. . . . . "2018-01-08"^^ . . . . . "\u8D39\u65AF\u56FE\u65AF\u00B7\u514B\u52B3\u8FEA\u4E4C\u65AF\u00B7\u201C\u514B\u52B3\u5FB7\u201D\u00B7\u9EA6\u51EF \uFF08Festus Claudius \"Claude\" McKay\uFF0C1890\u5E749\u670815\u65E5\uFF0D1948\u5E745\u670822\u65E5\uFF09\u662F\u4E00\u540D\u7259\u4E70\u52A0\u88D4\u7F8E\u56FD\u4F5C\u5BB6\u3001\u8BD7\u4EBA\uFF0C\u54C8\u83B1\u59C6\u6587\u827A\u590D\u5174\u91CD\u8981\u4EBA\u7269\u3002\u4ED6\u51FA\u751F\u4E8E\u7259\u4E70\u52A0\uFF0C\u5728\u7F8E\u56FD\u8BFB\u4E66\u5E76\u57281914\u5E74\u79FB\u6C11\u7EBD\u7EA6\u5E02\uFF0C1919\u5E74\u5199\u4E0B\u6210\u540D\u4F5C\u300A\u5982\u679C\u6211\u4EEC\u5FC5\u987B\u6B7B\u300B\uFF08If We Must Die\uFF09\u3002"@zh . . "Festus Claudius \"Claude\" McKay OJ (September 15, 1890 \u2013 May 22, 1948) was a Jamaican-American writer and poet. He was a central figure in the Harlem Renaissance. Born in Jamaica, McKay first travelled to the United States to attend college, and encountered W. E. B. Du Bois's The Souls of Black Folk which stimulated McKay's interest in political involvement. He moved to New York City in 1914 and in 1919 he wrote \"If We Must Die\", one of his best known works, a widely reprinted sonnet responding to the wave of white-on-black race riots and lynchings following the conclusion of the First World War."@en . . . . . . . . . . . . . . . . . . . "Home to Harlem ;"@en . "Claude McKay"@es . . . . . "Writer, poet, journalist"@en . . . . . . . . . . . "Claude McKay (Clarendon, 1889ko irailaren\u202F15a - Chicago, 1948ko maiatzaren\u202F22a) jamaikar poeta izan zen. Komunista izan zen gaztetan, eta ez zen alderdiko kide izatera iritsi, baina Sobietar Batasunera bisita egin ondoren, esperientziari buruz idatzi zuen. McKayk Harlemgo Pizkundean (ingelesez: Harlem Renaissance) parte hartu zuen, eta hiru eleberri idatzi zituen: Home to Harlem (1928), salmenta-arrakasta, Urrezko Harmon literatura saria irabazi zuena, Banjo (1929), eta Bananas Bottom (1933). McKayk kontakizun-laburren bilduma bat ere idatzi zuen, Gingertown (1932), baita bi liburu autobiografiko ere: A Long Way from Home (1937) eta Harlem: Negro Metropolis (1940). Harlem Shadows (1922) bere poesia-liburua Harlemen berpizkundeko lehen argitalpenen artean egon zen. Selected Poems (1953) ber"@eu . "Claude McKay, f\u00F6dd 15 september 1889, d\u00F6d 22 maj 1948, var en amerikansk poet. McKay f\u00F6ddes p\u00E5 Jamaica och kom i 20-\u00E5rs\u00E5ldern till USA, och visades sedan bland annat i Frankrike. McKay skrev bland annat diktsamlingarna Songs of Jamaica (1912), Spring in New Hampshire (1920), Harlem shadows (1922) och de sj\u00E4lvbiografiskt h\u00E5llna Home to Harlem (1928) och Banjo (1929). Med f\u00F6rk\u00E4rlek h\u00E4mtade han sina motiv fr\u00E5n Harlem."@sv . . . . . . "Festus Claudius McKay"@en . . . . "Claude McKay"@en . "A Long Way from Home"@en . . . . "Claude McKay"@it . . . . . . . . . "Harlem Shadows ;"@en . . "Festus Claudius \"Claude\" McKay (Clarendon, 15 de setembro de 1889 \u2014 Chicago, 22 de maio de 1948) foi um escritor e poeta jamaicano-americano, que foi uma figura seminal no Renascimento do Harlem. Claude McKay, ap\u00F3s \"ter tido muita f\u00E9 no agnosticismo\", se converteu \u00E0 Igreja Cat\u00F3lica: \"Se aceito os cat\u00F3licos em um pa\u00EDs crist\u00E3o \u00E9 simplesmente porque acredito de todo cora\u00E7\u00E3o que a Igreja Cat\u00F3lica \u00E9 a Igreja tradicional e verdadeira\"."