441\u043A\u0438\u0435 \u0440\u0430\u0431\u043E\u0442\u044B \u043E\u0442\u043D\u043E\u0441\u044F\u0442 \u043A \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u0441\u043A\u043E\u0439 \u00AB\u043D\u043E\u0432\u043E\u0439 \u0432\u043E\u043B\u043D\u0435\u00BB. \u041D\u0435\u0441\u043C\u043E\u0442\u0440\u044F \u043D\u0430 \u043F\u0440\u043E\u0434\u043E\u043B\u0436\u0438\u0442\u0435\u043B\u044C\u043D\u0443\u044E \u0438 \u043F\u0440\u043E\u0434\u0443\u043A\u0442\u0438\u0432\u043D\u0443\u044E \u043A\u0430\u0440\u044C\u0435\u0440\u0443, \u043C\u0435\u0436\u0434\u0443\u043D\u0430\u0440\u043E\u0434\u043D\u043E\u0435 \u043F\u0440\u0438\u0437\u043D\u0430\u043D\u0438\u0435 \u043F\u043E\u043B\u0443\u0447\u0438\u043B \u0437\u0430 \u0442\u0440\u0438 \u0440\u0430\u043D\u043D\u0438\u0445 \u0444\u0438\u043B\u044C\u043C\u0430: \u00AB\u041D\u043E\u0447\u044C \u0438 \u0442\u0443\u043C\u0430\u043D\u00BB (1955), \u00AB\u0425\u0438\u0440\u043E\u0441\u0438\u043C\u0430, \u043B\u044E\u0431\u043E\u0432\u044C \u043C\u043E\u044F\u00BB (1959), \u00AB\u0412 \u043F\u0440\u043E\u0448\u043B\u043E\u043C \u0433\u043E\u0434\u0443 \u0432 \u041C\u0430\u0440\u0438\u0435\u043D\u0431\u0430\u0434\u0435\u00BB (1961). \u0414\u0432\u0430\u0436\u0434\u044B \u0443\u0434\u043E\u0441\u0442\u043E\u0435\u043D \u043F\u0440\u0438\u0437\u0430 \u0416\u0430\u043D\u0430 \u0412\u0438\u0433\u043E: \u0432 1954 \u0438 1956 \u0433\u043E\u0434\u0443."@ru . "screenwriter"@en . . . "2014-03-01"^^ . . . . . "Alain Resnais"@pt . . . . "Alain Resnais"@pl . "1946"^^ . . . . . "Vannes, France"@en . . . . . "Alain Resnais (pron. \u0251l\u0251\u0303 \u0281\u025B-n\u025B) (Vannes, 3 de junho de 1922 \u2014 Paris, 1\u00BA de mar\u00E7o de 2014) foi um realizador, roteirista e montador franc\u00EAs, autor de filmes considerados como obras-primas de fic\u00E7\u00E3o po\u00E9tica, tais como Hiroshima mon amour (Hiroshima, meu amor), de 1959, com roteiro de Marguerite Duras, e L'ann\u00E9e derni\u00E8re \u00E0 Marienbad (O Ano Passado em Marienbad), de 1961, com roteiro de Alain Robbe-Grillet. Ambos os filmes abordam quest\u00F5es relacionadas com o tempo e a mem\u00F3ria. O Ano passado em Marienbad - com uma estrutura narrativa n\u00E3o convencional, em que realidade e fic\u00E7\u00E3o se sobrep\u00F5em, enquanto as refer\u00EAncias espa\u00E7o-temporais se confundem - foi recebido com certa perplexidade, por parte da audi\u00EAncia, e gerou controv\u00E9rsia entre os cr\u00EDticos: alguns elogiaram o filme, como sendo uma obra-pri"@pt . "Film director"@en . . "Alain Resnais (French: [al\u025B\u0303 \u0281\u025Bn\u025B]; 3 June 1922 \u2013 1 March 2014) was a French film director and screenwriter whose career extended over more than six decades. After training as a film editor in the mid-1940s, he went on to direct a number of short films which included Night and Fog (1956), an influential documentary about the Nazi concentration camps."