. . . . . . . . . . . . . . . . . . . . "\u0397 \u03BA\u03C9\u03BC\u03B9\u03BA\u03AE \u03CC\u03C0\u03B5\u03C1\u03B1 \u0392\u03B5\u03B1\u03C4\u03C1\u03AF\u03BA\u03B7 \u03BA\u03B1\u03B9 \u0392\u03B5\u03BD\u03AD\u03B4\u03B9\u03BA\u03C4\u03BF\u03C2 (\u03B3\u03B1\u03BB\u03BB. B\u00E9atrice et B\u00E9n\u00E9dict) \u03B3\u03C1\u03AC\u03C6\u03C4\u03B7\u03BA\u03B5 \u03B1\u03C0\u03CC \u03C4\u03BF\u03BD \u0395\u03BA\u03C4\u03CC\u03C1 \u039C\u03C0\u03B5\u03C1\u03BB\u03B9\u03CC\u03B6 \u03C0\u03AC\u03BD\u03C9 \u03C3\u03B5 \u03BB\u03B9\u03BC\u03C0\u03C1\u03AD\u03C4\u03BF \u03C4\u03BF\u03C5 \u03AF\u03B4\u03B9\u03BF\u03C5. \u0391\u03C0\u03BF\u03C4\u03B5\u03BB\u03B5\u03AF\u03C4\u03B1\u03B9 \u03B1\u03C0\u03CC \u03B4\u03CD\u03BF \u03C0\u03C1\u03AC\u03BE\u03B5\u03B9\u03C2 \u03BA\u03B1\u03B9 \u03B2\u03B1\u03C3\u03AF\u03B6\u03B5\u03C4\u03B1\u03B9 \u03C3\u03C4\u03B7\u03BD \u03C0\u03BB\u03BF\u03BA\u03AE \u03C4\u03BF\u03C5 \u03C3\u03B1\u03B9\u03BE\u03C0\u03B7\u03C1\u03B9\u03BA\u03BF\u03CD \u03A0\u03BF\u03BB\u03CD \u039A\u03B1\u03BA\u03CC \u03B3\u03B9\u03B1 \u03C4\u03BF \u03A4\u03AF\u03C0\u03BF\u03C4\u03B1. \u0397 \u03CC\u03C0\u03B5\u03C1\u03B1 \u03C0\u03C1\u03C9\u03C4\u03BF\u03C0\u03B1\u03C1\u03BF\u03C5\u03C3\u03B9\u03AC\u03C3\u03C4\u03B7\u03BA\u03B5 \u03C3\u03C4\u03BF \u039C\u03C0\u03AC\u03BD\u03C4\u03B5\u03BD-\u039C\u03C0\u03AC\u03BD\u03C4\u03B5\u03BD, \u03C3\u03C4\u03B9\u03C2 9 \u0391\u03C5\u03B3\u03BF\u03CD\u03C3\u03C4\u03BF\u03C5 1862. \u039F \u039C\u03C0\u03B5\u03C1\u03BB\u03B9\u03CC\u03B6 \u03BF\u03BB\u03BF\u03BA\u03BB\u03AE\u03C1\u03C9\u03C3\u03B5 \u03C4\u03BF \u03AD\u03C1\u03B3\u03BF \u03C0\u03B1\u03C1\u03AC\u03BB\u03BB\u03B7\u03BB\u03B1 \u03BC\u03B5 \u03C4\u03B7 \u03C3\u03CD\u03BD\u03B8\u03B5\u03C3\u03B7 \u03BA\u03B1\u03B9 \u03C0\u03B1\u03C1\u03B1\u03B3\u03C9\u03B3\u03AE \u03C4\u03BF\u03C5 \u03B1\u03C1\u03B9\u03C3\u03C4\u03BF\u03C5\u03C1\u03B3\u03AE\u03BC\u03B1\u03C4\u03CC\u03C2 \u03C4\u03BF\u03C5, . \u039C\u03B5\u03C4\u03AC \u03B1\u03C0\u03CC \u03C4\u03B7\u03BD \u03B5\u03C0\u03B9\u03C4\u03C5\u03C7\u03AF\u03B1 \u03C4\u03B7\u03C2 \u03C0\u03C1\u03B5\u03BC\u03B9\u03AD\u03C1\u03B1\u03C2 \u03C3\u03C4\u03BF \u039C\u03C0\u03AC\u03BD\u03C4\u03B5\u03BD-\u039C\u03C0\u03AC\u03BD\u03C4\u03B5\u03BD, \u03BF \u03AF\u03B4\u03B9\u03BF\u03C2 \u03BF \u039C\u03C0\u03B5\u03C1\u03BB\u03B9\u03CC\u03B6 \u03B4\u03B9\u03B7\u03CD\u03B8\u03C5\u03BD\u03B5 \u03C4\u03B9\u03C2 \u03C0\u03C1\u03CE\u03C4\u03B5\u03C2 \u03B4\u03CD\u03BF \u03C0\u03B1\u03C1\u03B1\u03C3\u03C4\u03AC\u03C3\u03B5\u03B9\u03C2 \u03C3\u03C4\u03B7 \u0392\u03B1\u03CA\u03BC\u03AC\u03C1\u03B7. \u0397 \u03CC\u03C0\u03B5\u03C1\u03B1 \u0392\u03B5\u03B1\u03C4\u03C1\u03AF\u03BA\u03B7 \u03BA\u03B1\u03B9 \u0392\u03B5\u03BD\u03AD\u03B4\u03B9\u03BA\u03C4\u03BF\u03C2 \u03C0\u03B1\u03C1\u03BF\u03C5\u03C3\u03B9\u03AC\u03B6\u03B5\u03C4\u03B1\u03B9 \u03C3\u03C0\u03AC\u03BD\u03B9\u03B1, \u03BA\u03B1\u03B8\u03CE\u03C2 \u03B4\u03B5\u03BD \u03B1\u03C0\u03BF\u03C4\u03AD\u03BB\u03B5\u03C3\u03B5 \u03C0\u03BF\u03C4\u03AD \u03BC\u03AD\u03C1\u03BF\u03C2 \u03C4\u03BF\u03C5 \u03BA\u03BB\u03B1\u03C3\u03B9\u03BA\u03BF\u03CD \u03BF\u03C0\u03B5\u03C1\u03B5\u03C4\u03B9\u03BA\u03BF\u03CD \u03C1\u03B5\u03C0\u03B5\u03C1\u03C4\u03BF\u03C1\u03AF\u03BF\u03C5. \u0391\u03BD\u03C4\u03AF\u03B8\u03B5\u03C4\u03B1, \u03B7 \u03BF\u03C5\u03B2\u03B5\u03C1\u03C4\u03BF\u03CD\u03C1\u03B1 \u03C4\u03B7\u03C2 \u03B5\u03BA\u03C4\u03B5\u03BB\u03B5\u03AF\u03C4\u03B1\u03B9 \u03C3\u03C5\u03C7\u03BD\u03AC \u03B1\u03C0\u03CC \u03C3\u03C5\u03BC\u03C6\u03C9\u03BD\u03B9\u03BA\u03AD\u03C2 \u03BF\u03C1\u03C7\u03AE\u03C3\u03C4\u03C1\u03B5\u03C2."@el . . . . . . . . . . . . . "B\u00E9atrice et B\u00E9n\u00E9dict"@en . . . . . "B\u00E9atrice et B\u00E9n\u00E9dict (Beatriu i Benet) \u00E9s una op\u00E9ra-comique en dos actes amb m\u00FAsica d'Hector Berlioz. El llibret franc\u00E8s va ser obra del mateix Berlioz, basat lleugerament en Molt soroll per no res, de Shakespeare. Va ser estrenada al , Baden-Baden, el 9 d'agost de 1862. Berlioz va compondre'n la partitura alhora que treballava en la seua magna obra, la monumental \u00F2pera Les Troyens. Poc despr\u00E9s de la seua estrena reeixida a Baden-Baden, Berlioz va dirigir dues representacions de la versi\u00F3 alemanya de l'\u00F2pera a Weimar, on, com va recordar a les seues mem\u00F2ries, es va veure \"aclaparat per tota mena d'amables atencions\". B\u00E9atrice et B\u00E9n\u00E9dict no s'interpreta massa sovint, i mai ha format part del repertori oper\u00EDstic convencional. N'hi ha diversos enregistraments i l'obertura ha esdevingut una popular pe\u00E7a de concert."@ca . . "Beatriz y Benedicto"@es . . . . "B\u00E9atrice et B\u00E9n\u00E9dict (Beatrice and Benedick) \u00E8 un'op\u00E9ra comique in due atti di Hector Berlioz. Berlioz scrisse lui stesso il libretto francese, basato strettamente su Molto rumore per nulla di Shakespeare. Berlioz era interessato a mettere in scena la commedia di Shakespeare fin dal suo ritorno dall'Italia nel 1833, ma compose la musica di B\u00E9atrice et B\u00E9n\u00E9dict solo dopo aver completato Les Troyens nel 1858.L'opera fu eseguita per la prima volta al Theater der Stadt, Baden-Baden il 9 agosto 1862. Berlioz diresse le prime due produzioni di una versione tedesca a Weimar nel 1863, dove, come scrisse nelle sue memorie, egli fu \"travolto da ogni sorta di cortese attenzione.