"Begotten"@pt . "Begotten adalah sebuah film horor eksperimental Amerika tahun 1989 yang ditulis, diproduksi, diedit, dan disutradarai oleh . Film ini dibintangi oleh , , , dan anggota perusahaan teater Theatreofmaterial milik Merhige. Film ini tidak berisi dialog dan menggunakan gaya yang mirip dengan film bisu awal. Plot misterius dalam film ini diambil dari unsur-unsur berbagai mitos penciptaan. Film dimulai dengan adegan bunuh diri sosok Tuhan yang melahirkan Ibu Pertiwi dan Putra Bumi, kemudian memulai perjalanan kematian dan kelahiran kembali melalui lanskap tandus. Menurut sejarawan seni , kualitas alegoris film dan ambiguitas yang disengaja telah mengundang banyak interpretasi tentang film ini. Begotten pertama kali disusun sebagai karya teater eksperimental dengan tarian dan iringan musik langsung, tetapi Merhige beralih ke film setelah memutuskan bahwa visinya akan terlalu mahal untuk dicapai sebagai produksi untuk penonton langsung. Antonin Artaud dan filsuf Friedrich Nietzsche adalah pengaruh besar pada Begotten, karena Merhige percaya bahwa ide dan teori mereka belum dieksplorasi sepenuhnya dalam film. Gaya visual film ini terinspirasi oleh film dokumenter pendek Blood of the Beasts karya , Seven Samurai karya Akira Kurosawa, karya , dan film Ekspresionis Jerman The Cabinet of Dr. Caligari. Syuting Film Begotten dilakukan di New York dan New Jersey yang diperkirakan memakan waktu hingga tiga setengah tahun. Namun, dalam sebuah wawancara, Merhige mengatakan bahwa syuting film ini hanya memakan waktu lima setengah bulan. Setelah film itu selesai, Merhige menghabiskan dua tahun berikutnya untuk mencari distributor yang mau memasarkannya. Setelah debutnya di Festival Film Dunia Montreal, film tersebut diputar di Festival Film Internasional San Francisco, di mana film tersebut ditonton oleh kritikus film dan . Mereka membawanya ke perhatian sesama kritikus film, Susan Sontag, yang kemudian memberi pujian antusias dan pemutaran pribadi film di rumahnya sendiri berperan penting dalam perilisan akhir film ini. Meskipun sebagian besar diabaikan oleh kritikus film arus utama, film ini mencapai status film kultus dan memengaruhi beberapa pembuat film, seniman visual, dan musisi avant-garde. Kelangkaan film di video rumahan mendorong para penggemarnya untuk menyebarkan salinan bajakan mereka sendiri, sebuah fenomena yang digambarkan sebagai \"pemujaan salinan\" oleh sarjana studi film Ernest Mathijs. Sebagai bagian pertama dari seri yang direncanakan, Begotten diikuti oleh perilisan Din of Celestial Birds pada tahun 2006, sebuah sekuel pendek dengan teori evolusi sebagai tema dominannya."@in . . "\u300A\u53D7\u751F\u300B\uFF08\u82F1\u8A9E\uFF1ABegotten\uFF09\u662F\u4E00\u90E8\u4E0A\u6620\u4E8E1989\u5E74\u7684\u5B9E\u9A8C\u7535\u5F71\u3001\u9ED1\u6697\u5947\u5E7B\u6050\u6016\u7535\u5F71\uFF0C\u7531\u81EA\u7F16\u81EA\u5BFC\u3002 \u5F71\u7247\u53D6\u81EA\u5B97\u6559\u9898\u6750\uFF0C\u6539\u7DE8\u81EA\u5723\u7ECF\u91CC\u521B\u4E16\u7EAA\u7684\u6545\u4E8B\u3002Merhige\u7684\u521B\u4F5C\u7075\u611F\u6765\u81EA\u4E8E\u4ED619\u5C81\u65F6\u6240\u7ECF\u5386\u4E00\u6B21\u8F66\u7978\u7684\u6FD2\u6B7B\u4F53\u9A8C\u3002\u5F71\u7247\u4E2D\u6CA1\u6709\u4EFB\u4F55\u4EBA\u7269\u5BF9\u8BDD\uFF0C\u4EE3\u4E4B\u4EE5\u5927\u91CF\u5BF9\u4EBA\u7C7B\u75DB\u82E6\u3001\u53D7\u96BE\u7684\u539F\u59CB\u523B\u753B\u6765\u8BB2\u8FF0\u6545\u4E8B\u3002 \u7535\u5F71\u7684\u62CD\u6444\u91C7\u7528\u4E86\u9ED1\u767D\u53CD\u8F6C\u7247\uFF0C\u800C\u4E14\u7ECF\u8FC7\u7279\u6B8A\u7684\u540E\u671F\u5904\u7406\uFF0C\u4F7F\u5F71\u50CF\u4EC5\u7531\u9ED1\u767D\u4E24\u8272\u6784\u6210\uFF0C\u51E0\u4E4E\u6CA1\u6709\u7070\u5EA6\u53EF\u8A00\u3002\u8FD9\u52A0\u6DF1\u4E86\u5F71\u7247\u7684\u602A\u5F02\u6C1B\u56F4\uFF0C\u4EE5\u81F3\u4E8E\u6709\u65F6\u89C2\u4F17\u4E0D\u80FD\u5206\u8FA8\u51FA\u660E\u786E\u7684\u7269\u8C61\uFF0C\u4F46\u4ECD\u7136\u53EF\u611F\u53D7\u5230\u75DB\u82E6\u60CA\u609A\u7684\u6C1B\u56F4\u3002\u9884\u544A\u7247\u4E2D\u628A\u672C\u7247\u63CF\u8FF0\u4E3A\u201C\u4E00\u6B21\u89C6\u89C9\u7684\u58A8\u8FF9\u6D4B\u9A8C\u201D\u3002Merhige\u58F0\u79F0\u539F\u7247\u7684\u6BCF\u4E00\u5206\u949F\u90FD\u7ECF\u8FC7\u4E86\u957F\u8FBE\u5341\u4E2A\u5C0F\u65F6\u7684\u540E\u671F\u5904\u7406\uFF0C\u4EE5\u4F7F\u6700\u7EC8\u7684\u5F71\u7247\u8FBE\u5230\u9884\u671F\u7684\u89C6\u89C9\u6548\u679C\u3002 Merhige\u900F\u9732\u8FD9\u90E8\u5F71\u7247\u53EA\u662F\u4ED6\u8BA1\u5212\u521B\u4F5C\u7684\u4E09\u90E8\u66F2\u4E2D\u7684\u7B2C\u4E00\u90E8\u3002\u4F46\u4ED6\u5728\u8D44\u91D1\u65B9\u9762\u9047\u5230\u4E86\u56F0\u96BE\uFF0C\u65E0\u6CD5\u786E\u5B9A\u53E6\u5916\u4E24\u90E8\u5F71\u7247\u662F\u5426\u80FD\u591F\u62CD\u6444\u3001\u4EE5\u53CA\u5C06\u4F55\u65F6\u62CD\u6444\u3002 \u746A\u9E97\u84EE\u00B7\u66FC\u68EE\u7684\u4E13\u8F91\u300AAntichrist Superstar\u300B\u4E2D\u7684\u6B4C\u66F2\"Cryptorchid\"\u7684MV\u7531E. Elias Merhige\u5BFC\u6F14\uFF0C\u5176\u4E2D\u4F7F\u7528\u4E86\u672C\u7247\u7684\u82E5\u5E72\u955C\u5934\u3002"@zh . . . . . . . . . . "You with your memory are dead, frozen"@en . . . . . . . . . . . . "Begotten est un film d'avant-garde am\u00E9ricain r\u00E9alis\u00E9 par E. Elias Merhige, sorti en 1991."@fr . . . . . . . . . . . . . . . . . . . . . . . "Begotten adalah sebuah film horor eksperimental Amerika tahun 1989 yang ditulis, diproduksi, diedit, dan disutradarai oleh . Film ini dibintangi oleh , , , dan anggota perusahaan teater Theatreofmaterial milik Merhige. Film ini tidak berisi dialog dan menggunakan gaya yang mirip dengan film bisu awal. Plot misterius dalam film ini diambil dari unsur-unsur berbagai mitos penciptaan. Film dimulai dengan adegan bunuh diri sosok Tuhan yang melahirkan Ibu Pertiwi dan Putra Bumi, kemudian memulai perjalanan kematian dan kelahiran kembali melalui lanskap tandus. Menurut sejarawan seni , kualitas alegoris film dan ambiguitas yang disengaja telah mengundang banyak interpretasi tentang film ini."@in . . "\u300A\uC789\uD0DC\u300B(Begotten)\uB294 1990\uB144\uC5D0 \uC81C\uC791\uB41C \uC2E4\uD5D8\uC8FC\uC758 \uACF5\uD3EC\uC601\uD654\uC774\uB2E4. \uAC10\uB3C5 \uBC0F \uC81C\uC791\uC740 \uAC00 \uB9E1\uC558\uB2E4."@ko . . . "Lost in a present that never stops passing"@en . . . . . . . . . . . . . . . . . . "United States"@en . . "Begotten"@pl . . . . . . "1995"^^ . . . . . "35.0"^^ . . "Evan Albam"@en . "Begotten (bra: Begotten) \u00E9 um filme experimental estadunidense de 1989 escrito, produzido e dirigido por Edmund Elias Merhige. O filme obteve um cult following ao longo dos anos e \u00E9 considerada por alguns a obra-prima do diretor. O filme recebeu cr\u00EDticas positivas, ganhando uma taxa de aprova\u00E7\u00E3o de 67% no site Rotten Tomatoes. Phil Hall da revista Wired declarou: \"Poucos filmes t\u00EAm o poder de abalar o p\u00FAblico com a f\u00FAria, imagina\u00E7\u00E3o e viol\u00EAncia art\u00EDstica de Begotten\". Susan Sontag o chamou de \"um dos dez filmes mais importantes dos tempos modernos\". Um cr\u00EDtico da revista Time afirmou: \"Faz com que Eraserhead se pare\u00E7a com Ernest Salva o Natal\"."