@pt . . "Claude McKay (parrocchia di Clarendon, 15 settembre 1889 \u2013 Chicago, 22 maggio 1948) \u00E8 stato uno scrittore e poeta giamaicano. In giovent\u00F9 era stato un comunista, ma dopo un viaggio in Unione Sovietica appur\u00F2 che il comunismo era troppo rigido e limitante. Non fu comunque mai un vero membro del Partito Comunista. McKay fece parte del movimento dell'Harlem Renaissance e scrisse tre romanzi: Home to Harlem (1928), un best seller che vinse l'Harmon Gold Award for Literature, Banjo (1929), e Banana Bottom (1933). Fu inoltre autore di una raccolta di racconti, Gingertown (1932), e di due libri autobiografici, A Long Way from Home (1937) e Harlem: Negro Metropolis (1940). Il suo libro di poesie, Harlem Shadows (1922), fu tra i primi libri pubblicati durante l'Harlem Renaissance. Una sua raccolta di poesie scelte, Selected Poems (1953), fu pubblicata postuma."@it . "\u041A\u043B\u043E\u0434 \u041C\u0430\u043A\u043A\u0435\u0439, \u0441\u043E\u0431\u0441\u0442\u0432\u0435\u043D\u043D\u043E \u0424\u0435\u0441\u0442\u0443\u0441 \u041A\u043B\u0430\u0443\u0434\u0438\u0443\u0441 \u041C\u0430\u043A\u043A\u0435\u0439 (\u0430\u043D\u0433\u043B. Claude McKay, Festus Claudius McKay, 15 \u0441\u0435\u043D\u0442\u044F\u0431\u0440\u044F 1889, \u041D\u0435\u0439\u0440\u043D-\u041A\u0430\u0441\u0442\u043B, , \u042F\u043C\u0430\u0439\u043A\u0430 \u2014 22 \u043C\u0430\u044F 1948, \u0427\u0438\u043A\u0430\u0433\u043E) \u2014 \u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u043A\u0438\u0439 \u043F\u0438\u0441\u0430\u0442\u0435\u043B\u044C \u0432\u0435\u0441\u0442-\u0438\u043D\u0434\u0441\u043A\u043E\u0433\u043E \u043F\u0440\u043E\u0438\u0441\u0445\u043E\u0436\u0434\u0435\u043D\u0438\u044F, \u043A\u043B\u0430\u0441\u0441\u0438\u043A \u0432\u0435\u0441\u0442-\u0438\u043D\u0434\u0441\u043A\u043E\u0439 \u043B\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044B, \u043E\u0434\u0438\u043D \u0438\u0437 \u0430\u043A\u0442\u0438\u0432\u043D\u044B\u0445 \u0434\u0435\u044F\u0442\u0435\u043B\u0435\u0439 \u0433\u0430\u0440\u043B\u0435\u043C\u0441\u043A\u043E\u0433\u043E \u0440\u0435\u043D\u0435\u0441\u0441\u0430\u043D\u0441\u0430."@ru . . . . . . "1948-05-22"^^ . . . . "47462"^^ . . . . . . "English"@en . . . . . . "Claude McKay"@fr . . . . . . "Claude McKay"@en . . . . . "Claude McKay (parrocchia di Clarendon, 15 settembre 1889 \u2013 Chicago, 22 maggio 1948) \u00E8 stato uno scrittore e poeta giamaicano. In giovent\u00F9 era stato un comunista, ma dopo un viaggio in Unione Sovietica appur\u00F2 che il comunismo era troppo rigido e limitante. Non fu comunque mai un vero membro del Partito Comunista. McKay fece parte del movimento dell'Harlem Renaissance e scrisse tre romanzi: Home to Harlem (1928), un best seller che vinse l'Harmon Gold Award for Literature, Banjo (1929), e Banana Bottom (1933)."