\" \u00C8 la prima versione degna di nota della commedia di Shakespeare in forma di opera lirica, e fu seguita dalle opere fra gli altri di \u00C1rp\u00E1d Doppler, e Reynaldo Hahn. Il biografo di Berlioz David Cairns ha scritto: \"Ascoltando l'allegria esuberante della partitura, solo a tratti toccata da malinconia, non si potrebbe mai immaginare che il suo autore stesse soffrendo quando la scrisse e fosse impaziente di morire\"."@it . "B\u00E9atrice et B\u00E9nedict \u00E4r en op\u00E9ra comique i tv\u00E5 akter med musik och text av Hector Berlioz efter Shakespeares komedi Mycket v\u00E4sen f\u00F6r ingenting."@sv . "B\u00E9atrice et B\u00E9n\u00E9dict"@it . . . . . . . . . . "B\u00E9atrice et B\u00E9nedict \u00E4r en op\u00E9ra comique i tv\u00E5 akter med musik och text av Hector Berlioz efter Shakespeares komedi Mycket v\u00E4sen f\u00F6r ingenting."@sv . . . "B\u00E9atrice et B\u00E9n\u00E9dict (Beatrice and Benedick) \u00E8 un'op\u00E9ra comique in due atti di Hector Berlioz. Berlioz scrisse lui stesso il libretto francese, basato strettamente su Molto rumore per nulla di Shakespeare. \u00C8 la prima versione degna di nota della commedia di Shakespeare in forma di opera lirica, e fu seguita dalle opere fra gli altri di \u00C1rp\u00E1d Doppler, e Reynaldo Hahn."@it . . . . . "B\u00E9atrice et B\u00E9n\u00E9dict"@en . "B\u00E9atrice et B\u00E9n\u00E9dict"@ca . . . . . "\u30D9\u30A2\u30C8\u30EA\u30B9\u3068\u30D9\u30CD\u30C7\u30A3\u30AF\u30C8"@ja . . . . . . . . . . . . . . "B\u00E9atrice et B\u00E9n\u00E9dict (Beatrice and Benedick) is an op\u00E9ra comique in two acts by French composer Hector Berlioz. Berlioz wrote the French libretto himself, based in general outline on a subplot in Shakespeare's Much Ado About Nothing. Berlioz had been interested in setting Shakespeare's comedy since his return from Italy in 1833, but only composed the score of B\u00E9atrice et B\u00E9n\u00E9dict following the completion of Les Troyens in 1858. It was first performed at the opening of the Theater Baden-Baden on 9 August 1862. Berlioz conducted the first two performances of a German version in Weimar in 1863, where, as he wrote in his memoirs, he was \"overwhelmed by all sorts of kind attention.