@pt . . . . "Begotten \u00E8 un film del 1991, diretto, scritto e prodotto da E. Elias Merhige."@it . . "\u2014 The opening intertitle for the film, suggesting the film's themes of life and death."@en . . . . . "Begotten"@en . . . . . . . . . . . "\u00AB\u041F\u043E\u0440\u043E\u0436\u0434\u0451\u043D\u043D\u044B\u0439\u00BB (\u0430\u043D\u0433\u043B. Begotten) \u2014 \u044D\u043A\u0441\u043F\u0435\u0440\u0438\u043C\u0435\u043D\u0442\u0430\u043B\u044C\u043D\u044B\u0439 \u0444\u0438\u043B\u044C\u043C \u0443\u0436\u0430\u0441\u043E\u0432 \u0440\u0435\u0436\u0438\u0441\u0441\u0451\u0440\u0430 \u042D\u0434\u043C\u0443\u043D\u0434\u0430 \u042D\u043B\u0438\u0430\u0441\u0430 \u041C\u0435\u0440\u0438\u0434\u0436\u0430, \u0441\u043D\u044F\u0442\u044B\u0439 \u043F\u043E \u0435\u0433\u043E \u0436\u0435 \u0441\u0446\u0435\u043D\u0430\u0440\u0438\u044E, \u043A\u043E\u0442\u043E\u0440\u044B\u0439 \u044F\u0432\u043B\u044F\u0435\u0442\u0441\u044F \u043C\u0440\u0430\u0447\u043D\u044B\u043C \u043F\u0435\u0440\u0435\u043E\u0441\u043C\u044B\u0441\u043B\u0435\u043D\u0438\u0435\u043C \u041A\u043D\u0438\u0433\u0438 \u0411\u044B\u0442\u0438\u044F. \u041F\u0440\u0435\u043C\u044C\u0435\u0440\u0430 \u0444\u0438\u043B\u044C\u043C\u0430 \u0441\u043E\u0441\u0442\u043E\u044F\u043B\u0430\u0441\u044C 30 \u0430\u043F\u0440\u0435\u043B\u044F 1990 \u0433\u043E\u0434\u0430 \u043D\u0430 \u041C\u0435\u0436\u0434\u0443\u043D\u0430\u0440\u043E\u0434\u043D\u043E\u043C \u043A\u0438\u043D\u043E\u0444\u0435\u0441\u0442\u0438\u0432\u0430\u043B\u0435 \u0432 \u0421\u0430\u043D-\u0424\u0440\u0430\u043D\u0446\u0438\u0441\u043A\u043E. \u0424\u0438\u043B\u044C\u043C \u0437\u0430\u0434\u0443\u043C\u044B\u0432\u0430\u043B\u0441\u044F \u043A\u0430\u043A \u043F\u0435\u0440\u0432\u0430\u044F \u0447\u0430\u0441\u0442\u044C \u0442\u0440\u0438\u043B\u043E\u0433\u0438\u0438, \u0447\u0435\u0442\u044B\u0440\u043D\u0430\u0434\u0446\u0430\u0442\u0438\u043C\u0438\u043D\u0443\u0442\u043D\u044B\u0439 \u043F\u0440\u043E\u043B\u043E\u0433 \u043A\u043E \u0432\u0442\u043E\u0440\u043E\u0439 \u0447\u0430\u0441\u0442\u0438 \u043F\u043E\u0434 \u043D\u0430\u0437\u0432\u0430\u043D\u0438\u0435\u043C \u00AB\u0428\u0443\u043C \u043D\u0435\u0431\u0435\u0441\u043D\u044B\u0445 \u043F\u0442\u0438\u0446\u00BB \u0432\u044B\u0448\u0435\u043B \u0432 2006 \u0433\u043E\u0434\u0443, \u043F\u0440\u043E\u0434\u043E\u043B\u0436\u0435\u043D\u0438\u044F \u0442\u0430\u043A \u0438 \u043D\u0435 \u0431\u044B\u043B\u0438 \u0441\u043D\u044F\u0442\u044B."@ru . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Begotten ist ein amerikanischer, surrealistischer Experimental- bzw. Horrorfilm. Der von E. Elias Merhige geschriebene und produzierte Film hatte am 24. Oktober 1989 auf dem Montreal World Film Festival Premiere und gilt als einer der seltsamsten, amerikanischen Independentfilme, der unter anderem von Werken Eisensteins und Bu\u00F1uels beeinflusst wurde. Stilistisch erinnert der grobk\u00F6rnige Schwarzwei\u00DFfilm au\u00DFerdem an Stummfilme wie Das Cabinet des Dr. Caligari (Robert Wiene, 1920), zumal er keine Dialoge enth\u00E4lt, daf\u00FCr jedoch Naturger\u00E4usche verwendet. Der kontrovers diskutierte Avantgardefilm mit Body-Horror-Elementen besch\u00E4ftigt sich vordergr\u00FCndig mit den Themen Religion und der Entstehung der Erde, wobei die expliziten Gewaltdarstellungen (incl. Selbstverst\u00FCmmelung, Suizid und Vergewaltigung) ein pr\u00E4gnantes Merkmal des optisch wuchtigen Films sind. Zahlreiche Kritiker und Fans feierten das Werk, w\u00E4hrend Zuschauer aufgrund der Gore-Szenen sowie wegen des surrealen Handlungszusammenhanges teilweise verst\u00F6rt oder ratlos reagierten."