. "featuring Miguel"@en . "62560963"^^ . "Keys"@en . . "Medor"@en . "Postlewait"@en . . . . . . . . . . . . "The Times"@en . . . . . . . . "Alicia track listing"@en . . . . . . . "\u300AAlicia\u300B\uB294 2020\uB144 9\uC6D4 18\uC77C\uC5D0 \uBC1C\uB9E4\uB41C \uC568\uB9AC\uC0E4 \uD0A4\uC2A4\uC758 \uC74C\uBC18\uC774\uB2E4. RCA \uB808\uCF54\uB4DC\uC5D0 \uC758\uD574 \uBC1C\uB9E4\uB418\uC5C8\uB2E4."@ko . . "Tedder"@en . . . . . "217.0"^^ . . "Alicia (estilizada en may\u00FAsculas)\u200B es el s\u00E9ptimo \u00E1lbum de estudio de la cantante y compositora estadounidense Alicia Keys. Se lanz\u00F3 a trav\u00E9s de RCA Records el 18 de septiembre de 2020.\u200B Es el primer \u00E1lbum de estudio de Keys desde Here (2016). Para su promoci\u00F3n se han estrenado los sencillos \u00ABShow Me Love\u00BB, \u00ABTime Machine\u00BB, \u00ABUnderdog\u00BB, \u00ABGood Job\u00BB, \u00ABPerfect Way to Die\u00BB, \u00ABSo Done\u00BB y \u00ABLove Looks Better\u00BB. El \u00E1lbum estaba programado para ser apoyado la gira Alicia: The World Tour; que comenzar\u00EDa en Dubl\u00EDn el 5 de junio de 2020 y que finalmente se propuso por la pandemia de COVID-19.\u200B\u200B"@es . . . . . "Alicia (reso graficamente come ALICIA) \u00E8 il settimo album in studio della cantautrice statunitense Alicia Keys, pubblicato il 18 settembre 2020 dalla RCA Records. Il progetto ha vinto il Grammy Award come Best immersive audio album ( miglior album audio immersivo). Il progetto discografico presenta la collaborazione A Beautiful Noise con la cantautrice statunitense Brandi Carlile, candidata ai Grammy Awards 2022 nella categoria alla canzone dell'anno."@it . . . . "Digital edition bonus tracks"@en . . . "Warner"@en . . "Gramercy Park"@en . . "Triangle Sound"@en . . "Alicia (\uC74C\uBC18)"@ko . . . . . . . . "25.0"^^ . . "J. Pierre Medor"@en . "Truth Without Love"@en . . . . . . . "Matthews"@en . . . "Alicia (\u00E1lbum)"@es . "204.0"^^ . . . . "3"^^ . "221.0"^^ . . . . . . ""@en . . . . "Alicia Keys - Authors of Forever.ogg"@en . . . . . . . "Sampha"@en . . . . . "G\u00F6ransson"@en . . . . . . . . ""@en . . . "You Save Me"@en . . . . . "7.2"^^ . . "Rob Knox"@en . . "Rolling Stone"@en . . "211.0"^^ . . "Conway"@en . . . . . . . . . "featuring Diamond Platnumz and Kaash Paige"@en . . . . . . . "Ariowa Irosognie"@en . . . . . . "188.0"^^ . . . . . . . "Khirye Taylor"@en . "Dean"@en . . "77"^^ . . . "A 20-second sample featuring sounds from smooth soul and dance-pop, among the wide range of stylistic elements featured on the album"@en . . . . . . . . . "3280.0"^^ . "Richard Isong"@en . . . "Alicia est le septi\u00E8me album studio de la chanteuse am\u00E9ricaine Alicia Keys sorti en 2020 sur le label RCA Records. \u00C9crit et produit en grande partie par Alicia Keys, l'album comprend \u00E9galement des contributions \u00E0 l'\u00E9criture et \u00E0 la production de Swizz Beatz, Ludwig G\u00F6ransson, , Johnny McDaid et The-Dream, entre autres. L'album devait initialement sortir le 20 mars 2020, puis le 15 mai, avant d'\u00EAtre encore retard\u00E9 en raison de la pand\u00E9mie de COVID-19 . Sept singles sont sortis d\u2019Alicia, dont le duo avec Miguel Show Me