\" It is the first notable version of Shakespeare's play in operatic form, and was followed by works by, among others, \u00C1rp\u00E1d Doppler, Paul Puget, Charles Villiers Stanford, and Reynaldo Hahn. Berlioz biographer David Cairns has written: \"Listening to the score's exuberant gaiety, only momentarily touched by sadness, one would never guess that its composer was in pain when he wrote it and impatient for death\"."@en . . . . "1862-08-09"^^ . . . "B\u00E9atrice et B\u00E9n\u00E9dict (deutscher Titel: B\u00E9atrice und B\u00E9n\u00E9dict) ist eine Op\u00E9ra-comique in zwei Akten des Komponisten Hector Berlioz; sie entstand als Opus 27 zwischen 1860 und 1862. Das Libretto, frei nach William Shakespeares Viel L\u00E4rm um nichts verfasste der Komponist selbst."@de . . . . "B\u00E9atrice et B\u00E9n\u00E9dict is een op\u00E9ra-comique in twee bedrijven van Hector Berlioz op een libretto van de componist, gebaseerd op het blijspel Much Ado About Nothing van William Shakespeare. De premi\u00E8re vond plaats op 9 augustus 1862 in het theater van Baden-Baden, ter gelegenheid van de opening. De eerste sc\u00E8nische opvoering in Nederland had pas plaats in 2001 bij De Nederlandse Opera in Amsterdam."@nl . . "\u300E\u30D9\u30A2\u30C8\u30EA\u30B9\u3068\u30D9\u30CD\u30C7\u30A3\u30AF\u30C8\u300F\uFF08B\u00E9atrice et B\u00E9n\u00E9dict \uFF09\u306F\u3001\u30A8\u30AF\u30C8\u30EB\u30FB\u30D9\u30EB\u30EA\u30AA\u30FC\u30BA\u304C\u4F5C\u66F2\u3057\u305F2\u5E55\u304B\u3089\u306A\u308B\u30AA\u30DA\u30E9\u30021860\u5E74\u304B\u30891862\u5E74\u306B\u304B\u3051\u3066\u4F5C\u66F2\u3055\u308C\u3001\u30D9\u30EB\u30EA\u30AA\u30FC\u30BA\u304C\u6700\u5F8C\u306B\u5B8C\u6210\u3057\u305F\u5927\u4F5C\u3068\u306A\u3063\u305F\uFF08\u3053\u306E\u4F5C\u54C1\u306E\u5F8C\u306B\u66F8\u304B\u308C\u305F\u306E\u306F2\u30013\u306E\u58F0\u697D\u66F2\u306E\u307F\u3067\u3042\u308B\uFF09\u3002\u300C\u30B7\u30A7\u30A4\u30AF\u30B9\u30D4\u30A2\u98A8\u306E\u30AA\u30DA\u30E9\u300D\uFF08Op\u00E9ra imit\u00E9 de Shakespeare \uFF09\u3068\u9298\u6253\u3063\u3066\u304A\u308A\u3001\u30B7\u30A7\u30A4\u30AF\u30B9\u30D4\u30A2\u306E\u622F\u66F2\u300E\u7A7A\u9A12\u304E\u300F\u3092\u539F\u4F5C\u3068\u3057\u3066\u30D9\u30EB\u30EA\u30AA\u30FC\u30BA\u81EA\u8EAB\u304C\u30D5\u30E9\u30F3\u30B9\u8A9E\u306E\u30EA\u30D6\u30EC\u30C3\u30C8\u3092\u66F8\u3044\u305F\u3002"@ja . . . . . "355811"^^ . . . . "French"@en . . "Hector Berlioz"@en . . . . . . . . . . . . . . "B\u00E9atrice et B\u00E9n\u00E9dict est un op\u00E9ra-comique en deux actes d'Hector Berlioz, opus 27, (H 138), librement inspir\u00E9 de la pi\u00E8ce de William Shakespeare, Beaucoup de bruit pour rien, et cr\u00E9\u00E9 au de Baden-Baden le 9 ao\u00FBt 1862."