@de . . . . "4320.0"^^ . . "Theatreofmaterial"@en . . "E. Elias Merhige"@en . . . . . . . . . . . . "Here lives the incantation of matter"@en . . . . . . . . . . . . . . . . . . . . "Begotten"@de . . . "Begotten \u2013 surrealistyczny film autorstwa Eliasa Merhige, ciesz\u0105cy si\u0119 opini\u0105 oryginalnego lecz jednocze\u015Bnie kontrowersyjnego obrazu. Powsta\u0142 w 1990 roku. Film zaczyna si\u0119 od sekwencji \u015Bmierci boga, kt\u00F3ra dokonuje si\u0119 poprzez jego samob\u00F3jstwo, czego owocem s\u0105 narodziny bli\u017Cej nieokre\u015Blonych istot zbli\u017Conych kszta\u0142tem i zachowaniem do ludzi. Obraz w postprodukcji zosta\u0142 w znaczny spos\u00F3b zniekszta\u0142cony, wprowadzono do niego wiele \u201Eszum\u00F3w\u201D. Pomimo nietypowej, trudnej do przyj\u0119cia estetyki, film zosta\u0142 uznany przez magazyn Time za jeden z najlepszych film\u00F3w 1991."@pl . . "Life is flesh on bone convulsing above the ground."@en . . . . . . . . "World Artists Home Video"@en . . . . "Polish journalist Bart\u0142omiej Paszylk's review of Begotten in his 2009 book The Pleasure and Pain of Cult Horror Films: An Historical Survey"@en . . . . . . . . . . . . . . . . . . . . . . . "Begotten (bra: Begotten) \u00E9 um filme experimental estadunidense de 1989 escrito, produzido e dirigido por Edmund Elias Merhige. O filme obteve um cult following ao longo dos anos e \u00E9 considerada por alguns a obra-prima do diretor."@pt . . . . . . . . . . . "\u041D\u0430\u0440\u043E\u0434\u0436\u0435\u043D\u0438\u0439 (\u0430\u043D\u0433\u043B. Begotten) \u2014 \u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u044C\u043A\u0438\u0439 \u0435\u043A\u0441\u043F\u0435\u0440\u0438\u043C\u0435\u043D\u0442\u0430\u043B\u044C\u043D\u0438\u0439 \u0444\u0456\u043B\u044C\u043C 1991 \u0440\u043E\u043A\u0443. \u0424\u0456\u043B\u044C\u043C \u0441\u0442\u0430\u0432 \u043F\u0435\u0440\u0448\u043E\u044E \u0447\u0430\u0441\u0442\u0438\u043D\u043E\u044E \u0437\u0430\u043F\u043B\u0430\u043D\u043E\u0432\u0430\u043D\u043E\u0457 \u0442\u0440\u0438\u043B\u043E\u0433\u0456\u0457, \u0434\u0440\u0443\u0433\u0443 \u0447\u0430\u0441\u0442\u0438\u043D\u0443 \u044F\u043A\u043E\u0457 \u2014 14-\u0442\u0438\u0445\u0432\u0438\u043B\u0438\u043D\u043D\u0438\u0439 \u0444\u0456\u043B\u044C\u043C \u2014 \u0431\u0443\u043B\u043E \u0437\u043D\u044F\u0442\u043E 2006 \u0440\u043E\u043A\u0443."@uk . . . . . . . . . . . . . . . . . . . . . . . . "90188"^^ . . "Begotten"@fr . . . "\u00AB\u041F\u043E\u0440\u043E\u0436\u0434\u0451\u043D\u043D\u044B\u0439\u00BB (\u0430\u043D\u0433\u043B. Begotten) \u2014 \u044D\u043A\u0441\u043F\u0435\u0440\u0438\u043C\u0435\u043D\u0442\u0430\u043B\u044C\u043D\u044B\u0439 \u0444\u0438\u043B\u044C\u043C \u0443\u0436\u0430\u0441\u043E\u0432 \u0440\u0435\u0436\u0438\u0441\u0441\u0451\u0440\u0430 \u042D\u0434\u043C\u0443\u043D\u0434\u0430 \u042D\u043B\u0438\u0430\u0441\u0430 \u041C\u0435\u0440\u0438\u0434\u0436\u0430, \u0441\u043D\u044F\u0442\u044B\u0439 \u043F\u043E \u0435\u0433\u043E \u0436\u0435 \u0441\u0446\u0435\u043D\u0430\u0440\u0438\u044E, \u043A\u043E\u0442\u043E\u0440\u044B\u0439 \u044F\u0432\u043B\u044F\u0435\u0442\u0441\u044F \u043C\u0440\u0430\u0447\u043D\u044B\u043C \u043F\u0435\u0440\u0435\u043E\u0441\u043C\u044B\u0441\u043B\u0435\u043D\u0438\u0435\u043C \u041A\u043D\u0438\u0433\u0438 \u0411\u044B\u0442\u0438\u044F. \u041F\u0440\u0435\u043C\u044C\u0435\u0440\u0430 \u0444\u0438\u043B\u044C\u043C\u0430 \u0441\u043E\u0441\u0442\u043E\u044F\u043B\u0430\u0441\u044C 30 \u0430\u043F\u0440\u0435\u043B\u044F 1990 \u0433\u043E\u0434\u0430 \u043D\u0430 \u041C\u0435\u0436\u0434\u0443\u043D\u0430\u0440\u043E\u0434\u043D\u043E\u043C \u043A\u0438\u043D\u043E\u0444\u0435\u0441\u0442\u0438\u0432\u0430\u043B\u0435 \u0432 \u0421\u0430\u043D-\u0424\u0440\u0430\u043D\u0446\u0438\u0441\u043A\u043E. \u0424\u0438\u043B\u044C\u043C \u0437\u0430\u0434\u0443\u043C\u044B\u0432\u0430\u043B\u0441\u044F \u043A\u0430\u043A \u043F\u0435\u0440\u0432\u0430\u044F \u0447\u0430\u0441\u0442\u044C \u0442\u0440\u0438\u043B\u043E\u0433\u0438\u0438, \u0447\u0435\u0442\u044B\u0440\u043D\u0430\u0434\u0446\u0430\u0442\u0438\u043C\u0438\u043D\u0443\u0442\u043D\u044B\u0439 \u043F\u0440\u043E\u043B\u043E\u0433 \u043A\u043E \u0432\u0442\u043E\u0440\u043E\u0439 \u0447\u0430\u0441\u0442\u0438 \u043F\u043E\u0434 \u043D\u0430\u0437\u0432\u0430\u043D\u0438\u0435\u043C \u00AB\u0428\u0443\u043C \u043D\u0435\u0431\u0435\u0441\u043D\u044B\u0445 \u043F\u0442\u0438\u0446\u00BB \u0432\u044B\u0448\u0435\u043B \u0432 2006 \u0433\u043E\u0434\u0443, \u043F\u0440\u043E\u0434\u043E\u043B\u0436\u0435\u043D\u0438\u044F \u0442\u0430\u043A \u0438 \u043D\u0435 \u0431\u044B\u043B\u0438 \u0441\u043D\u044F\u0442\u044B."@ru . "1118583570"^^ . . . . "Begotten"@es . . . . . . . . . "Begotten"@en . . . . . . . . . . . . . . . "Begotten is a 1989 American film written, produced, edited, shot, and directed by Edmund Elias Merhige. It stars Brian Salsberg, Donna Dempsy, Stephen Charles Barry, and members of Merhige's theatre company, Theatreofmaterial. The film contains no dialogue and employs a style similar in some ways to early silent films. Its enigmatic plot, drawn from elements of various creation myths, opens with the suicide of a godlike figure and the births of Mother Earth and the Son of Earth, who set out on a journey of death and rebirth through a barren landscape. According to art historian Scott MacDonald, the film's allegorical qualities and purposeful ambiguity invite multiple interpretations. Begotten was first conceived as an experimental theatre piece with dance and live musical accompaniment, but Merhige switched to film after deciding that his vision would be too expensive to achieve as a production for live audiences. Antonin Artaud and philosopher Friedrich Nietzsche were major influences on Begotten, as Merhige believed their ideas and theories had not been explored in film to their full extent. The film's visual style was inspired by Georges Franju's documentary short Blood of the Beasts, Akira Kurosawa's Seven Samurai, Stan Brakhage's The Act of Seeing with One's Own Eyes, and the German Expressionist film The Cabinet of Dr. Caligari. Begotten was shot on location in New York and New Jersey over a period generally thought to have been three and a half years \u2013 although, in an interview, Merhige said filming took only five and a half months. Once the film was finished, Merhige spent the next two years trying to find a distributor willing to market it. Following its debut at the Montreal World Film Festival, it was screened at the San Francisco International Film Festival, where it was seen by film critics Tom Luddy and Peter Scarlet. They brought it to the attention of fellow critic Susan Sontag, whose enthusiastic praise and private screenings of the film in her own home were instrumental to its eventual release. Though largely ignored by main-stream critics, it attained cult film status and influenced several avant-garde film-makers, visual artists and musicians. The film's scarcity on home video prompted its fans to spread their own bootleg copies, a phenomenon described as a \"copy-cult\" by film studies scholar Ernest Mathijs. As the first part of a planned series, Begotten was followed in 2006 by Din of Celestial Birds, a short sequel with the theory of evolution as its dominant theme."