. . "right"@en . "1859"^^ . "Bocca Baciata"@en . "Bocca Baciata (1859) is a painting by Dante Gabriel Rossetti which represents a turning point in his career. It was the first of his pictures of single female figures, and established the style that was later to become a signature of his work. The model was Fanny Cornforth, the principal inspiration for Rossetti's sensuous figures. The title, meaning \"mouth that has been kissed\", refers to the sexual experience of the subject and is taken from the Italian proverb written on the back of the painting:"@en . . "17"^^ . . . . . . "Bocca Baciata"@ru . "24036895"^^ . . . . "cm"@en . "3100"^^ . . . . . . "Bocca Baciata \u00E9s una pintura a l'oli realitzada el 1859 per l'artista prerafaelita Dante Gabriel Rossetti que representa un punt d'inflexi\u00F3 a la seva carrera.Va ser la primera de les seves pintures d'una figura femenina sola, i va establir l'estil que m\u00E9s tard esdevendria la signatura de la seva obra. La model del quadre era , la principal inspiraci\u00F3 per a Rossetti en figures sensuals. El t\u00EDtol significa \"boca petonejada\", fa refer\u00E8ncia a l'experi\u00E8ncia sexual del subjecte i prov\u00E9 del proverbi itali\u00E0 que est\u00E0 escrit al darrere de la pintura:"@ca . "\u00ABBocca Baciata\u00BB \u2014 \u043A\u0430\u0440\u0442\u0438\u043D\u0430 \u0430\u043D\u0433\u043B\u0438\u0439\u0441\u043A\u043E\u0433\u043E \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A\u0430-\u043F\u0440\u0435\u0440\u0430\u0444\u0430\u044D\u043B\u0438\u0442\u0430 \u0414\u0430\u043D\u0442\u0435 \u0413\u0430\u0431\u0440\u0438\u044D\u043B\u044F \u0420\u043E\u0441\u0441\u0435\u0442\u0442\u0438, \u0441\u043E\u0437\u0434\u0430\u043D\u043D\u0430\u044F \u0432 1859 \u0433\u043E\u0434\u0443. \u041F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u0435 \u0431\u044B\u043B\u043E \u043F\u0435\u0440\u0432\u044B\u043C \u043E\u0434\u0438\u043D\u043E\u0447\u043D\u044B\u043C \u0436\u0435\u043D\u0441\u043A\u0438\u043C \u043F\u043E\u0440\u0442\u0440\u0435\u0442\u043E\u043C, \u043D\u0430\u043F\u0438\u0441\u0430\u043D\u043D\u044B\u043C \u0420\u043E\u0441\u0441\u0435\u0442\u0442\u0438, \u0442\u0435\u043C \u0441\u0430\u043C\u044B\u043C \u0441\u0442\u0430\u0432 \u043F\u043E\u0432\u043E\u0440\u043E\u0442\u043D\u044B\u043C \u043F\u0443\u043D\u043A\u0442\u043E\u043C \u0432 \u0435\u0433\u043E \u0442\u0432\u043E\u0440\u0447\u0435\u0441\u043A\u043E\u0439 \u0431\u0438\u043E\u0433\u0440\u0430\u0444\u0438\u0438. \u041D\u0430\u0442\u0443\u0440\u0449\u0438\u0446\u0435\u0439 \u0434\u043B\u044F \u043A\u0430\u0440\u0442\u0438\u043D\u044B \u0441\u0442\u0430\u043B\u0430 \u0424\u0430\u043D\u043D\u0438 \u041A\u043E\u0440\u043D\u0444\u043E\u0440\u0442. \u0421\u0435\u0439\u0447\u0430\u0441 \u043A\u0430\u0440\u0442\u0438\u043D\u0430 \u043D\u0430\u0445\u043E\u0434\u0438\u0442\u0441\u044F \u0432 \u041C\u0443\u0437\u0435\u0435 \u0438\u0437\u044F\u0449\u043D\u044B\u0445 \u0438\u0441\u043A\u0443\u0441\u0441\u0442\u0432 \u0411\u043E\u0441\u0442\u043E\u043D\u0430."@ru . . . "Bocca Baciata (1859) is a painting by Dante Gabriel Rossetti which represents a turning point in his career. It was the first of his pictures of single female figures, and established the style that was later to become a signature of his work. The model was Fanny Cornforth, the principal inspiration for Rossetti's sensuous figures. The title, meaning \"mouth that has been kissed\", refers to the sexual experience of the subject and is taken from the Italian proverb written on the back of the painting: Bocca baciata non perde ventura, anzi rinnova come fa la luna.\u2018The mouth that has been kissed does not lose its good fortune: rather, it renews itself just as the moon does.\u2019 Rossetti, an accomplished translator of early Italian literature, probably knew the proverb from Boccaccio\u2019s Decameron where it is used as the culmination of the tale of Alatiel: a beautiful Saracen princess who, despite having had sex on perhaps ten thousand occasions with eight separate lovers in the space of four years, successfully presents herself to the King of the Algarve as his virgin bride. Rossetti explained in a letter to William Bell Scott that he was attempting to paint flesh more fully, and to \"avoid what I know to be a besetting fault of mine - & indeed rather common to PR painting - that of stipple in the flesh...Even among the old good painters, their portraits and simpler pictures are almost always their masterpieces for colour and execution; and I fancy if one kept this in view, one might have a better chance of learning to paint at last.