@it . . . "Claude McKay"@pt . . . . . . . . . . . . . . . "t"@en . . . . . . "Claude McKay (Clarendon Parish, Jamaica, 15 de septiembre de 1889\u200B \u2013 Chicago, 22 de mayo de 1948), fue un escritor y poeta jamaicano. Comunista en su juventud, no lleg\u00F3 a hacerse miembro del partido aunque, tras realizar una visita a la Uni\u00F3n Sovi\u00E9tica, escribi\u00F3 sobre la experiencia muy favorablemente. McKay particip\u00F3 en el Renacimiento de Harlem (Harlem Renaissance), y escribi\u00F3 tres novelas: Home to Harlem (1928), \u00E9xito de ventas con el que gan\u00F3 el premio Harmon de oro de literatura, Banjo (1929), y Bananas Bottom (1933). McKay tambi\u00E9n escribi\u00F3 una colecci\u00F3n de relatos cortos, Gingertown (1932), y dos libros autobiogr\u00E1ficos: A Long Way from Home (1937) y Harlem: Negro Metropolis (1940). Su libro de poes\u00EDa, Harlem Shadows (1922) estuvo entre las primeras publicaciones del renacimiento de H"@es . . . . . . . . . . . . . "\u0643\u0644\u0648\u062F \u0645\u0643\u0627\u064A"@ar . . . . . . . . . . . . . . . . . . . . "1890-09-15"^^ . "Claude McKay"@de . . "Claude McKay"@en . . . . . . . . . . . . . . . "Festus Claudius McKay"@en . "1890-09-15"^^ . . . . . . . . . . . . "\"If We Must Die\" ;"@en . . . . . "Claude McKay adalah penulis dan pengarang puisi berkulit hitam. Dia dilahirkan dengan nama Festus Claudius McKay pada tanggal 15 September 1890 di , Jamaika. Claude merupakan anak terakhir dari tujuh bersaudara, dengan orang tua Thomas Francis dan Elizabeth Edwards McKay. Semasa hidupnya, Claude banyak menulis berbagai puisi, fiksi, dan prosa non-fiksi yang berkaitan dengan kehidupan masyarakat kulit hitam dan kulit putih. Beberapa karya yang ditulisnya adalah Harlem Shadows (1992), The Negros of America (1923), Banana Bottom (1961), dan Harlem: Negro Metropolis (1940). Dia adalah orang kulit hitam pertama yang menerima medali Institut Seni dan Sains Jamaika. Claude McKay meninggal pada 22 Mei 1948 di Chicago, Amerika Serikat."@in . . . . "Festus Claudius \"Claude\" McKay (Clarendon, 15 de setembro de 1889 \u2014 Chicago, 22 de maio de 1948) foi um escritor e poeta jamaicano-americano, que foi uma figura seminal no Renascimento do Harlem. Claude McKay, ap\u00F3s \"ter tido muita f\u00E9 no agnosticismo\", se converteu \u00E0 Igreja Cat\u00F3lica: \"Se aceito os cat\u00F3licos em um pa\u00EDs crist\u00E3o \u00E9 simplesmente porque acredito de todo cora\u00E7\u00E3o que a Igreja Cat\u00F3lica \u00E9 a Igreja tradicional e verdadeira\"."@pt . . . . . . . "305569"^^ . . . . . . . . . . . . . . . . . . . . . "Claude McKay"@en . . . . . . . "\u0643\u0644\u0648\u062F \u0645\u0643\u0627\u064A (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: Claude McKay)\u200F \u0647\u0648 \u0643\u0627\u062A\u0628 \u0648\u0634\u0627\u0639\u0631 \u062C\u0627\u0645\u0627\u064A\u0643\u064A\u060C \u0648\u0644\u062F \u0641\u064A 15 \u0633\u0628\u062A\u0645\u0628\u0631 1889 \u0641\u064A \u0623\u0628\u0631\u0634\u064A\u0629 \u0643\u0644\u0627\u0631\u0646\u062F\u0648\u0646 \u0641\u064A \u062C\u0627\u0645\u0627\u064A\u0643\u0627\u060C \u0648\u062A\u0648\u0641\u064A \u0641\u064A 22 \u0645\u0627\u064A\u0648 1948 \u0641\u064A \u0634\u064A\u0643\u0627\u063A\u0648 \u0641\u064A \u0627\u0644\u0648\u0644\u0627\u064A\u0627\u062A \u0627\u0644\u0645\u062A\u062D\u062F\u0629 \u0628\u0633\u0628\u0628 \u0646\u0648\u0628\u0629 \u0642\u0644\u0628\u064A\u0629."