Love, Time Machine, Underdog et So Done, avec Khalid. Keys devrait se lancer dans Alicia - The World Tour en 2021 apr\u00E8s le report des dates 2020 de la tourn\u00E9e en raison de la pand\u00E9mie. Musicalement, Alicia s'\u00E9carte de l'exp\u00E9rimentation ouverte du pr\u00E9c\u00E9dent album de l'artiste, Here (2016). Au lieu de cela, la musique revisite les styles de ses \u0153uvres ant\u00E9rieures, y compris des ballades au piano et des chansons R&B bas\u00E9es sur la grosse caisse, bien qu'avec des hooks moins emphatiques. La direction de l'album, que Keys d\u00E9crit comme \"sans genre\", est plut\u00F4t orient\u00E9e vers l'\u00E9vocation d'une humeur particuli\u00E8re et ne se conforme pas \u00E0 une ambiance sonore particuli\u00E8re. Selon le critique pop en chef du New York Times, , la musique \u00ABse creuse souvent autour d'elle, ouvrant de profonds ab\u00EEmes de basse ou entourant une instrumentation clairsem\u00E9e avec des \u00E9chos vides\u00BB. En comparaison avec Here, Shakeena Johnson de Clash dit qu'Alicia est \u00AB moins pop et plus R&B \u00BB. Tout en jugeant l'album souvent une \u0153uvre de R&B contemporain, Helen Brown de The Independent dit qu'il transmet des m\u00E9lodies soul traditionnelles \u00AB \u00E0 travers des sons plus \u00E9tranges - et certainement plus \u00E9clectiques - qu'elle n'en a essay\u00E9s auparavant \u00BB. Dans le processus, les chansons individuelles incorporent des \u00E9l\u00E9ments de styles particuliers, y compris le downtempo R&B (Show Me Love), le funk \u00E0 l'ancienne (Time Machine), la soul influenc\u00E9e par le folk (Gramercy Park), dub (Wasted Energy), musique des Cara\u00EFbes (Underdog) et country (Gramercy Park). Plusieurs morceaux du milieu de l'album remplacent le piano par la guitare acoustique dans un style plus libre de n\u00E9o soul . La dynamique de la musique tout au long est en grande partie downtempo et subtile, sauf pour Love Looks Better, qui est produit dans un style pop-soul plus \u00E9lev\u00E9."@fr . "featuring Tierra Whack"@en . "234.0"^^ . . . . . "* R&B\n* soul\n* orchestral pop"@en . . . . "Kali McLoughlin"@en . . "ELBO"@en . . . "Fieldwork"@en . "The Independent"@en . . . . . "1"^^ . "Thomas"@en . . . "Record Plant"@en . . "Mojo"@en . "25.0"^^ . . . . . . . . . "The conversation turned toward all the varieties of people in the world. Givers and takers. Builders and breakers. Dreamers and bystanders. I tend to want every person to embody the best of humanity \u2013 for all of us to be givers and builders and dreamers. That's not reality. At different seasons in life, we each fall into various categories. Even still, every one of us also has a strong behavioral tendency, and that is okay. I'm coming to terms with the fact that so-called perfection \u2013 this idea that everything should be beautiful and in order at all times \u2013 is just not going to happen."