@en . "\uC54C\uB7AD \uB808\uB124 (Alain Resnais, 1922\uB144 6\uC6D4 3\uC77C ~ 2014\uB144 3\uC6D4 1\uC77C)\uB294 60\uB144 \uC774\uC0C1\uC758 \uD65C\uB3D9 \uACBD\uB825\uC744 \uAC16\uACE0 \uC788\uB294 \uD504\uB791\uC2A4\uC758 \uC601\uD654\uAC10\uB3C5\uC774\uB2E4."@ko . . . . . . . . . . . . . . . . . "Alain Resnais (French: [al\u025B\u0303 \u0281\u025Bn\u025B]; 3 June 1922 \u2013 1 March 2014) was a French film director and screenwriter whose career extended over more than six decades. After training as a film editor in the mid-1940s, he went on to direct a number of short films which included Night and Fog (1956), an influential documentary about the Nazi concentration camps. Resnais began making feature films in the late 1950s and consolidated his early reputation with Hiroshima mon amour (1959), Last Year at Marienbad (1961), and Muriel (1963), all of which adopted unconventional narrative techniques to deal with themes of troubled memory and the imagined past. These films were contemporary with, and associated with, the French New Wave (la nouvelle vague), though Resnais did not regard himself as being fully part of that movement. He had closer links to the \"Left Bank\" group of authors and filmmakers who shared a commitment to modernism and an interest in left-wing politics. He also established a regular practice of working on his films in collaboration with writers previously unconnected with the cinema such as Jean Cayrol, Marguerite Duras, Alain Robbe-Grillet, Jorge Sempr\u00FAn and Jacques Sternberg. In later films, Resnais moved away from the overtly political topics of some previous works and developed his interests in an interaction between cinema and other cultural forms, including theatre, music, and comic books. This led to imaginative adaptations of plays by Alan Ayckbourn, Henri Bernstein and Jean Anouilh, as well as films featuring various kinds of popular song. His films frequently explore the relationship between consciousness, memory, and the imagination, and he was noted for devising innovative formal structures for his narratives. Throughout his career, he won many awards from international film festivals and academies."@en . "\u0391\u03BB\u03AD\u03BD \u03A1\u03B5\u03BD\u03AD"@el . . . . . . . . . . . . "Alain Resnais (Gwened, 3 de juny de 1922 - Par\u00EDs, 1 de mar\u00E7 de 2014) fou un cineasta franc\u00E8s. Fou un dels fundadors de la nouvelle vague francesa, innov\u00E0 en la t\u00E8cnica del flashback per a explorar la mem\u00F2ria i el temps, punts de vista i narratives ambigus. El 2009 (i p\u00F2stumament el 2014) va ser homenajat per a la seva carrera i obra completa a Canes. Deu anys m\u00E9s gran que Fran\u00E7ois Truffaut, ja s'havia guanyat un nom a finals dels anys quaranta amb