@ar . . . "\u514B\u52B3\u5FB7\u00B7\u9EA6\u51EF"@zh . . . . . . . . "Festus Claudius \"Claude\" McKay OJ (September 15, 1890 \u2013 May 22, 1948) was a Jamaican-American writer and poet. He was a central figure in the Harlem Renaissance. Born in Jamaica, McKay first travelled to the United States to attend college, and encountered W. E. B. Du Bois's The Souls of Black Folk which stimulated McKay's interest in political involvement. He moved to New York City in 1914 and in 1919 he wrote \"If We Must Die\", one of his best known works, a widely reprinted sonnet responding to the wave of white-on-black race riots and lynchings following the conclusion of the First World War. A poet from the first, he also wrote five novels and a novella: Home to Harlem (1928), a best-seller that won the Harmon Gold Award for Literature; Banjo (1929); Banana Bottom (1933); Romance in Marseille (written in 1933, published in 2020), a novella, Harlem Glory (written in 1938-1940, published in 1990), and in 1941 a novel, Amiable With Big Teeth: A Novel of the Love Affair Between the Communists and the Poor Black Sheep of Harlem, which remained unpublished until 2017. Besides these novels and four published collections of poetry, McKay also authored a collection of short stories, Gingertown (1932); two autobiographical books, A Long Way from Home (1937) and My Green Hills of Jamaica (published posthumously in 1979); and Harlem: Negro Metropolis (1940), consisting of eleven essays on the contemporary social and political history of Harlem and Manhattan, concerned especially with political, social and labor organizing. His 1922 poetry collection, Harlem Shadows, was among the first books published during the Harlem Renaissance and his novel Home To Harlem was a watershed contribution to its fiction. His Selected Poems was published posthumously, in 1953. His Complete Poems (2004) includes almost ninety pages of poetry written between 1923 and the late 1940s, most of it previously unpublished, a crucial addition to his poetic oeuvre. McKay was introduced to British Fabian socialism in his teens by his elder brother and tutor Uriah Theodore, and after moving to the United States in his early 20s encountered the American socialist left in the work of W. E. B. Du Bois and through his membership in the Industrial Workers of the World (IWW) \u2014 the only American left-labor organization of the era that was totally open to Negro members (as he comments), continuing the tradition of the populist People's Party of the previous generation. In the course of the teens he became acquainted with the writings of Marx and the programs of a variety of activists. As a co-editor of The Liberator magazine, he came into conflict with its hard-line Leninist doctrinaire editor Mike Gold, a contention which contributed to his leaving the magazine. In 1922\u20131923 he traveled to the Soviet Union to attend a Congress of the International, there encountering his friend Liberator publisher Max Eastman, a delegate to the Congress. In Russia, McKay was widely feted by the Communist Party. While there, he worked with a Russian writer to produce two books which were published in Russian, The Negroes of America (1923), a critical examination of American black-white racism from a Marxist class-conflict perspective, and Trial By Lynching (1925); translations of these books back into English appeared in 1979 and 1977 respectively; McKay's original English texts are apparently lost. In the Soviet Union McKay eventually concluded that, as he says of a character in Harlem Glory, he \"saw what he was shown.