@fr . . . . . "B\u00E9atrice et B\u00E9n\u00E9dict (Beatriu i Benet) \u00E9s una op\u00E9ra-comique en dos actes amb m\u00FAsica d'Hector Berlioz. El llibret franc\u00E8s va ser obra del mateix Berlioz, basat lleugerament en Molt soroll per no res, de Shakespeare. Va ser estrenada al , Baden-Baden, el 9 d'agost de 1862. B\u00E9atrice et B\u00E9n\u00E9dict no s'interpreta massa sovint, i mai ha format part del repertori oper\u00EDstic convencional. N'hi ha diversos enregistraments i l'obertura ha esdevingut una popular pe\u00E7a de concert."@ca . . . . . . "B\u00E9atrice et B\u00E9n\u00E9dict (deutscher Titel: B\u00E9atrice und B\u00E9n\u00E9dict) ist eine Op\u00E9ra-comique in zwei Akten des Komponisten Hector Berlioz; sie entstand als Opus 27 zwischen 1860 und 1862. Das Libretto, frei nach William Shakespeares Viel L\u00E4rm um nichts verfasste der Komponist selbst."@de . "Beatriz y Benedicto (t\u00EDtulo original en franc\u00E9s, B\u00E9atrice et B\u00E9n\u00E9dict) es una op\u00E9ra-comique en dos actos con m\u00FAsica y libreto en franc\u00E9s de Hector Berlioz, quien se bas\u00F3 en la obra de Shakespeare Much Ado About Nothing (Mucho ruido y pocas nueces). Se estren\u00F3 en el , de Baden-Baden, el 9 de agosto de 1862."@es . . . . . . . . "B\u00E9atrice et B\u00E9n\u00E9dict"@en . . . "\u300E\u30D9\u30A2\u30C8\u30EA\u30B9\u3068\u30D9\u30CD\u30C7\u30A3\u30AF\u30C8\u300F\uFF08B\u00E9atrice et B\u00E9n\u00E9dict \uFF09\u306F\u3001\u30A8\u30AF\u30C8\u30EB\u30FB\u30D9\u30EB\u30EA\u30AA\u30FC\u30BA\u304C\u4F5C\u66F2\u3057\u305F2\u5E55\u304B\u3089\u306A\u308B\u30AA\u30DA\u30E9\u30021860\u5E74\u304B\u30891862\u5E74\u306B\u304B\u3051\u3066\u4F5C\u66F2\u3055\u308C\u3001\u30D9\u30EB\u30EA\u30AA\u30FC\u30BA\u304C\u6700\u5F8C\u306B\u5B8C\u6210\u3057\u305F\u5927\u4F5C\u3068\u306A\u3063\u305F\uFF08\u3053\u306E\u4F5C\u54C1\u306E\u5F8C\u306B\u66F8\u304B\u308C\u305F\u306E\u306F2\u30013\u306E\u58F0\u697D\u66F2\u306E\u307F\u3067\u3042\u308B\uFF09\u3002\u300C\u30B7\u30A7\u30A4\u30AF\u30B9\u30D4\u30A2\u98A8\u306E\u30AA\u30DA\u30E9\u300D\uFF08Op\u00E9ra imit\u00E9 de Shakespeare \uFF09\u3068\u9298\u6253\u3063\u3066\u304A\u308A\u3001\u30B7\u30A7\u30A4\u30AF\u30B9\u30D4\u30A2\u306E\u622F\u66F2\u300E\u7A7A\u9A12\u304E\u300F\u3092\u539F\u4F5C\u3068\u3057\u3066\u30D9\u30EB\u30EA\u30AA\u30FC\u30BA\u81EA\u8EAB\u304C\u30D5\u30E9\u30F3\u30B9\u8A9E\u306E\u30EA\u30D6\u30EC\u30C3\u30C8\u3092\u66F8\u3044\u305F\u3002"@ja . . . . . "B\u00E9atrice et B\u00E9n\u00E9dict est un op\u00E9ra-comique en deux actes d'Hector Berlioz, opus 27, (H 138), librement inspir\u00E9 de la pi\u00E8ce de William Shakespeare, Beaucoup de bruit pour rien, et cr\u00E9\u00E9 au de Baden-Baden le 9 ao\u00FBt 1862."