@en . . . . . . . . "#E0FFFF"@en . . . . . "Begotten \u00E4r en dialogl\u00F6s amerikansk skr\u00E4ckfilm fr\u00E5n 1990 regisserad av E. Elias Merhige."@sv . . . "No\u00EBlle Penraat"@en . . . . . . . . . . . . . . . . . "Begotten"@sv . . . . . . . . . . . . "At first, Begotten is compellingly weird and genuinely frightening, but after some time it becomes overlong, repetitive and uninvolving."@en . . . . . . . . . . . . . . . "E. Elias Merhige"@en . . . . "Writer - director E. Elias Merhige on the development of the film's script"@en . . "33000.0"^^ . . . . "A language forever."@en . . . . . . . . . . . . . "Begotten \u2013 surrealistyczny film autorstwa Eliasa Merhige, ciesz\u0105cy si\u0119 opini\u0105 oryginalnego lecz jednocze\u015Bnie kontrowersyjnego obrazu. Powsta\u0142 w 1990 roku. Film zaczyna si\u0119 od sekwencji \u015Bmierci boga, kt\u00F3ra dokonuje si\u0119 poprzez jego samob\u00F3jstwo, czego owocem s\u0105 narodziny bli\u017Cej nieokre\u015Blonych istot zbli\u017Conych kszta\u0142tem i zachowaniem do ludzi. Obraz w postprodukcji zosta\u0142 w znaczny spos\u00F3b zniekszta\u0142cony, wprowadzono do niego wiele \u201Eszum\u00F3w\u201D. Pomimo nietypowej, trudnej do przyj\u0119cia estetyki, film zosta\u0142 uznany przez magazyn Time za jeden z najlepszych film\u00F3w 1991. Fragmenty filmu zosta\u0142y wykorzystane w teledysku Marilyna Mansona pod tytu\u0142em \u201ECryptorchid\u201D."@pl . "English"@en . . . . . . . . . . . . . . . . . "Begotten"@in . . . . . . . . . . . . . . "\u300A\uC789\uD0DC\u300B(Begotten)\uB294 1990\uB144\uC5D0 \uC81C\uC791\uB41C \uC2E4\uD5D8\uC8FC\uC758 \uACF5\uD3EC\uC601\uD654\uC774\uB2E4. \uAC10\uB3C5 \uBC0F \uC81C\uC791\uC740 \uAC00 \uB9E1\uC558\uB2E4."@ko . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Language Bearers, Photographers, Diary makers"@en . . . . "Begotten"@it . . . . . . . "Begotten ist ein amerikanischer, surrealistischer Experimental- bzw. Horrorfilm. Der von E. Elias Merhige geschriebene und produzierte Film hatte am 24. Oktober 1989 auf dem Montreal World Film Festival Premiere und gilt als einer der seltsamsten, amerikanischen Independentfilme, der unter anderem von Werken Eisensteins und Bu\u00F1uels beeinflusst wurde. Stilistisch erinnert der grobk\u00F6rnige Schwarzwei\u00DFfilm au\u00DFerdem an Stummfilme wie Das Cabinet des Dr. Caligari (Robert Wiene, 1920), zumal er keine Dialoge enth\u00E4lt, daf\u00FCr jedoch Naturger\u00E4usche verwendet."@de . . . . . . . . . . . . . . . . . . . . . . . . . . "Donna Dempsey"@en . . . "Begotten \u00E4r en dialogl\u00F6s amerikansk skr\u00E4ckfilm fr\u00E5n 1990 regisserad av E. Elias Merhige."