. "1885-08-03"^^ . . . . . . . . . . . "4041"^^ . . . . "1959-09-21"^^ . . . . . . . . . . "Arturo Gallea"@it . . . "Arturo Gallea est un directeur de la photographie italien, n\u00E9 le 18 septembre 1895 \u00E0 Turin (Pi\u00E9mont), mort le 20 septembre 1959 \u00E0 Rome (Latium)."@fr . . "1959-09-21"^^ . . "1035219386"^^ . "Arturo Gallea est un directeur de la photographie italien, n\u00E9 le 18 septembre 1895 \u00E0 Turin (Pi\u00E9mont), mort le 20 septembre 1959 \u00E0 Rome (Latium)."@fr . . . . . "1885"^^ . . . . "Arturo Gallea"@en . . . . . . . . . . "1959"^^ . "Arturo Gallea"@fr . . . "1885-08-03"^^ . "Arturo Gallea (18 September 1895 \u2013 21 September 1959) was an Italian cinematographer and producer. Born in Turin, Gallea entered the industry of cinema in 1911 as a film producer. He began his career as a cinematographer in the mid-1910s and, in 1952, won the Nastro d'Argento for best cinematography for his work in Renato Castellani's Two Cents Worth of Hope. Gallea died in a car accident in 1959."@en . . . . . . "Arturo Gallea"@en . . . . . . . . . . . . . . . . "42626390"^^ . . . . . . . . . . . . . . . . . . . . "Arturo Gallea (Torino, 18 settembre 1895 \u2013 Roma, 20 settembre 1959) \u00E8 stato un direttore della fotografia italiano, vincitore di un Nastro d'argento alla migliore fotografia nel 1952."@it . . . . . "Arturo Gallea"@en . . . . . . . . . . . "Arturo Gallea (Torino, 18 settembre 1895 \u2013 Roma, 20 settembre 1959) \u00E8 stato un direttore della fotografia italiano, vincitore di un Nastro d'argento alla migliore fotografia nel 1952."@it . . . . . . . . . . . . . . . . . . . . . "Arturo Gallea (18 September 1895 \u2013 21 September 1959) was an Italian cinematographer and producer. Born in Turin, Gallea entered the industry of cinema in 1911 as a film producer. He began his career as a cinematographer in the mid-1910s and, in 1952, won the Nastro d'Argento for best cinematography for his work in Renato Castellani's Two Cents Worth of Hope. Gallea died in a car accident in 1959."@en . . . . . . . .