@en . "left"@en . . . . . . . . . "We are lost and lonely people and we're looking for a reason and it's all right\nSo let's celebrate the dreamers, we embrace the space between us, and it's all right\nWe're all in this boat together and we're sailing toward the future and it's all right\nWe can make the whole thing better, we're the authors of forever \u2013 and it's all right"@en . . . "Jungle City"@en . . . . . . . . . . "Zancanella"@en . . "with Brandi Carlile"@en . . "Avery Chambliss"@en . "Alicia (estilizado em letras mai\u00FAsculas) \u00E9 o s\u00E9timo \u00E1lbum de est\u00FAdio da cantora, compositora e produtora americana Alicia Keys, lan\u00E7ado pela RCA Records em 18 de setembro de 2020. Escrito e produzido em grande parte por Keys, o \u00E1lbum tamb\u00E9m apresenta contribui\u00E7\u00F5es de composi\u00E7\u00E3o e produ\u00E7\u00E3o de Swizz Beatz, Ludwig G\u00F6ransson, Rob Knox, Johnny McDaid, e The-Dream, entre outros."@pt . "233.0"^^ . "Alicia (estilizado em letras mai\u00FAsculas) \u00E9 o s\u00E9timo \u00E1lbum de est\u00FAdio da cantora, compositora e produtora americana Alicia Keys, lan\u00E7ado pela RCA Records em 18 de setembro de 2020. Escrito e produzido em grande parte por Keys, o \u00E1lbum tamb\u00E9m apresenta contribui\u00E7\u00F5es de composi\u00E7\u00E3o e produ\u00E7\u00E3o de Swizz Beatz, Ludwig G\u00F6ransson, Rob Knox, Johnny McDaid, e The-Dream, entre outros. O \u00E1lbum estava originalmente previsto para ser lan\u00E7ado em 20 de mar\u00E7o de 2020, depois 15 de maio, antes de ser adiado ainda mais devido \u00E0 pandemia de COVID-19. Sete singles foram lan\u00E7ados de Alicia antes de seu lan\u00E7amento, incluindo o dueto com Miguel, \"Show Me Love\", \"Time Machine\", \"Underdog\", \"Good Job\", \"Perfect Way to Die\", \"So Done\", com Khalid e \"Love Looks Better\". O \u00E1lbum estreou em quarto lugar na Billboard 200 dos EUA, tornando-se o oitavo top 10 de Keys na parada. Ela embarcara na Alicia \u2013 The World Tour em 2021, depois que as datas da turn\u00EA de 2020 foram adiadas devido \u00E0 pandemia."@pt . "The Observer"@en . "studio"@en . . . "RAK"@en . . . . . . . . "P2J"@en . . . . "Producer"@en . . . "An album cover with four photos arrayed clockwise and showing Keys' head, pictured from the front, back, and sides"@en . . . . "\u300AAlicia\u300B\uB294 2020\uB144 9\uC6D4 18\uC77C\uC5D0 \uBC1C\uB9E4\uB41C \uC568\uB9AC\uC0E4 \uD0A4\uC2A4\uC758 \uC74C\uBC18\uC774\uB2E4. RCA \uB808\uCF54\uB4DC\uC5D0 \uC758\uD574 \uBC1C\uB9E4\uB418\uC5C8\uB2E4."@ko . "Alicia"@en . . "266.0"^^ . . "Coffer"@en . "\"Authors of Forever\""@en . . . "Alicia is the seventh studio album by American singer-songwriter and pianist Alicia Keys. It was primarily recorded at Oven Studios and Jungle City Studios, both in New York, after her 2016 album Here and her judgeship on the singing competition series The Voice, before being released by RCA Records on September 18, 2020. Written and produced largely by Keys, the album also features songwriting and production contributions from Swizz Beatz, Ryan Tedder, Johnny McDaid, Ed Sheeran, and The-Dream, among others. Keys collaborated with more artists on the recording than in her previous albums, enlisting vocalists such as Sampha, Tierra Whack, Diamond Platnumz, Snoh Aalegra, and Jill Scott for certain tracks. Alicia's mostly low-tempo and melodically subtle music reconciles the experimental direction of Here with her earlier