\" The painting may have been influenced by Millais's portrait of his sister-in-law Sophie Gray, completed two years earlier."@en . . . "#FBF5DF"@en . "\u00ABBocca Baciata\u00BB \u2014 \u043A\u0430\u0440\u0442\u0438\u043D\u0430 \u0430\u043D\u0433\u043B\u0438\u0439\u0441\u043A\u043E\u0433\u043E \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A\u0430-\u043F\u0440\u0435\u0440\u0430\u0444\u0430\u044D\u043B\u0438\u0442\u0430 \u0414\u0430\u043D\u0442\u0435 \u0413\u0430\u0431\u0440\u0438\u044D\u043B\u044F \u0420\u043E\u0441\u0441\u0435\u0442\u0442\u0438, \u0441\u043E\u0437\u0434\u0430\u043D\u043D\u0430\u044F \u0432 1859 \u0433\u043E\u0434\u0443. \u041F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u0435 \u0431\u044B\u043B\u043E \u043F\u0435\u0440\u0432\u044B\u043C \u043E\u0434\u0438\u043D\u043E\u0447\u043D\u044B\u043C \u0436\u0435\u043D\u0441\u043A\u0438\u043C \u043F\u043E\u0440\u0442\u0440\u0435\u0442\u043E\u043C, \u043D\u0430\u043F\u0438\u0441\u0430\u043D\u043D\u044B\u043C \u0420\u043E\u0441\u0441\u0435\u0442\u0442\u0438, \u0442\u0435\u043C \u0441\u0430\u043C\u044B\u043C \u0441\u0442\u0430\u0432 \u043F\u043E\u0432\u043E\u0440\u043E\u0442\u043D\u044B\u043C \u043F\u0443\u043D\u043A\u0442\u043E\u043C \u0432 \u0435\u0433\u043E \u0442\u0432\u043E\u0440\u0447\u0435\u0441\u043A\u043E\u0439 \u0431\u0438\u043E\u0433\u0440\u0430\u0444\u0438\u0438. \u041D\u0430\u0442\u0443\u0440\u0449\u0438\u0446\u0435\u0439 \u0434\u043B\u044F \u043A\u0430\u0440\u0442\u0438\u043D\u044B \u0441\u0442\u0430\u043B\u0430 \u0424\u0430\u043D\u043D\u0438 \u041A\u043E\u0440\u043D\u0444\u043E\u0440\u0442. \u0421\u0435\u0439\u0447\u0430\u0441 \u043A\u0430\u0440\u0442\u0438\u043D\u0430 \u043D\u0430\u0445\u043E\u0434\u0438\u0442\u0441\u044F \u0432 \u041C\u0443\u0437\u0435\u0435 \u0438\u0437\u044F\u0449\u043D\u044B\u0445 \u0438\u0441\u043A\u0443\u0441\u0441\u0442\u0432 \u0411\u043E\u0441\u0442\u043E\u043D\u0430."@ru . . . . . . . . . . . . . "Bocca Baciata"@en . . "250"^^ . "Bocca Baciata \u00E9s una pintura a l'oli realitzada el 1859 per l'artista prerafaelita Dante Gabriel Rossetti que representa un punt d'inflexi\u00F3 a la seva carrera.Va ser la primera de les seves pintures d'una figura femenina sola, i va establir l'estil que m\u00E9s tard esdevendria la signatura de la seva obra. La model del quadre era , la principal inspiraci\u00F3 per a Rossetti en figures sensuals. El t\u00EDtol significa \"boca petonejada\", fa refer\u00E8ncia a l'experi\u00E8ncia sexual del subjecte i prov\u00E9 del proverbi itali\u00E0 que est\u00E0 escrit al darrere de la pintura: Bocca baciata non perde ventura, anzi rinnova come fa la luna. \u2018La boca que ha estat petonejada no perd el seu sabor, de fet es renova com ho fa la lluna.' Rossetti, un traductor consumat de literatura italiana antiga, probablement coneixia el proverbi del Decamer\u00F3 de Boccaccio on s'utilitza com la culminaci\u00F3 de la hist\u00F2ria de Alatiel: una bella princesa sarra\u00EFna que, tot i haver tingut relacions sexuals en potser deu mil vegades amb vuit amants separats en l'espai de quatre anys, ella mateixa es va presentar amb \u00E8xit al rei de l'Algarve com una n\u00FAvia verge. Rossetti va explicar en una carta a William Bell Scott que estava tractant de pintar carn m\u00E9s plenament, i per \"evitar el que jo s\u00E9 que \u00E9s un error meu que m'afligeix - i de fet bastant com\u00FA en la pintura prerafaelita- el fet de puntejar per representar la carn .. .fins i tot entre els vells bons pintors, els seus retrats i fotografies m\u00E9s simples s\u00F3n gaireb\u00E9 sempre les seves obres mestres pel color i l'execuci\u00F3, i m'imagino si es mant\u00E9 a la vista, un podria tenir una millor oportunitat d'aprendre a pintar finalment\". La pintura podria haver-hi estat influ\u00EFda pel retrat fet per John Everett Millais de la seva cunyada , completat dos anys abans."@ca . . . "32.1"^^ . . . "Bocca Baciata"@en . . . . . . . . . . . . . "Dante Gabriel Rossetti Bocca Baciata 1859.png"@en . "1107071148"^^ . . . . . . . . . "in"@en . . "Bocca Baciata"@ca . . .