llargmetratges documentals at\u00EDpics, com Nit i boira (1955). Alguns els realitz\u00E0 en col\u00B7laboraci\u00F3 amb Chris Marker, un altre representant de la nouvelle vague, l'experimentaci\u00F3 formal del qual va tenir una gran influ\u00E8ncia en Resnais. La pel\u00B7l\u00EDcula clau de la seva carrera fou Hiroshima mon amour (1959). La seva profunda reflexi\u00F3 sobre el temps, la mem\u00F2ria, la cultura i la hist\u00F2ria s\u00F3n for\u00E7a diferents dels elements culturals i autobiogr\u00E0fics de les primeres obres de Jean-Luc Godard i Truffaut, per exemple. Resnais va mantenir el seu inter\u00E8s per aquests temes durant tota la seva carrera, com es pot comprovar en obres menys conegudes com ara Providence (1977), que segueix la interacci\u00F3 entre la mem\u00F2ria i la imaginaci\u00F3 en la ment d'un novel\u00B7lista moribund. La inquietud intel\u00B7lectual de Resnais tamb\u00E9 es reflecteix en el seu gran inter\u00E8s per l'escriptura experimental, sobretot el noveau roman que feia furor a Par\u00EDs en l'apogeu de la seva carrera. Jean Caroyl, Jorge Sempr\u00FAn i, sobretot, Marguerite Duras, que va escriure Hiroshima mon amour, exerciren una gran influ\u00E8ncia en ell. La col\u00B7laboraci\u00F3 de Resnais amb Alain Robbe-Grillet a (1961) va produir un dels films m\u00E9s complexos del cinema experimental. La seva fascinaci\u00F3 per les provatures formals i per estructures impenetrables va perdurar fins al fnal de la seva carrera. Smoking/No Smoking (1993) \u00E9s una s\u00E8rie de dos films que es poden veure en qualsevol ordre, ja que la hist\u00F2ria t\u00E9 dotze possibles conclusions, malgrat que tingui un final obvi i universal, i tots es desenvolupen en un cementiri. El seu darrer treball, Aimer, boire et chanter (2014), va ser guardonat amb al premi Alfred Bauer i amb el Premi de la Cr\u00EDtica Internacional FIPRESCI a la Berlinale."@ca . . . . "Alain Resnais (3 Juni 1922 \u2013 1 Maret 2014) merupakan seorang sutradara berkebangsaan Prancis. Dia menyutradarai film utamanya seperti (1955), (1959), dan Last Year at Marienbad (1961). Dia berkarier di dunia film sejak tahun 1936."@in . . . . . "Florence Malraux"@en . . . . . . . . "\uC54C\uB7AD \uB808\uB124"@ko . "\u0410\u043B\u0435\u043D \u0420\u0435\u043D\u0435"@uk . . . . "\u30A2\u30E9\u30F3\u30FB\u30EC\u30CD\uFF08Alain Resnais, 1922\u5E746\u67083\u65E5 - 2014\u5E743\u67081\u65E5 \uFF09\u306F\u3001\u30D5\u30E9\u30F3\u30B9\u30FB\u30F4\u30A1\u30F3\u30CC\u51FA\u8EAB\u306E\u6620\u753B\u76E3\u7763\u3002"@ja . . . . . "1946"^^ . . "Alain Resnais (* 3. Juni 1922 in Vannes; \u2020 1. M\u00E4rz 2014 in Paris) war ein franz\u00F6sischer Filmregisseur."