work's bass drum-driven R&B and piano-based balladry. Throughout, individual songs incorporate sounds from a wide range of other genres, including orchestral pop, progressive soul, funk, ambient, country, and Caribbean music. Thematically, they explore identity as a multifaceted concept, sociopolitical concerns, and forms of love within the framework of impressionistic lyrics, personal narratives, and self-knowledge. Keys has described the album as therapeutic and reflective of greater introspection in herself, expressing ideas and feelings of hope, frustration, despair, ambivalence, and equanimity shared in her memoir More Myself (2020), which was written during Alicia's recording. The album was originally scheduled to be released on March 20, 2020, then May 15, before being delayed indefinitely in response to the COVID-19 pandemic. It was marketed with an extended traditional rollout campaign that featured various media appearances by Keys and the release of seven singles, including the Miguel duet \"Show Me Love\", \"Time Machine\", \"Underdog\", and \"So Done\" (with Khalid). After a surprise announcement of its impending release in September, Alicia debuted at number four on the Billboard 200 in its first week and became Keys' eighth top-10 record in the US, while charting in the top 10 in several other countries. However, it fell off the US chart a few weeks later. A critical success, Alicia received praise for Keys' nuanced vocal performances and the music's accessibility, while her thematic messages were considered balanced, healing, and timely against the backdrop of unfolding world events. The singles \"Good Job\" and \"Perfect Way to Die\" resonated especially with the importance of essential workers during the pandemic and with the 2020\u20132021 racial unrest over police brutality in the US, respectively. The album also won the Grammy Award for Best Immersive Audio Album at the 2022 Grammy Awards. In further support of the album, Keys performed in concert from June to September 2022 on Alicia \u2013 The World Tour, which was postponed from 2020 and 2021 due to the pandemic."@en . "Mark Ronson"@en . . "Emile Haynie"@en . . "Alicia is the seventh studio album by American singer-songwriter and pianist Alicia Keys. It was primarily recorded at Oven Studios and Jungle City Studios, both in New York, after her 2016 album Here and her judgeship on the singing competition series The Voice, before being released by RCA Records on September 18, 2020. Written and produced largely by Keys, the album also features songwriting and production contributions from Swizz Beatz, Ryan Tedder, Johnny McDaid, Ed Sheeran, and The-Dream, among others. Keys collaborated with more artists on the recording than in her previous albums, enlisting vocalists such as Sampha, Tierra Whack, Diamond Platnumz, Snoh Aalegra, and Jill Scott for certain tracks."@en . . "2021"^^ . . . . . "245.0"^^ . "2016"^^ . . . . . . . . "Morgan Matthews"@en . "Alicia Keys - Alicia.png"@en . . . . . . . . . . "203.0"^^ . "Evening Standard"@en . . "featuring Jill Scott"@en . . . . . . . . . "Alicia est le septi\u00E8me album studio de la chanteuse am\u00E9ricaine Alicia Keys sorti en 2020 sur le label RCA Records. \u00C9crit et produit en grande partie par Alicia Keys, l'album comprend \u00E9galement des contributions \u00E0 l'\u00E9criture et \u00E0 la production de Swizz Beatz, Ludwig G\u00F6ransson, , Johnny McDaid et The-Dream, entre autres."