\" Realizing that he was being manipulated and used by the Party apparatus, and responding critically to the authoritarian bent of the Soviet regime, he left for Western Europe in 1923, first for Hamburg, then Paris, then the South of France, Barcelona and Morocco. After his return to Harlem in 1934 he found himself in frequent contention with the Stalinist New York City Communist Party which sought to dominate the left politics and writing community of the decade. His prose masterpiece, A Long Way From Home, was attacked in the New York City press on doctrinaire Stalinist grounds. This conflict is reflected in Harlem: Negro Metropolis and satirized in Amiable With Big Teeth. His sonnet sequence, \"The Cycle,\" published posthumously in the Complete Poems, deals at length with McKay's confrontation with the left political machine of the time. Increasingly ill in the mid-40s, he was rescued from extremely impoverished circumstances by a Catholic Worker friend and installed in a communal living situation; later in the decade he converted to Catholicism."@en . . . . . . . . . . . . . . . . . . "\u041C\u0430\u043A\u043A\u0435\u0439, \u041A\u043B\u043E\u0434"@ru . "Claude McKay (Clarendon, 1889ko irailaren\u202F15a - Chicago, 1948ko maiatzaren\u202F22a) jamaikar poeta izan zen. Komunista izan zen gaztetan, eta ez zen alderdiko kide izatera iritsi, baina Sobietar Batasunera bisita egin ondoren, esperientziari buruz idatzi zuen. McKayk Harlemgo Pizkundean (ingelesez: Harlem Renaissance) parte hartu zuen, eta hiru eleberri idatzi zituen: Home to Harlem (1928), salmenta-arrakasta, Urrezko Harmon literatura saria irabazi zuena, Banjo (1929), eta Bananas Bottom (1933). McKayk kontakizun-laburren bilduma bat ere idatzi zuen, Gingertown (1932), baita bi liburu autobiografiko ere: A Long Way from Home (1937) eta Harlem: Negro Metropolis (1940). Harlem Shadows (1922) bere poesia-liburua Harlemen berpizkundeko lehen argitalpenen artean egon zen. Selected Poems (1953) bere poema-antologia, hil ondoren argitaratu zuten."@eu . . . . . . . . . . . . "1124818043"^^ . . . . . . . . . . . . . . . . "Claude McKay"@sv . . . . . . . . . . . . . . . . . . . . . . "Claude McKay, f\u00F6dd 15 september 1889, d\u00F6d 22 maj 1948, var en amerikansk poet. McKay f\u00F6ddes p\u00E5 Jamaica och kom i 20-\u00E5rs\u00E5ldern till USA, och visades sedan bland annat i Frankrike. McKay skrev bland annat diktsamlingarna Songs of Jamaica (1912), Spring in New Hampshire (1920), Harlem shadows (1922) och de sj\u00E4lvbiografiskt h\u00E5llna Home to Harlem (1928) och Banjo (1929). Med f\u00F6rk\u00E4rlek h\u00E4mtade han sina motiv fr\u00E5n Harlem."@sv . . . . "Festus Claudius \u201EClaude\u201C McKay (* 15. September 1889 in , Clarendon, Jamaika; \u2020 22. Mai 1948 in Chicago, USA) war ein jamaikanischer Dichter und Romanautor. Er war einer der fr\u00FChesten Vertreter der Harlem Renaissance."