@de . . . . . . . "Alain Resnais (Vannes, 3 giugno 1922 \u2013 Neuilly-sur-Seine, 1\u00BA marzo 2014) \u00E8 stato un regista francese. Fu uno degli ispiratori teorici della Nouvelle Vague, di cui fu sempre punto di riferimento, pur non aderendovi mai ufficialmente. Si distinse anche per la sua attivit\u00E0 di teorico del cinema. \u00C8 ricordato a livello internazionale soprattutto per il suo capolavoro Hiroshima mon amour (1959), considerato una delle prime opere ispiratrici della Nouvelle Vague e uno dei film francesi pi\u00F9 celebri in assoluto."@it . "cinematographer"@en . . "Alain Resnais (Vannes, 3 juni 1922 \u2013 Parijs, 1 maart 2014) was een Frans filmregisseur."@nl . . . . . . . . . . . . . . . . . . "1922-06-03"^^ . "Alain Resnais (3 Juni 1922 \u2013 1 Maret 2014) merupakan seorang sutradara berkebangsaan Prancis. Dia menyutradarai film utamanya seperti (1955), (1959), dan Last Year at Marienbad (1961). Dia berkarier di dunia film sejak tahun 1936."@in . . . . . . "\u0410\u043B\u0435\u0301\u043D \u0420\u0435\u043D\u0435\u0301 (\u0444\u0440. Alain Resnais) (*3 \u0447\u0435\u0440\u0432\u043D\u044F 1922, \u0412\u0430\u043D\u043D, \u0424\u0440\u0430\u043D\u0446\u0456\u044F\u2014 \u20201 \u0431\u0435\u0440\u0435\u0437\u043D\u044F 2014, \u041F\u0430\u0440\u0438\u0436, \u0424\u0440\u0430\u043D\u0446\u0456\u044F) \u2014 \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u044C\u043A\u0438\u0439 \u043A\u0456\u043D\u043E\u0440\u0435\u0436\u0438\u0441\u0435\u0440, \u0441\u0446\u0435\u043D\u0430\u0440\u0438\u0441\u0442, \u043F\u0440\u043E\u0434\u044E\u0441\u0435\u0440 \u0456 \u0430\u043A\u0442\u043E\u0440, \u043A\u043B\u0430\u0441\u0438\u043A \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u044C\u043A\u043E\u0433\u043E \u043A\u0456\u043D\u043E\u043C\u0438\u0441\u0442\u0435\u0446\u0442\u0432\u0430. \u0419\u043E\u0433\u043E \u0440\u0430\u043D\u043D\u0456 \u0440\u0435\u0436\u0438\u0441\u0435\u0440\u0441\u044C\u043A\u0456 \u0440\u043E\u0431\u043E\u0442\u0438 \u0432\u0456\u0434\u043D\u043E\u0441\u044F\u0442\u044C \u0434\u043E \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u044C\u043A\u043E\u0457 \u00AB\u043D\u043E\u0432\u0456\u0439 \u0445\u0432\u0438\u043B\u0456\u00BB. \u041D\u0435\u0437\u0432\u0430\u0436\u0430\u044E\u0447\u0438 \u043D\u0430 \u0442\u0440\u0438\u0432\u0430\u043B\u0443 \u0456 \u043F\u0440\u043E\u0434\u0443\u043A\u0442\u0438\u0432\u043D\u0443 \u043A\u0430\u0440'\u0454\u0440\u0443, \u043C\u0456\u0436\u043D\u0430\u0440\u043E\u0434\u043D\u0435 \u0432\u0438\u0437\u043D\u0430\u043D\u043D\u044F \u043E\u0442\u0440\u0438\u043C\u0430\u0432 \u0437\u0430 \u0442\u0440\u0438 \u0440\u0430\u043D\u043D\u0456 \u0444\u0456\u043B\u044C\u043C\u0438: (1955), (1959), \u00AB\u0422\u043E\u0440\u0456\u043A \u0432 \u041C\u0430\u0440\u0456\u0454\u043D\u0431\u0430\u0434\u0456\u00BB (1961). \u0414\u0432\u0456\u0447\u0456 \u0443\u0434\u043E\u0441\u0442\u043E\u0454\u043D\u0438\u0439 \u041F\u0440\u0438\u0437\u0443 \u0416\u0430\u043D\u0430 \u0412\u0456\u0433\u043E: \u0443 1954 \u0442\u0430 1956 \u0440\u043E\u043A\u0430\u0445."