@sv . . . . . . . . . "\u53D7\u751F"@zh . . "right"@en . . . . "William Markle Associates"@en . . . . . . . . . . . . . . . "4320.0"^^ . . . . . . . . . . . . . . . . . . . . . "Begotten is a 1989 American film written, produced, edited, shot, and directed by Edmund Elias Merhige. It stars Brian Salsberg, Donna Dempsy, Stephen Charles Barry, and members of Merhige's theatre company, Theatreofmaterial. The film contains no dialogue and employs a style similar in some ways to early silent films. Its enigmatic plot, drawn from elements of various creation myths, opens with the suicide of a godlike figure and the births of Mother Earth and the Son of Earth, who set out on a journey of death and rebirth through a barren landscape. According to art historian Scott MacDonald, the film's allegorical qualities and purposeful ambiguity invite multiple interpretations."@en . "Begotten (en Espa\u00F1ol: Engendrado) es una pel\u00EDcula estadounidense experimental y de terror de 1990 escrita, producida y dirigida por Edmund Elias Merhige. Es la \u00F3pera prima del reconocido director. El filme trata la historia del G\u00E9nesis en un mundo similar al de la Tierra, desde una mirada est\u00E9tica determinada. El filme no posee di\u00E1logo, pero usa im\u00E1genes de gran intensidad para contar la historia. Este se desarrolla como una alegor\u00EDa, que posee varias referencias a mitos paganos y relatos cristianos. Tambi\u00E9n carece de m\u00FAsica, y su \u00FAnica banda sonora son ruidos de grillos y efectos de sonido. Merhige ha expresado que considera a este film como el primero de una trilog\u00EDa; el director ten\u00EDa problemas con su financiamiento durante la \u00E9poca de esta declaraci\u00F3n, y le era desconocido si seguir\u00EDan pel\u00EDculas similares, o cuando podr\u00EDan realizarse. La segunda pel\u00EDcula de esta trilog\u00EDa no oficial es un documental experimental de 14 minutos de duraci\u00F3n titulado Din Of Celestial Birds, de nuevo con la participaci\u00F3n del actor Stephen Charles Barry, y que trata (a modo de pr\u00F3logo de Begotten) sobre la Evoluci\u00F3n. La misma fue rodada con una fotograf\u00EDa similar a Begotten y estrenada en Turner Classic Movies en 2006."@es . . . . . . "Stephen Charles Barry"@en . . . . . . . . . "72.0"^^ . . . "\u041D\u0430\u0440\u043E\u0434\u0436\u0435\u043D\u0438\u0439"@uk . "Begotten (film)"@en . . . "4453753"^^ . "Brian Salzberg"@en . . . . "Begotten (en Espa\u00F1ol: Engendrado) es una pel\u00EDcula estadounidense experimental y de terror de 1990 escrita, producida y dirigida por Edmund Elias Merhige. Es la \u00F3pera prima del reconocido director. El filme trata la historia del G\u00E9nesis en un mundo similar al de la Tierra, desde una mirada est\u00E9tica determinada. El filme no posee di\u00E1logo, pero usa im\u00E1genes de gran intensidad para contar la historia. Este se desarrolla como una alegor\u00EDa, que posee varias referencias a mitos paganos y relatos cristianos. Tambi\u00E9n carece de m\u00FAsica, y su \u00FAnica banda sonora son ruidos de grillos y efectos de sonido."@es . . "Like a flame burning away the darkness"@en . "\u041D\u0430\u0440\u043E\u0434\u0436\u0435\u043D\u0438\u0439 (\u0430\u043D\u0433\u043B. Begotten) \u2014 \u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u044C\u043A\u0438\u0439 \u0435\u043A\u0441\u043F\u0435\u0440\u0438\u043C\u0435\u043D\u0442\u0430\u043B\u044C\u043D\u0438\u0439 \u0444\u0456\u043B\u044C\u043C 1991 \u0440\u043E\u043A\u0443. \u0424\u0456\u043B\u044C\u043C \u0441\u0442\u0430\u0432 \u043F\u0435\u0440\u0448\u043E\u044E \u0447\u0430\u0441\u0442\u0438\u043D\u043E\u044E \u0437\u0430\u043F\u043B\u0430\u043D\u043E\u0432\u0430\u043D\u043E\u0457 \u0442\u0440\u0438\u043B\u043E\u0433\u0456\u0457, \u0434\u0440\u0443\u0433\u0443 \u0447\u0430\u0441\u0442\u0438\u043D\u0443 \u044F\u043A\u043E\u0457 \u2014 14-\u0442\u0438\u0445\u0432\u0438\u043B\u0438\u043D\u043D\u0438\u0439 \u0444\u0456\u043B\u044C\u043C \u2014 \u0431\u0443\u043B\u043E \u0437\u043D\u044F\u0442\u043E 2006 \u0440\u043E\u043A\u0443."