@de . . . . . . . . . . . . . . . . . . . . "\u8D39\u65AF\u56FE\u65AF\u00B7\u514B\u52B3\u8FEA\u4E4C\u65AF\u00B7\u201C\u514B\u52B3\u5FB7\u201D\u00B7\u9EA6\u51EF \uFF08Festus Claudius \"Claude\" McKay\uFF0C1890\u5E749\u670815\u65E5\uFF0D1948\u5E745\u670822\u65E5\uFF09\u662F\u4E00\u540D\u7259\u4E70\u52A0\u88D4\u7F8E\u56FD\u4F5C\u5BB6\u3001\u8BD7\u4EBA\uFF0C\u54C8\u83B1\u59C6\u6587\u827A\u590D\u5174\u91CD\u8981\u4EBA\u7269\u3002\u4ED6\u51FA\u751F\u4E8E\u7259\u4E70\u52A0\uFF0C\u5728\u7F8E\u56FD\u8BFB\u4E66\u5E76\u57281914\u5E74\u79FB\u6C11\u7EBD\u7EA6\u5E02\uFF0C1919\u5E74\u5199\u4E0B\u6210\u540D\u4F5C\u300A\u5982\u679C\u6211\u4EEC\u5FC5\u987B\u6B7B\u300B\uFF08If We Must Die\uFF09\u3002"@zh . . . . . "Claude McKay (15 septembre 1889 - 22 mai 1948) est un romancier et po\u00E8te jama\u00EFcain, puis naturalis\u00E9 am\u00E9ricain. Il a fait partie du mouvement litt\u00E9raire de la Renaissance de Harlem (Harlem Renaissance). Il est l'auteur de trois romans : Home to Harlem en 1928 (Ghetto noir), un best-seller qui lui valut le Harmon Gold Award for Literature, Banjo en 1929, et Banana Bottom en 1933. Claude McKay est aussi l'auteur d'un recueil de nouvelles, Gingertown en 1932 et de deux autobiographies, A Long Way from Home en 1937 et Harlem: Negro Polis en 1940. Sa po\u00E9sie, lyrique, nostalgique, et sociale, en fait un auteur majeur de la litt\u00E9rature afro-am\u00E9ricaine de la premi\u00E8re moiti\u00E9 du XXe si\u00E8cle. Il fut un grand voyageur, passant la majeure partie de sa vie entre les \u00C9tats-Unis, l'Europe et le Maroc. Il visita longuement l'URSS apr\u00E8s la R\u00E9volution d'Octobre. Marqu\u00E9 par le racisme et la s\u00E9gr\u00E9gation, il \u00E9tait un auteur engag\u00E9 dans les milieux r\u00E9volutionnaires et activistes en faveur des droits civiques, mais il resta toujours critique des appareils politiques. Malade et sans illusion, il se convertit au catholicisme \u00E0 la fin de sa vie."@fr . . . . . . "Claude McKay"@in . . . "Claude McKay"@eu . . "Claude McKay (Clarendon Parish, Jamaica, 15 de septiembre de 1889\u200B \u2013 Chicago, 22 de mayo de 1948), fue un escritor y poeta jamaicano. Comunista en su juventud, no lleg\u00F3 a hacerse miembro del partido aunque, tras realizar una visita a la Uni\u00F3n Sovi\u00E9tica, escribi\u00F3 sobre la experiencia muy favorablemente. McKay particip\u00F3 en el Renacimiento de Harlem (Harlem Renaissance), y escribi\u00F3 tres novelas: Home to Harlem (1928), \u00E9xito de ventas con el que gan\u00F3 el premio Harmon de oro de literatura, Banjo (1929), y Bananas Bottom (1933). McKay tambi\u00E9n escribi\u00F3 una colecci\u00F3n de relatos cortos, Gingertown (1932), y dos libros autobiogr\u00E1ficos: A Long Way from Home (1937) y Harlem: Negro Metropolis (1940). Su libro de poes\u00EDa, Harlem Shadows (1922) estuvo entre las primeras publicaciones del renacimiento de Harlem. Su libro de poemas escogidos, Selected Poems (1953), fue publicado p\u00F3stumamente."@es . "1948-05-22"^^ . . . . "Festus Claudius \u201EClaude\u201C McKay (* 15. September 1889 in , Clarendon, Jamaika; \u2020 22. Mai 1948 in Chicago, USA) war ein jamaikanischer Dichter und Romanautor. Er war einer der fr\u00FChesten Vertreter der Harlem Renaissance."@de . . "Songs of Jamaica ;"@en . . . . . . . . . . . . . . . "\u0643\u0644\u0648\u062F \u0645\u0643\u0627\u064A (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: Claude McKay)\u200F \u0647\u0648 \u0643\u0627\u062A\u0628 \u0648\u0634\u0627\u0639\u0631 \u062C\u0627\u0645\u0627\u064A\u0643\u064A\u060C \u0648\u0644\u062F \u0641\u064A 15 \u0633\u0628\u062A\u0645\u0628\u0631 1889 \u0641\u064A \u0623\u0628\u0631\u0634\u064A\u0629 \u0643\u0644\u0627\u0631\u0646\u062F\u0648\u0646 \u0641\u064A \u062C\u0627\u0645\u0627\u064A\u0643\u0627\u060C \u0648\u062A\u0648\u0641\u064A \u0641\u064A 22 \u0645\u0627\u064A\u0648 1948 \u0641\u064A \u0634\u064A\u0643\u0627\u063A\u0648 \u0641\u064A \u0627\u0644\u0648\u0644\u0627\u064A\u0627\u062A \u0627\u0644\u0645\u062A\u062D\u062F\u0629 \u0628\u0633\u0628\u0628 \u0646\u0648\u0628\u0629 \u0642\u0644\u0628\u064A\u0629."