@uk . . . . . . . "Alain Resnais"@in . . "Alain Resnais"@fr . . . "\uC54C\uB7AD \uB808\uB124 (Alain Resnais, 1922\uB144 6\uC6D4 3\uC77C ~ 2014\uB144 3\uC6D4 1\uC77C)\uB294 60\uB144 \uC774\uC0C1\uC758 \uD65C\uB3D9 \uACBD\uB825\uC744 \uAC16\uACE0 \uC788\uB294 \uD504\uB791\uC2A4\uC758 \uC601\uD654\uAC10\uB3C5\uC774\uB2E4."@ko . . . "\u0622\u0644\u0627\u0646 \u0631\u064A\u0646\u064A\u0647"@ar . . . . . . . . . . . . . . "1998"^^ . . . "Alain Resnais (3. \u010Dervna 1922 \u2013 1. b\u0159ezna 2014) byl francouzsk\u00FD filmov\u00FD re\u017Eis\u00E9r. T\u00E9to \u010Dinnosti se za\u010Dal v\u011Bnovat ve druh\u00E9 polovin\u011B \u010Dty\u0159ic\u00E1t\u00FDch let. Mezi jeho nejv\u00FDznamn\u011Bj\u0161\u00ED d\u00EDla pat\u0159\u00ED nap\u0159\u00EDklad film Hiro\u0161ima, m\u00E1 l\u00E1ska z roku 1959. Za sv\u016Fj film Star\u00E1 zn\u00E1m\u00E1 p\u00EDsni\u010Dka z roku 1997 z\u00EDskal C\u00E9sara pro nejlep\u0161\u00ED film; za film Smoking/No Smoking z roku 1994 pak C\u00E9sara pro nejlep\u0161\u00EDho re\u017Eis\u00E9ra. Nato\u010Dil mnoho dal\u0161\u00EDch film\u016F, jako nap\u0159\u00EDklad Loni v Marienbadu (1961), Muriel neboli v \u010Dase n\u00E1vratu (1963), (1980) nebo (2012). Zem\u0159el v roce 2014 ve sv\u00FDch jedenadevades\u00E1ti letech."@cs . . . "Alain Resnais (Vannes, 3 de junio de 1922-Par\u00EDs, 1 de marzo de 2014)\u200B fue un director, guionista de cine y montador franc\u00E9s.\u200B Junto a Fran\u00E7ois Truffaut y Jean-Luc Godard, entre otros,\u200B fue una de las principales figuras de la Nouvelle vague ('Nueva Ola')\u200B del cine franc\u00E9s,\u200B que revolucion\u00F3 el concepto del montaje y la fotograf\u00EDa.\u200B"@es . . "1922"^^ . "Alain Resnais (ur. 3 czerwca 1922 w Vannes, zm. 1 marca 2014 w Pary\u017Cu) \u2013 francuski re\u017Cyser i scenarzysta filmowy. Jeden z najwa\u017Cniejszych re\u017Cyser\u00F3w tzw. francuskiej nowej fali. Do jego najbardziej znanych film\u00F3w nale\u017C\u0105: Hiroszima, moja mi\u0142o\u015B\u0107 (1959) i Zesz\u0142ego roku w Marienbadzie (1961)."@pl . . . . . . . . . . . . . . . . "1119306397"^^ . "Alain Resnais"@eo . "\u0622\u0644\u0627\u0646 \u0631\u064A\u0646\u064A\u0647 (\u0628\u0627\u0644\u0641\u0631\u0646\u0633\u064A\u0629: Alain Resnais)\u200F (\u0648. 1922 \u2013 2014 \u0645) \u0647\u0648 \u0645\u062E\u0631\u062C \u0633\u064A\u0646\u0645\u0627\u0626\u064A\u060C \u0648\u0645\u0635\u0648\u0631 \u0633\u064A\u0646\u0645\u0627\u0626\u064A\u060C \u0648\u0645\u0648\u0646\u062A\u064A\u0631\u060C \u0648\u0643\u0627\u062A\u0628 \u0633\u064A\u0646\u0627\u0631\u064A\u0648\u060C \u0648\u0645\u0645\u062B\u0644 \u0645\u0646 \u0641\u0631\u0646\u0633\u0627 . \u0648\u0644\u062F \u0641\u064A \u0641\u0627\u0646 . \u062A\u0648\u0641\u064A \u0641\u064A \u0628\u0627\u0631\u064A\u0633 ."