@fr . . . . . "padding:8px;"@en . "2015"^^ . . . . "277.0"^^ . . . . . . . "192.0"^^ . . "featuring Sir"@en . . . . "Irosognie"@en . . . "Keys"@en . . . . . "Alicia"@en . . . . . "Kole"@en . "--09-17"^^ . "244.0"^^ . . "2020-09-18"^^ . "featuring Diamond Platnumz"@en . "Alicia (\u00E1lbum)"@pt . "241.0"^^ . "Dopson"@en . . . "Alicia \u2014 \u0441\u0435\u0434\u044C\u043C\u043E\u0439 \u0441\u0442\u0443\u0434\u0438\u0439\u043D\u044B\u0439 \u0430\u043B\u044C\u0431\u043E\u043C \u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u043A\u043E\u0439 R&B \u0438 \u0441\u043E\u0443\u043B-\u0438\u0441\u043F\u043E\u043B\u043D\u0438\u0442\u0435\u043B\u044C\u043D\u0438\u0446\u044B \u0410\u043B\u0438\u0448\u0438 \u041A\u0438\u0437, \u0432\u044B\u0448\u0435\u0434\u0448\u0438\u0439 18 \u0441\u0435\u043D\u0442\u044F\u0431\u0440\u044F 2020 \u0433\u043E\u0434\u0430 \u043D\u0430 \u043B\u0435\u0439\u0431\u043B\u0435 RCA Records. \u041F\u0435\u0440\u0432\u043E\u043D\u0430\u0447\u0430\u043B\u044C\u043D\u043E \u0432\u044B\u0445\u043E\u0434 \u0430\u043B\u044C\u0431\u043E\u043C\u0430 \u043F\u043B\u0430\u043D\u0438\u0440\u043E\u0432\u0430\u043B\u0441\u044F \u0432 \u043F\u043E\u0434\u0434\u0435\u0440\u0436\u043A\u0443 \u043C\u0438\u0440\u043E\u0432\u043E\u0433\u043E \u043A\u043E\u043D\u0446\u0435\u0440\u0442\u043D\u043E\u0433\u043E \u0442\u0443\u0440\u0430 \u041A\u0438\u0437 The World Tour, \u043A\u043E\u0442\u043E\u0440\u044B\u0439 \u043D\u0430\u043C\u0435\u0447\u0430\u043B\u0441\u044F \u043D\u0430 \u0438\u044E\u043D\u044C 2020 \u0433\u043E\u0434\u0430. \u0412\u044B\u0445\u043E\u0434 \u0430\u043B\u044C\u0431\u043E\u043C\u0430 \u0431\u044B\u043B \u043E\u0442\u043B\u043E\u0436\u0435\u043D \u0438\u0437-\u0437\u0430 \u043F\u0430\u043D\u0434\u0435\u043C\u0438\u0438 \u043A\u043E\u0440\u043E\u043D\u0430\u0432\u0438\u0440\u0443\u0441\u0430."@ru . "Alicia (album)"@en . . "Coffer"@en . . . . . . . . . . . . . . . . . . . "Tierra Whack"@en . . . "Jill Scott"@en . . . . . . . . . "Oven"@en . . . "* Alicia Keys\n* Jimmy Napes\n* Johnny McDaid\n* Jonny Coffer\n* Khirye Taylor\n* Larrance Dopson\n* Ludwig G\u00F6ransson\n* Morgan Matthews\n* Noel Zancanella\n* P2J\n* Rob Knox\n* Ryan Tedder\n* Sampha\n* Sean C\n* Sebastian Kole\n* Tricky Stewart"@en . "154.0"^^ . . . "NME"@en . "95969"^^ . "Slant Magazine"@en . "3280.0"^^ . . "featuring Snoh Aalegra"@en . . "Three Hour Drive \u2013 A Colors Show"@en . . "Wasted Energy"@en . . . . "Jill Scott"@en . "25"^^ . . . . . . . . . "199.0"^^ . . . "McDaid"@en . . . "Alicia (album)"@fr . . "Damien Romel Farmer"@en . "Christopher \"Brody\" Brown"@en . "\u2014 Keys in More Myself discussing Alicias themes"@en . "McLoughlin"@en . . "Dopson"@en . . . . "Nathaniel Warner"@en . . "Samuel Kirk Thomas"@en . . . . . . . . "Alicia (album)"@it . . . . "Kole"@en . . . . "259.0"^^ . . . "Alicia (\u0430\u043B\u044C\u0431\u043E\u043C)"@ru . . "Clash"@en . . "featuring Khalid"@en . . . . . . . "Patrick William Postlewait"@en . . . . . "Alicia (reso graficamente come ALICIA) \u00E8 il settimo album in studio della cantautrice statunitense Alicia Keys, pubblicato il 18 settembre 2020 dalla RCA Records. Il progetto ha vinto il Grammy Award come Best immersive audio album ( miglior album audio immersivo). Il progetto discografico presenta la collaborazione A Beautiful Noise con la cantautrice statunitense Brandi Carlile, candidata ai Grammy Awards 2022 nella categoria alla canzone dell'anno."@it . . . . "Alicia (estilizada en may\u00FAsculas)\u200B es el s\u00E9ptimo \u00E1lbum de estudio de la cantante y compositora estadounidense Alicia Keys. Se lanz\u00F3 a trav\u00E9s de RCA Records el 18 de septiembre de 2020.\u200B Es el primer \u00E1lbum de estudio de Keys desde Here (2016). Para su promoci\u00F3n se han estrenado los sencillos \u00ABShow Me Love\u00BB, \u00ABTime Machine\u00BB, \u00ABUnderdog\u00BB, \u00ABGood Job\u00BB, \u00ABPerfect Way to Die\u00BB, \u00ABSo Done\u00BB y \u00ABLove Looks Better\u00BB. El \u00E1lbum estaba programado para ser apoyado la gira Alicia: The World Tour; que comenzar\u00EDa en Dubl\u00EDn el 5 de junio de 2020 y que finalmente se propuso por la pandemia de COVID-19.\u200B\u200B"@es . "Isong"@en . . "Carlile"@en . . "7"^^ . . . . . . . "Alicia \u2014 \u0441\u0435\u0434\u044C\u043C\u043E\u0439 \u0441\u0442\u0443\u0434\u0438\u0439\u043D\u044B\u0439 \u0430\u043B\u044C\u0431\u043E\u043C \u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u043A\u043E\u0439 R&B \u0438 \u0441\u043E\u0443\u043B-\u0438\u0441\u043F\u043E\u043B\u043D\u0438\u0442\u0435\u043B\u044C\u043D\u0438\u0446\u044B \u0410\u043B\u0438\u0448\u0438 \u041A\u0438\u0437, \u0432\u044B\u0448\u0435\u0434\u0448\u0438\u0439 18 \u0441\u0435\u043D\u0442\u044F\u0431\u0440\u044F 2020 \u0433\u043E\u0434\u0430 \u043D\u0430 \u043B\u0435\u0439\u0431\u043B\u0435 RCA Records. \u041F\u0435\u0440\u0432\u043E\u043D\u0430\u0447\u0430\u043B\u044C\u043D\u043E \u0432\u044B\u0445\u043E\u0434 \u0430\u043B\u044C\u0431\u043E\u043C\u0430 \u043F\u043B\u0430\u043D\u0438\u0440\u043E\u0432\u0430\u043B\u0441\u044F \u0432 \u043F\u043E\u0434\u0434\u0435\u0440\u0436\u043A\u0443 \u043C\u0438\u0440\u043E\u0432\u043E\u0433\u043E \u043A\u043E\u043D\u0446\u0435\u0440\u0442\u043D\u043E\u0433\u043E \u0442\u0443\u0440\u0430 \u041A\u0438\u0437 The World Tour, \u043A\u043E\u0442\u043E\u0440\u044B\u0439 \u043D\u0430\u043C\u0435\u0447\u0430\u043B\u0441\u044F \u043D\u0430 \u0438\u044E\u043D\u044C 2020 \u0433\u043E\u0434\u0430. \u0412\u044B\u0445\u043E\u0434 \u0430\u043B\u044C\u0431\u043E\u043C\u0430 \u0431\u044B\u043B \u043E\u0442\u043B\u043E\u0436\u0435\u043D \u0438\u0437-\u0437\u0430 \u043F\u0430\u043D\u0434\u0435\u043C\u0438\u0438 \u043A\u043E\u0440\u043E\u043D\u0430\u0432\u0438\u0440\u0443\u0441\u0430."@ru . . . . "left"@en . . . . . "Napes"@en . "Carlile"@en . "Taylor"@en . "1122293409"^^ . . "Justus Alexander West"@en . . "Authors of Forever"@en . "212.0"^^ . . . . . . . "Nash"@en . . . "McDaid"@en . . . . . . "featuring Sampha"@en . . "50.0"^^ . . "Keys"@en . . "Jeremiah Bethea"@en . ""@en . . . "Me x 7"@en . "Napes"@en . .