@ar . . . . . . . "\u041A\u043B\u043E\u0434 \u041C\u0430\u043A\u043A\u0435\u0439, \u0441\u043E\u0431\u0441\u0442\u0432\u0435\u043D\u043D\u043E \u0424\u0435\u0441\u0442\u0443\u0441 \u041A\u043B\u0430\u0443\u0434\u0438\u0443\u0441 \u041C\u0430\u043A\u043A\u0435\u0439 (\u0430\u043D\u0433\u043B. Claude McKay, Festus Claudius McKay, 15 \u0441\u0435\u043D\u0442\u044F\u0431\u0440\u044F 1889, \u041D\u0435\u0439\u0440\u043D-\u041A\u0430\u0441\u0442\u043B, , \u042F\u043C\u0430\u0439\u043A\u0430 \u2014 22 \u043C\u0430\u044F 1948, \u0427\u0438\u043A\u0430\u0433\u043E) \u2014 \u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u043A\u0438\u0439 \u043F\u0438\u0441\u0430\u0442\u0435\u043B\u044C \u0432\u0435\u0441\u0442-\u0438\u043D\u0434\u0441\u043A\u043E\u0433\u043E \u043F\u0440\u043E\u0438\u0441\u0445\u043E\u0436\u0434\u0435\u043D\u0438\u044F, \u043A\u043B\u0430\u0441\u0441\u0438\u043A \u0432\u0435\u0441\u0442-\u0438\u043D\u0434\u0441\u043A\u043E\u0439 \u043B\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044B, \u043E\u0434\u0438\u043D \u0438\u0437 \u0430\u043A\u0442\u0438\u0432\u043D\u044B\u0445 \u0434\u0435\u044F\u0442\u0435\u043B\u0435\u0439 \u0433\u0430\u0440\u043B\u0435\u043C\u0441\u043A\u043E\u0433\u043E \u0440\u0435\u043D\u0435\u0441\u0441\u0430\u043D\u0441\u0430."@ru . . . . . . "Claude McKay (15 septembre 1889 - 22 mai 1948) est un romancier et po\u00E8te jama\u00EFcain, puis naturalis\u00E9 am\u00E9ricain. Il a fait partie du mouvement litt\u00E9raire de la Renaissance de Harlem (Harlem Renaissance). Il est l'auteur de trois romans : Home to Harlem en 1928 (Ghetto noir), un best-seller qui lui valut le Harmon Gold Award for Literature, Banjo en 1929, et Banana Bottom en 1933. Claude McKay est aussi l'auteur d'un recueil de nouvelles, Gingertown en 1932 et de deux autobiographies, A Long Way from Home en 1937 et Harlem: Negro Polis en 1940. Sa po\u00E9sie, lyrique, nostalgique, et sociale, en fait un auteur majeur de la litt\u00E9rature afro-am\u00E9ricaine de la premi\u00E8re moiti\u00E9 du XXe si\u00E8cle. Il fut un grand voyageur, passant la majeure partie de sa vie entre les \u00C9tats-Unis, l'Europe et le Maroc. Il vi"@fr . . . . . . . . . . "Claude McKay adalah penulis dan pengarang puisi berkulit hitam. Dia dilahirkan dengan nama Festus Claudius McKay pada tanggal 15 September 1890 di , Jamaika. Claude merupakan anak terakhir dari tujuh bersaudara, dengan orang tua Thomas Francis dan Elizabeth Edwards McKay. Semasa hidupnya, Claude banyak menulis berbagai puisi, fiksi, dan prosa non-fiksi yang berkaitan dengan kehidupan masyarakat kulit hitam dan kulit putih. Beberapa karya yang ditulisnya adalah Harlem Shadows (1992), The Negros of America (1923), Banana Bottom (1961), dan Harlem: Negro Metropolis (1940). Dia adalah orang kulit hitam pertama yang menerima medali Institut Seni dan Sains Jamaika. Claude McKay meninggal pada 22 Mei 1948 di Chicago, Amerika Serikat."@in .