@fr . "1.2"^^ . . . . . . . . . "B\u00E9atrice et B\u00E9n\u00E9dict (Beatrice and Benedick) is an op\u00E9ra comique in two acts by French composer Hector Berlioz. Berlioz wrote the French libretto himself, based in general outline on a subplot in Shakespeare's Much Ado About Nothing. It is the first notable version of Shakespeare's play in operatic form, and was followed by works by, among others, \u00C1rp\u00E1d Doppler, Paul Puget, Charles Villiers Stanford, and Reynaldo Hahn."@en . . . "13955"^^ . . . . . . . . . . "\u0397 \u03BA\u03C9\u03BC\u03B9\u03BA\u03AE \u03CC\u03C0\u03B5\u03C1\u03B1 \u0392\u03B5\u03B1\u03C4\u03C1\u03AF\u03BA\u03B7 \u03BA\u03B1\u03B9 \u0392\u03B5\u03BD\u03AD\u03B4\u03B9\u03BA\u03C4\u03BF\u03C2 (\u03B3\u03B1\u03BB\u03BB. B\u00E9atrice et B\u00E9n\u00E9dict) \u03B3\u03C1\u03AC\u03C6\u03C4\u03B7\u03BA\u03B5 \u03B1\u03C0\u03CC \u03C4\u03BF\u03BD \u0395\u03BA\u03C4\u03CC\u03C1 \u039C\u03C0\u03B5\u03C1\u03BB\u03B9\u03CC\u03B6 \u03C0\u03AC\u03BD\u03C9 \u03C3\u03B5 \u03BB\u03B9\u03BC\u03C0\u03C1\u03AD\u03C4\u03BF \u03C4\u03BF\u03C5 \u03AF\u03B4\u03B9\u03BF\u03C5. \u0391\u03C0\u03BF\u03C4\u03B5\u03BB\u03B5\u03AF\u03C4\u03B1\u03B9 \u03B1\u03C0\u03CC \u03B4\u03CD\u03BF \u03C0\u03C1\u03AC\u03BE\u03B5\u03B9\u03C2 \u03BA\u03B1\u03B9 \u03B2\u03B1\u03C3\u03AF\u03B6\u03B5\u03C4\u03B1\u03B9 \u03C3\u03C4\u03B7\u03BD \u03C0\u03BB\u03BF\u03BA\u03AE \u03C4\u03BF\u03C5 \u03C3\u03B1\u03B9\u03BE\u03C0\u03B7\u03C1\u03B9\u03BA\u03BF\u03CD \u03A0\u03BF\u03BB\u03CD \u039A\u03B1\u03BA\u03CC \u03B3\u03B9\u03B1 \u03C4\u03BF \u03A4\u03AF\u03C0\u03BF\u03C4\u03B1. \u0397 \u03CC\u03C0\u03B5\u03C1\u03B1 \u03C0\u03C1\u03C9\u03C4\u03BF\u03C0\u03B1\u03C1\u03BF\u03C5\u03C3\u03B9\u03AC\u03C3\u03C4\u03B7\u03BA\u03B5 \u03C3\u03C4\u03BF \u039C\u03C0\u03AC\u03BD\u03C4\u03B5\u03BD-\u039C\u03C0\u03AC\u03BD\u03C4\u03B5\u03BD, \u03C3\u03C4\u03B9\u03C2 9 \u0391\u03C5\u03B3\u03BF\u03CD\u03C3\u03C4\u03BF\u03C5 1862. \u039F \u039C\u03C0\u03B5\u03C1\u03BB\u03B9\u03CC\u03B6 \u03BF\u03BB\u03BF\u03BA\u03BB\u03AE\u03C1\u03C9\u03C3\u03B5 \u03C4\u03BF \u03AD\u03C1\u03B3\u03BF \u03C0\u03B1\u03C1\u03AC\u03BB\u03BB\u03B7\u03BB\u03B1 \u03BC\u03B5 \u03C4\u03B7 \u03C3\u03CD\u03BD\u03B8\u03B5\u03C3\u03B7 \u03BA\u03B1\u03B9 \u03C0\u03B1\u03C1\u03B1\u03B3\u03C9\u03B3\u03AE \u03C4\u03BF\u03C5 \u03B1\u03C1\u03B9\u03C3\u03C4\u03BF\u03C5\u03C1\u03B3\u03AE\u03BC\u03B1\u03C4\u03CC\u03C2 \u03C4\u03BF\u03C5, . \u039C\u03B5\u03C4\u03AC \u03B1\u03C0\u03CC \u03C4\u03B7\u03BD \u03B5\u03C0\u03B9\u03C4\u03C5\u03C7\u03AF\u03B1 \u03C4\u03B7\u03C2 \u03C0\u03C1\u03B5\u03BC\u03B9\u03AD\u03C1\u03B1\u03C2 \u03C3\u03C4\u03BF \u039C\u03C0\u03AC\u03BD\u03C4\u03B5\u03BD-\u039C\u03C0\u03AC\u03BD\u03C4\u03B5\u03BD, \u03BF \u03AF\u03B4\u03B9\u03BF\u03C2 \u03BF \u039C\u03C0\u03B5\u03C1\u03BB\u03B9\u03CC\u03B6 \u03B4\u03B9\u03B7\u03CD\u03B8\u03C5\u03BD\u03B5 \u03C4\u03B9\u03C2 \u03C0\u03C1\u03CE\u03C4\u03B5\u03C2 \u03B4\u03CD\u03BF \u03C0\u03B1\u03C1\u03B1\u03C3\u03C4\u03AC\u03C3\u03B5\u03B9\u03C2 \u03C3\u03C4\u03B7 \u0392\u03B1\u03CA\u03BC\u03AC\u03C1\u03B7."@el . . . . "\u0392\u03B5\u03B1\u03C4\u03C1\u03AF\u03BA\u03B7 \u03BA\u03B1\u03B9 \u0392\u03B5\u03BD\u03AD\u03B4\u03B9\u03BA\u03C4\u03BF\u03C2 (\u039C\u03C0\u03B5\u03C1\u03BB\u03B9\u03CC\u03B6)"@el . . "Beatriz y Benedicto (t\u00EDtulo original en franc\u00E9s, B\u00E9atrice et B\u00E9n\u00E9dict) es una op\u00E9ra-comique en dos actos con m\u00FAsica y libreto en franc\u00E9s de Hector Berlioz, quien se bas\u00F3 en la obra de Shakespeare Much Ado About Nothing (Mucho ruido y pocas nueces). Se estren\u00F3 en el , de Baden-Baden, el 9 de agosto de 1862."@es . . . . "B\u00E9atrice et B\u00E9n\u00E9dict"@sv . . . . . . . "B\u00E9atrice et B\u00E9n\u00E9dict"@de . "Cover of the first edition vocal score, with illustration by A. Barbizet"@en . . . . . "B\u00E9atrice et B\u00E9n\u00E9dict is een op\u00E9ra-comique in twee bedrijven van Hector Berlioz op een libretto van de componist, gebaseerd op het blijspel Much Ado About Nothing van William Shakespeare. De premi\u00E8re vond plaats op 9 augustus 1862 in het theater van Baden-Baden, ter gelegenheid van de opening. Berlioz schreef B\u00E9atrice et B\u00E9n\u00E9dict in opdracht van de directeur van het nieuwe theater van Baden-Baden. Hij werkte eraan van 1860 tot 1862, na de voltooiing van zijn grote opera Les Troyens. Het was zijn laatste belangrijke werk. De muziek is vaak toverachtig en vederlicht, maar het libretto is flinterdun en tussen de muziekstukken bevinden zich hele lappen gesproken tekst. De opera is daardoor nooit tot het standaardrepertoire gaan behoren. Er zijn echter een aantal juweeltjes in te ontdekken, zoals het duet tussen H\u00E9ro en Ursule aan het eind van de eerste acte. De eerste sc\u00E8nische opvoering in Nederland had pas plaats in 2001 bij De Nederlandse Opera in Amsterdam."@nl . "B\u00E9atrice et B\u00E9n\u00E9dict, H 138"@en . . "1122448352"^^ . . . . . . "B\u00E9atrice et B\u00E9n\u00E9dict"@fr . . . . . . . . . "B\u00E9atrice et B\u00E9n\u00E9dict"@nl . . . . . .