@ar . "Alain Resnais (Vannes, 3 juni 1922 \u2013 Parijs, 1 maart 2014) was een Frans filmregisseur."@nl . . . "Alain RESNAIS (naski\u011Dinta en la 3-a de junio 1922 en Vannes, mortinta en la 1-a de marto 2014 en Parizo) estis franca re\u011Disoro. Ekde la fino de la 1950-aj jaroj li estis unu de la plej gravaj reprezentantoj de la franca a\u016Dtoro-filmo."@eo . . . . . . . . . . . . . . . . "1969"^^ . . . "Alain Resnais [al\u025B\u0303 \u0281\u025Bn\u025B] est un r\u00E9alisateur fran\u00E7ais, \u00E9galement sc\u00E9nariste et monteur, n\u00E9 le 3 juin 1922 \u00E0 Vannes (Morbihan) et mort le 1er mars 2014 \u00E0 Neuilly-sur-Seine (Hauts-de-Seine). Alors qu'il envisage de devenir com\u00E9dien, il int\u00E8gre la premi\u00E8re promotion de l'IDHEC en montage et commence, \u00E0 la fin des ann\u00E9es 1940, \u00E0 r\u00E9aliser des courts m\u00E9trages et moyens m\u00E9trages documentaires qui marquent le public et la critique : Van Gogh, Guernica et surtout Nuit et Brouillard, premier film de r\u00E9f\u00E9rence sur les camps de concentration."@fr . . . . . . . . . "Alain Resnais (1922ko ekainaren 3a, Vannes, Morbihan - 2014ko martxoaren 1a, Paris) frantses zinemagilea da."@eu . . "\u4E9E\u502B\u00B7\u96F7\u5948\uFF08\u6CD5\u8A9E\uFF1AAlain Resnais\uFF0C1922\u5E746\u67083\u65E5\uFF0D2014\u5E743\u67081\u65E5\uFF09\u662F\u4E00\u4F4D\u6CD5\u570B\u5927\u5E2B\u7D1A\u96FB\u5F71\u5C0E\u6F14\uFF0C\u4ED6\u6700\u5EE3\u70BA\u4EBA\u77E5\u7684\u662F\u65E9\u671F\u4EE5\u8A18\u61B6\u8207\u5275\u50B7\u70BA\u984C\u6750\u7684\u4F5C\u54C1\uFF0C\u4EE3\u8868\u4F5C\u54C1\u5305\u542B\u300A\u300B\uFF081955\u5E74\uFF09\u3001\u300A\u5E7F\u5C9B\u4E4B\u604B\u300B\uFF081959\u5E74\uFF09\u548C\u66FE\u69AE\u7372\u5A01\u5C3C\u65AF\u5F71\u5C55\u91D1\u7345\u734E\u7684\u300A\u53BB\u5E74\u5728\u9A6C\u502B\u5DF4\u300B\uFF081961\u5E74\uFF09\u7B49\u3002\u4E9E\u502B\u00B7\u96F7\u5948\u4E5F\u662F\u6CD5\u570B\u65B0\u6D6A\u6F6E\u5C0E\u6F14\u7684\u4E3B\u8981\u4EE3\u8868\uFF0C\u96D6\u7136\u4E9E\u502B\u00B7\u96F7\u5948\u4E26\u4E0D\u8A8D\u70BA\u81EA\u5DF1\u662F\u6CD5\u570B\u65B0\u6D6A\u6F6E\u7684\u4E00\u90E8\u5206\u3002\u4ED6\u8207\u5DE6\u5CB8\u6D3E\u5C0E\u6F14\u7DCA\u5BC6\u806F\u7E6B\uFF0C\u5177\u6709\u73FE\u4EE3\u4E3B\u7FA9\u98A8\u683C\uFF0C\u4E5F\u662F\u5DE6\u7FFC\u653F\u6CBB\u96FB\u5F71\u88FD\u7247\u4EBA\u3002\u4ED6\u7684\u96FB\u5F71\u66FE\u7D93\u8207\u8BA9\u00B7\u5361\u7EA6\u5C14\u3001\u746A\u683C\u9E97\u7279\u00B7\u675C\u62C9\u65AF\u3001\u963F\u862D\u00B7\u7F85\u4F2F-\u683C\u91CC\u8036\u3001\uFF08Jorge Semprun\uFF09\u8207\uFF08Jacques Sternberg\uFF09\u7B49\u4EBA\u5408\u4F5C\u3002 \u4E9E\u502B\u00B7\u96F7\u5948\u65BC1995\u5E74\u7372\u5F97\u5A01\u5C3C\u65AF\u5F71\u5C55\u7D42\u8EAB\u6210\u5C31\u91D1\u7345\u734E\u3001\u65BC2009\u5E74\u7372\u5F97\u574E\u57CE\u5F71\u5C55\u7D42\u8EAB\u6210\u5C31\u734E\u3002"@zh . . . . . .