@uk . . . . "Begotten \u00E8 un film del 1991, diretto, scritto e prodotto da E. Elias Merhige."@it . . . . . . . . . . . . . . "33000.0"^^ . . . . . . . . . "Begotten est un film d'avant-garde am\u00E9ricain r\u00E9alis\u00E9 par E. Elias Merhige, sorti en 1991."@fr . . . . . . . . . . . . "E. Elias Merhige"@en . . . . . . . . . . . . "40.0"^^ . . "\u041F\u043E\u0440\u043E\u0436\u0434\u0451\u043D\u043D\u044B\u0439"@ru . . . . . "The writing for Begotten was all Vision material, or whatever you want to call it, and I used those parts that scared me, or that I just couldn't understand - the parts that stuck with me for days and forced me to wonder where within me did this come from? A tableau of the unknown was important to me. Then it was a matter of arranging this material as a myth. That was important, too. It began as a personal myth and ended as a collective myth, a myth of everyone involved in making the film."@en . . . ""@en . . . . . . . . "\uC789\uD0DC (\uC601\uD654)"@ko . . . . . "\u300A\u53D7\u751F\u300B\uFF08\u82F1\u8A9E\uFF1ABegotten\uFF09\u662F\u4E00\u90E8\u4E0A\u6620\u4E8E1989\u5E74\u7684\u5B9E\u9A8C\u7535\u5F71\u3001\u9ED1\u6697\u5947\u5E7B\u6050\u6016\u7535\u5F71\uFF0C\u7531\u81EA\u7F16\u81EA\u5BFC\u3002 \u5F71\u7247\u53D6\u81EA\u5B97\u6559\u9898\u6750\uFF0C\u6539\u7DE8\u81EA\u5723\u7ECF\u91CC\u521B\u4E16\u7EAA\u7684\u6545\u4E8B\u3002Merhige\u7684\u521B\u4F5C\u7075\u611F\u6765\u81EA\u4E8E\u4ED619\u5C81\u65F6\u6240\u7ECF\u5386\u4E00\u6B21\u8F66\u7978\u7684\u6FD2\u6B7B\u4F53\u9A8C\u3002\u5F71\u7247\u4E2D\u6CA1\u6709\u4EFB\u4F55\u4EBA\u7269\u5BF9\u8BDD\uFF0C\u4EE3\u4E4B\u4EE5\u5927\u91CF\u5BF9\u4EBA\u7C7B\u75DB\u82E6\u3001\u53D7\u96BE\u7684\u539F\u59CB\u523B\u753B\u6765\u8BB2\u8FF0\u6545\u4E8B\u3002 \u7535\u5F71\u7684\u62CD\u6444\u91C7\u7528\u4E86\u9ED1\u767D\u53CD\u8F6C\u7247\uFF0C\u800C\u4E14\u7ECF\u8FC7\u7279\u6B8A\u7684\u540E\u671F\u5904\u7406\uFF0C\u4F7F\u5F71\u50CF\u4EC5\u7531\u9ED1\u767D\u4E24\u8272\u6784\u6210\uFF0C\u51E0\u4E4E\u6CA1\u6709\u7070\u5EA6\u53EF\u8A00\u3002\u8FD9\u52A0\u6DF1\u4E86\u5F71\u7247\u7684\u602A\u5F02\u6C1B\u56F4\uFF0C\u4EE5\u81F3\u4E8E\u6709\u65F6\u89C2\u4F17\u4E0D\u80FD\u5206\u8FA8\u51FA\u660E\u786E\u7684\u7269\u8C61\uFF0C\u4F46\u4ECD\u7136\u53EF\u611F\u53D7\u5230\u75DB\u82E6\u60CA\u609A\u7684\u6C1B\u56F4\u3002\u9884\u544A\u7247\u4E2D\u628A\u672C\u7247\u63CF\u8FF0\u4E3A\u201C\u4E00\u6B21\u89C6\u89C9\u7684\u58A8\u8FF9\u6D4B\u9A8C\u201D\u3002Merhige\u58F0\u79F0\u539F\u7247\u7684\u6BCF\u4E00\u5206\u949F\u90FD\u7ECF\u8FC7\u4E86\u957F\u8FBE\u5341\u4E2A\u5C0F\u65F6\u7684\u540E\u671F\u5904\u7406\uFF0C\u4EE5\u4F7F\u6700\u7EC8\u7684\u5F71\u7247\u8FBE\u5230\u9884\u671F\u7684\u89C6\u89C9\u6548\u679C\u3002 Merhige\u900F\u9732\u8FD9\u90E8\u5F71\u7247\u53EA\u662F\u4ED6\u8BA1\u5212\u521B\u4F5C\u7684\u4E09\u90E8\u66F2\u4E2D\u7684\u7B2C\u4E00\u90E8\u3002\u4F46\u4ED6\u5728\u8D44\u91D1\u65B9\u9762\u9047\u5230\u4E86\u56F0\u96BE\uFF0C\u65E0\u6CD5\u786E\u5B9A\u53E6\u5916\u4E24\u90E8\u5F71\u7247\u662F\u5426\u80FD\u591F\u62CD\u6444\u3001\u4EE5\u53CA\u5C06\u4F55\u65F6\u62CD\u6444\u3002 \u746A\u9E97\u84EE\u00B7\u66FC\u68EE\u7684\u4E13\u8F91\u300AAntichrist Superstar\u300B\u4E2D\u7684\u6B4C\u66F2\"Cryptorchid\"\u7684MV\u7531E. Elias Merhige\u5BFC\u6F14\uFF0C\u5176\u4E2D\u4F7F\u7528\u4E86\u672C\u7247\u7684\u82E5\u5E72\u955C\u5934\u3002"@zh .